The Wind Done Gone [Audiobook, Unabridged] [Audio Cassette]

Alice Randall (Author, Reader)

Book Description

Publication Date: August 28, 2001

In an inspired act of literary invention, Alice Randall explodes the world created in Margaret Mitchell's famous 1936 novel, the work that more than any other has defined our image of the antebellum South. Imagine simply that the black characters peopling that world were completely different, not egregious, one-dimensional stereotypes but fully alive, complex human beings. And then imagine, quite plausibly, that at the center of this world moves an illegitimate mulatto woman, and that this woman, Cynara, Cinnamon, or Cindy -- beautiful and brown -- gets to tell her story.
Cindy is born into a world in which she is unacknowledged by her plantation-owning father and passed over by her mother in favor of her white charges. Sold off like so much used furniture, she eventually makes her way back to Atlanta to take up with a prominent white businessman, only to leave him for an aspiring politician of her own color. Moving from the Deep South to the exhilarating freedom of Reconstruction Washington, with its thriving black citizenry, Cindy experiences firsthand the promise of the new era at its dizzying peak, just before it begins to slip away.
Alluding to events in Mitchell's novel but ingeniously and ironically transforming them, THE WIND DONE GONE is an exquisitely written, emotionally complex story of a strong, resourceful black woman breaking away from the damaging world of the Old South to emerge into her own, a person capable of not only receiving but giving love, as daughter, lover, and mother. A book that gives voice to those history has silenced, THE WIND DONE GONE is an elegant literary achievement of significant political force and a novel whose time has finally come.

Editorial Reviews

From Library Journal

Think of Margaret Mitchell's epic Gone with the Wind condensed and told from the perspectives of Mammy and the Tara slaves, and you have Randall's debut novel. This sometimes cryptic but always fascinating story is narrated by Cynara (also Cinnamon or Cindi), the daughter of a slave and a white plantation owner. As the story unfolds, we learn of Cynara's hatred of the white half-sister she calls Other and the privileges bestowed upon Other yet denied Cynara even though they are raised side by side. Both sisters vie for the attentions of Mammy (Cynara's mother and Other's nanny) as children, and for the love of the same man as adults. Through the eyes of Cynara and the other now freed slaves, we get unique perspectives of life on a Southern plantation and of the Reconstruction era. Randall, an established country songwriter, uses language and idiom to haunting and poetic effect. Fans of Toni Morrison's Beloved will enjoy this well-written historical fiction. [Previewed in Prepub Alert, LJ 2/15/01; a trust for Margaret Mitchell's heirs has filed an injunction to stop this book's publication as a violation of copyright. Ed.] Karen Traynor, Sullivan Free Lib., Chittenango, N.
- Karen Traynor, Sullivan Free Lib., Chittenango, NY
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Randall's brilliant first novel tells some of what Margaret Mitchell's Gone with the Wind left untold about the racial underbelly of southern gentility. Cynara is Scarlett O'Hara's half-sister, the child of Captain O'Hara and Mammy, before she made herself sexually unavailable under her enormous weight. Cynara's diary of life as a mulatto at Tara and during Reconstruction reveals jealousy, resentment, hypocrisy, well-guarded family secrets, and personal redemption. She writes of her transformation from resentful slave to independent-minded woman, recalling especially her father's treachery as, unable to bear freeing her, he sells her away from her home to avoid her inevitable fate as bedmate to Scarlett's husband. Yet, through a twist of fate, Cynara ends up in a brothel frequented by Rhett Butler. In Randall's South, slaves aren't childish simpletons but clever manipulators with much more depth and texture of character than Mitchell allowed them in her portrayal of a South without racial brutality and miscegenation. Through Cynara, Randall speaks poignantly for those habitually forgotten or silenced in the history of the Old South. She risks being silenced herself, however, for the trust that owns the copyright for Gone with the Wind is suing to block publication of The Wind Done Gone, and a trust attorney has accused Randall of "wholesale theft of major characters."

