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7 of 9 people found the following review helpful:
5.0 out of 5 stars
true masterpiece of gay (erotic/mystery) cinema, December 25, 2003
By A Customer
This is quite simply a precious gem of queer filmmaking. From the extravagant, lush shots of of the twinkling NYC skyline interspersed with the raw and gritty back alleys and cheap bars they hide -- to the many erotically charged, voyeuristic snippets of the NYC hustler world, teeming as it does here with gorgeous boys for rent -- to the move-you-to-tears performances of a top-notch cast -- this is a pure winner as entertainment and as art.Ian McCrudden's direction is nearly flawless here, whether he's revving his audience up with smoldering not-quite-but-almost-pornographic action shots featuring the gorgeous Alex Feldman (and several other unnamed hotties you may recognize from more, er, "artistic" films -- blessedly, these actors don't need large speaking parts here), or whether he's leading you down the shadowy, forlorn path of the emotional mystery story that forms the core of his plot. Skilled craftsmanship and a keen sense of style were required to elevate this world of "smut" to these artistic heights. You will grieve for Bobby Blue as his world is shattered by Mr. Smith's secret. And you will at once love and hate -- and fear -- Mr. Smith for thrusting his mysterious presence into the world he himself made, and for suffering so brutally the consequences. (It isn't quite Hitchcock, and it isn't quite Chi Chi LaRue, but there are brilliant elements of both here.) McCrudden may be legitimately questioned on one score: Are the hustlers' encounters so erotic and the climactic violent acts so brutal that they detract from the very human story that he is trying to tell? Perhaps. But perhaps it is with intent that he means to contrast the startling emotional impact of this story with the raw, super-sexualized energy of the world that frames these weak, lost characters. Either way, this film will yank you from Hollywood's sanitized world of play-acting and move you on many different levels. And, of course, we anxiously await further efforts from the talented Alex Feldman. One hopes that his gifted acting will be as much of a star as his sweaty backside in future films. As both things had significant roles to play here, this lovely and sad film is a wonderful achievement with which to begin writing his resume.
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