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12 of 12 people found the following review helpful:
5.0 out of 5 stars
A Soundtrack Worthy of This Delightful Film!, April 27, 2000
This review is from: William Shakespeare's A Midsummer Night's Dream: Original Motion Picture Soundtrack (Audio CD)
I was enchanted with this film's version of Shakespeare's most magical play, and the soundtrack was among its greatest delights. The classical pieces are superbly selected from among the most romantic in Western music, such as Mendelssohn's musical version of the play, and arias from Verdi, Puccini, Bellini and Donizetti. I was especially pleased by the inclusion of the "Intermezzo" from Mascagni's "Cavalleria Rusticana," a gorgeous interlude in an otherwise dark opera. But I was most enthralled by the Oriental and highly original quality of Simon Boswell's score for the Fairy scenes--the contrast between the fairies' exotic music and the mortals' beautiful classical music clearly emphasized the very separate worlds that they inhabited. This score is every bit as enchanting as Shakespeare's Midsummer Night of mixed-up romance and magic!
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Everyone's all upset about Yanni...., February 10, 2000
This review is from: William Shakespeare's A Midsummer Night's Dream: Original Motion Picture Soundtrack (Audio CD)
If you want Yanni, buy a Yanni CD. OK? If you want beautiful classical melodies written by Mendelsohn and wonderful, REAL, arias and duets sung by the incomparable Cecilia Bartoli, Renee Fleming et al, then buy this CD. It's amazing. Everyone I know loves it, whether their primary musical interest is classical or not - mine isn't.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
A Musical Dream: A Listening Pleasure, October 25, 2003
A Kid's Review
This review is from: William Shakespeare's A Midsummer Night's Dream: Original Motion Picture Soundtrack (Audio CD)
The soundtrack and score to this film version of Shakespeare's "A Midsummer Night's Dream " is a breathtaking and beautiful collection. Despite the complaint that the Flower Duet from Lakme (which was apparently featured in the trailer for this film) was not used means really nothing when you hear what they cooked up for this great musical compilation album. As we know, Shakespeare was English and in the past "A Midsummer Night Dream" movies had a very English, jolly and bouncy kind of music. Simon Boswell wanted to try something different. What he came up with was a very avant garde and fascinating musical score. He combined the music that Felix Mendelsshon composed for A Midsummer Night's Dream in the 19th century (here we get to hear the Overture and the famous Wedding March which is used in movies depicting a wedding and even on actual weddings) and Simon Boswell also gathered some bel canto Italian opera excerpts. In addition, his original music is interpolated. Simon Boswell's original music is appropriately exotic, mystic and fairy-like. After all, we are leaving the human and civilized world of the adults and into a world of tiny people in the woods. The original music sounds Hindi and Oriental, spiritual, chamber music style, a blissful integrated music of Western and Eastern. As for the human touch, Simon Boswell (as explained in the liner notes) decided that the humans introduce opera which is foreign to the fairies- and in many cases, to us people of the pop culture of 2003. The opera he uses was appropriate and relevant in turn of the century Italy, the time the film is set. The film starred Kevin Klein, Michelle Pfeiffer and Calista Flockheart, a group of Edwardians who are tangled up in a chaotic romantic mess in the woods. The selections from the operas here are excellent. Brand names and recognizable stars of today's opera world are featured. They are Luciano Pavoratti (whom everyone knows and can hear from miles away with his extremely loud voice), the beautiful and vocally talented Renee Fleming who sings the best version of Bellini's Casta Diva from the opera Norma and Roberto Alagna, who sings an incredibly moving "Una Furtiva Lagrima" from Donizetti's "L'Elisir D'Amore". Let's not forget the highly acclaimed mezzo soprano Cecilia Bartoli who sings a sensational finale to Rossini's "Cenerentola" or Cinderella. Cecilia's excellent Italian diction, strong voice and dazzling coloratura technique is a pleasure to hear. This cd is a very lovely collection to have. Five stars all the way. Kudos to Simon Boswell.
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