Product Details

• Actors: James Stewart, Shelley Winters, Dan Duryea, Stephen McNally, Millard Mitchell
• Directors: Anthony Mann
• Writers: Borden Chase, Robert L. Richards, Stuart N. Lake
• Producers: Aaron Rosenberg
• Format: Black & White, HiFi Sound, NTSC
• Rated: NR (Not Rated)
• Number of tapes: 1
• Studio: Universal Studios
• VHS Release Date: May 6, 1992
• Run Time: 92 minutes
• Average Customer Review: 4.7 out of 5 stars  See all reviews (55 customer reviews)
• ASIN: 6300184951
• Amazon Best Sellers Rank: #167,873 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Winchester '73 is the first in a remarkable string of five classic westerns that James Stewart made with Anthony Mann in the 1950s (followed by Bend of the River, The Man from Laramie, The Naked Spur, and The Far Country). It is also distinguished for having helped revive the Western at the box office, and for being the first film in which the star forsook a huge up-front salary in favor of a share of the profits--a strategy that made Stewart rich and forever changed the way that Hollywood does business. The movie itself is pretty darned impressive, too. Stewart traces a stolen Winchester rifle through several owners until he finds the man he's looking for. The final spectacular shootout in craggy, mountainous terrain is justly famous. --Jim Emerson

Customer Reviews

Most Helpful Customer Reviews

62 of 64 people found the following review helpful:

5.0 out of 5 stars First Stewart/Mann Teaming a CLASSIC!, June 15, 2003

By 

Benjamin J Burgraff (Las Vegas) - See all my reviews
(TOP 1000 REVIEWER)    (VINE VOICE)   

This review is from: Winchester '73 (DVD)

Winchester '73 is one of the most enduring and popular films of James Stewart's career, for several reasons; it was the first of five teamings with brilliant, underrated director Anthony Mann, who retooled Stewart's drawling, 'aw-shucks' persona into a laconic, edgier, more flawed hero; it featured a brilliant cast, including Shelley Winters, Dan Duryea, Stephen McNally, John McIntyre, and, in VERY early appearances, Rock Hudson and Tony Curtis; visually, it is spectacular, one of the most beautiful Black and White films ever made, with deep-focus photography highlighting rugged Arizona settings that literally leap from the screen; and, most of all, it is a terrific variation of 'Cain and Abel', told through the premise of the search for a 'one-of-a-kind' rifle Stewart wins in a competition, then loses through treachery. It's the kind of film that offers new insights each time you view it, as the actions and motivations of 'good' brother Stewart and 'bad' brother McNally become better understood.

What truly makes this DVD an 'essential', though, is the bonus track...Described as an 'interview' with Stewart, it is actually an audio commentary that runs through the film, offering not only his reflections about the making of Winchester '73, but insights about his career, working with John Ford, Alfred Hitchcock, and his great friends Henry Fonda and John Wayne, even a nice story about his long-time mount, Pie. Recorded several years ago for the laserdisc edition of Winchester '73, it provides a rare opportunity to hear a screen legend reminisce (and makes you wish Wayne and Fonda had lived long enough to have offered personal observations about THEIR classic films!)

This is a DVD NOT to be missed!

31 of 32 people found the following review helpful:

5.0 out of 5 stars Anthony Mann creates a classic, July 19, 2004

By 

M. Dog (Everywhere and Nowhere) - See all my reviews
(VINE VOICE)   

Amazon Verified Purchase

This review is from: Winchester '73 (DVD)

The story goes that in 1950 Jimmy Stewart was looking around for something a little different for himself, something where he could play a character less folksy and warm. He sure did find it in this film, as well as all the other magnificent westerns he did with gritty, noir director, Anthony Mann (T-Men, Raw Deal, Railroaded, etc). This is the first of their collaborations.

When the film was first shown to test audiences, there were titters in the crowd when Jimmy Stewart's name appeared in the credits. "Mr. Smith" in a western? Shooting people? Please. By the end of the film, the tittering was all done and Stewart had established himself as a viable western hero (although in truth the magic of these Mann/Stewart westerns is that the characters Stewart plays are hardly "heroic." They are usually driven, neurotic men, nearly shifty-eyed, with a mean streak a mile wide - bitter men, and always very, very angry and eager to kill.

The basic set-up of this film is beautifully simple: Jimmy Stewart has a prize rifle stolen from him, a Winchester Model 1973 (which at the time the film takes place was state-of-the-art in the world of firearms), and he spends the rest of the movie hunting the man that stole it.

The story unfolds, however, as the movie rolls quickly along to something much more complex, culminating in one of the finest shootouts in movie history. The two principal actors of the film, James Stewart and Stewart McNally, spent a great deal of time practicing with their rifles (in Stewart's case Mann often found him walking around the set with bleeding knuckles, the results of his hours of self-training working the classic lever-action Winchester). Their hard work paid of in a tremendous realism.

Anthony Mann brought in cinematographer, William Daniels, for Winchester '73, a veteran who most notably had worked a great deal with Garbo in the 30's. Daniels brought his tremendous sense of lighting to the table to create one of the most beautiful looking Westerns of all time. Daniels' light, combined with Mann's unmatched visual sense, made things look nearly 3-demensional in their reality. When viewing this film, watch for the staggering long shots, or the scenes near dusk or at night. Pure texture and light - at once glamorous yet real.

This film also has my favorite depiction of aging Western legend, Wyatt Earp, the Law in Dodge, played with easy authority by Will Greer. Greer always offers his suggestions to town folks with a warm smile, as when he asks Stewart to give up his gun in an early scene. There is always a bit of steel in the old gunfighter's eyes, though, and folks always do just as he suggests. Quickly.

All in all a great treat and a must-have for any fan of the Western (or for that matter, any lover of movies). A true classic all the way. --Mykal Banta

9 of 9 people found the following review helpful:

5.0 out of 5 stars Cain and Abel, June 9, 2004

By A Customer

This review is from: Winchester '73 (DVD)

Along with a handful of other titles, this film is right at the summit of the great American Westerns ever made. It came entirely out of the blue as well. It was James Stewart's first serious Western (omitting "Destry Rides Again") and displayed a side of his character his Air Force buddies may have known about but precious few other people did. When Stewart threatens to break Dan Duryea's neck in a bar fight movie audiences must have been seriously taken aback. Doubly shocking is the fact that Stewart is out to gun down his outlaw brother for the murder of their father. Nor was Anthony Mann, the director, known for his Westerns, but this masterpiece simply could not be improved. The show is littered with great performances, especially John McIntire as the gun dealer, and Stewart sidekick Millard Mitchell, who made a huge impact in Hollywood during a very short career. Mitchell also appeared in "Twelve O'Clock High", "The Gunfighter", and "Singin' in the Rain" before dying of lung cancer in 1953.