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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Recommended for all; from 9 to 90., May 4, 2000
This review is from: Willie Nelson's Greatest Hits (And Some That Will Be) (Audio CD)
This has to be one of the best value Willie Nelson recordings as it shows most of the range and variety of this timeless troubadour. For the fan, a veritable feast;for the interested .....but not quite sure or the Nelson novice;a tremendous selection of twenty songs all superbly performed.From the irrepressible "On The Road Again"......surely one of the all time great foot tappers,? to all time modern country classics such as"Good Hearted Woman" and "My Heroes Have Always Been Cowboys" this album is a treat.The haunting renditions of "Blue Eyes Crying In The Rain" and the Kris Kristofferson composition "Help Me Make It Through The Night" are complemented expertly with the humerous "If Youve Got The Money Honey Ive Got The Time" or the raunchy "Uncloudy Day" Strangely Nelson himself has only three self penned songs from the twenty. In addition to the aforementioned "On The Road Again" they are "Heartaches Of A Fool " and the sensational "Angel Flying Too Close To The Ground " Yes I am biased as I am a "Willie Nelson " fan, however,I would recommend this album to the fan ,the person who wants to find out what Willie Nelson" is all about,or the music lover who wants variety in their collection......Try it! I am sure you will not be disappointed.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Nelson's Superstar Years Represented On This Outstanding Set, May 4, 2000
This review is from: Willie Nelson's Greatest Hits (And Some That Will Be) (Audio CD)
Shania Twain purred, "We're gonna rock this country all over the world." Garth Brooks changed the lyrics to an Aerosmith song to a rodeo story. But Willie Nelson, especially in his first six superstar years with Columbia Records, crossed rock fans to country without patronage or gimmickry. His musical gifts, displayed here on this hits package, tell the story: guitar playing borrowed from jazz and classical styles but laid right into a first-rate country swing band, incisive, poetic songwriting and well chosen, impeccably sung cover choices. Here you'll find the C&W songs that made the whole world sing ("Good Hearted Woman," "On The Road Again," "Blue Eyes Crying In The Rain," "Mamas Don't Let Your Babies...") Nelson's covers of songs made famous by Lefty Frizzell, Elvis Presley and Ray Charles are made fresh by sparse, accoustic guitar-based arrangements, keeping the spirit of the writers' originals. (Only "Faded Love," a duet with Ray Price, comes over a bit too sentimental and lush here). Willie Nelson dressed his unique country music in the garb, hair and attitude of a rocker. This (and great songs played well) has endeared him to three generations of music fans and makes this one of any number of essential Nelson collections (Also check out "Stardust," "Red Headed Stranger," "Across The Borderline," and the Rhino collections "Shotgun Willie" and "Night Life.")
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Whiskey River, take my mind, September 26, 2003
This review is from: Willie Nelson's Greatest Hits (And Some That Will Be) (Audio CD)
They just don't come any cooler than Willie Nelson. And this is a terrific collection of his older music.
Before American country music went _entirely_ corporate-prefab (at least in Nashville), there was a little group of singers and songwriters that people dubbed the 'Outlaws'. Depending who you asked, this group tended to include at least Merle Haggard, Johnny Cash, Waylon Jennings, Kris Kristofferson, and Our Hero.
The tendency (with exceptions) was for these guys to be -- in contrast to the clean-cut down-home simple aw-shucks 'country boy' of popular fancy -- a bunch of rowdy long-haired hippie-redneck maverick-rebel-iconoclast good old bad old boys. It was speculated that they were occasionally less sober than judges, and it was even rumored that one or two of them might perhaps have smoked a little weed once in a while. Their voices were raw, they wore bandanas on their heads instead of around their necks, and their guitars were sort of twangy. The general impression was that you might not want your daughter to date them but they would probably be a helluva lot of fun to go drinking with.
Well, all right, that image was as carefully cultivated in its way as the one it was supposed to replace. But damn, these guys played _real_ country music, like Haink an' Loretty done. Turn on your local country radio station today and you'll hear the contrast at once.
Willie was and is the very coolest of this crew. By the measure of coolness alone, he stands in a class _almost_ by himself -- 'almost' because J.J. Cale and Neil Young also exist. In his way he's every bit as iconoclastic (and even surreal) as Neil. Like Neil, he's something of an acquired taste. And like Neil, he's neither bound by nor terribly interested in our quaint musical conventions and the artificial lines we like to draw between allegedly different types of music. In fact, he might well object to my describing even his early stuff as 'country'.
This particular CD collects most (not all) of his cream-of-the-crop 1980-and-earlier material. It doesn't replace (say) _Red-Headed Stranger_. But it will (a) introduce you to this living legend if you haven't heard much of him before, and (b) provide you a handy disc to pop into your player when you just want to listen to your favorite songs.
The older I get, the more I find myself looking back on the artists I've listened to for the past forty years and discovering which ones really have staying power. Somewhat to my surprise (since I never really considered myself an avid fan of his), Willie is wearing much, much better than most of them.
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