Editor's note: As Booklist goes to press, it has been announced that a federal district court in Atlanta has granted an injunction blocking publication of Randall's novel. Houghton Mifflin will appeal the injunction. Vanessa Bush
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Audio Cassette
• Publisher: Mariner Books; Unabridged edition (August 28, 2001)
• Language: English
• ISBN-10: 0618194258
• ISBN-13: 978-0618194254
• Product Dimensions: 6.2 x 3.6 x 2.1 inches
• Shipping Weight: 5 ounces
• Average Customer Review: 2.6 out of 5 stars  See all reviews (243 customer reviews)
• Amazon Best Sellers Rank: #3,552,303 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

78 of 96 people found the following review helpful:

1.0 out of 5 stars Great Premise + Really Bad Author = Awful Book, February 9, 2006

By 

The Pete (Illinois) - See all my reviews
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This review is from: The Wind Done Gone: A Novel (Paperback)

GWTW certainly was one-sided in its portrayal of the Old South, and I can see how that could be a deal killer for a lot of readers. Although I consider GWTW to be one of the greatest pieces of American literature ever written, I was VERY excited by the idea of TWDG. The idea of building a "back story" around the black characters in Mitchell's novel is BRILLIANT! So much could be done with this idea to address issues of race and slavery, as well as to broadside a popular piece of American literature through counterpoint.

Unfortunately, this great idea is wasted because Randall is utterly lacking in talent. The thing that immediately bothered me about TWDG is the extraordinarily poor use of dialect. One sentence has the main character narrating in perfect grammar with strong vocabulary and then in the next sentence she's all "he do dat" and "me go sleep." Randall should have picked one voice for her main character and stuck with it. This alone represents terrible hack writing, but I must go on and say something about the (snicker) "plot."

The plot, which should be subversive and controversial, fails to rise above the trashy romance novel level, and the (I think they're supposed to be shocking) sex scenes wouldn't shock anyone except my Amish Aunt Minnie. I actually laughed out loud several times as I read them because I pictured Clark Gable/Rhett Butler saying some of this ridiculous dialogue.

The plot here is so flaccid that Randall inadvertently undermines her own book. The white characters remain more interesting than any of the black characters. This despite the fact Randall gives them tons of dirty linen to air in an obvious (and pathetic) attempt to make them interesting. Her black characters are non-entities, which I believe was her beef with Mitchell in the first place....right?!

As a result, by writing TWDG, Randall is only spray painting a nasty word on the castle walls of GWTW when what she needed to do was bulldoze the original, dance gleefully on its grave, and create something very powerful in its place. But that would take a skilled writer, and Randall just doesn't have the goods.

"Taking on" GWTW is a great idea, especially to stir up discussion around issues of racism and slavery in our country and our history. However, to do an idea like that justice requires a talented author (i.e., not Alice Randall). Maybe Toni Morrison should take this on? I'd read that!

61 of 76 people found the following review helpful:

5.0 out of 5 stars Amazing, July 1, 2001

By 

"minxkitty" (Chemeketa OR) - See all my reviews

This review is from: The Wind Done Gone: A Novel (Hardcover)

Who in the publisher's house doesn't know the meaning of "parody"? This book is not a parody of "Gone with the Wind" but a moving companion piece to the GWTW world of Margaret Mitchell.

For almost seventy years, we have had Mitchell's view on the old South, the heroine Scarlett O'Hara and "Wind Done Gone" is an amazing work of fiction on the African-American point of view, its heroine, Cynara, Scarlett's half-sister.

The story is told in first person, stream of consciousness, which may be difficult for some to follow, as the author weaves back through Cynara's memories and revelations. Stream of consciousness isn't as straight-forward as a point by point, outlined presentation, but more realistic presents the human experience. I feel the author's style, presenting this as Cynara's diary is a wonderful way to tell this story.

There are some surprises along the way as Alice Randall gives detail to some of Mitchell's characters that were lesser characters to Scarlett and Rhett in GWTW. Not only the twists that change Mammy and Prissy from old derogitory stereotypes, but the detail she spins into the characters of Gerald and Ellen O'Hara, Scarlett's parents. Ellen, here called "Lady", is more interesting here than in the original, I think!

For those who are so affronted that a new frame of reference is given to a historical period, and a **work of fiction**-- well, no book is for "every one". However, look at any other real event in American history - in any country's history - in any one's life- and there is always more than one point of view!!! The original accounts of "Custer's Last Stand" from the Caucasian point of view were vastly different than the Native Americans' account of the battle. The American account of the final days of the defense of the Alamo are sharply contradicted by the Mexican accounts!

If anything, Alice Randall's book adds a richness to Mitchell's classic. And it means I can read GWTW and watch the movie without cringing when it comes to the depiction of the slaves.

I read the reviews on Amazon before I bought this book and have to say I enjoyed this book much more than I expected. Don't get so wrapped up in the mythos of GWTW that you forget that **it is a work of fiction, as is The Wind Done Gone** or that you forget that in art, as well as life, there is always more than one point of view, and the world is not just as it is seen by yourself and your culture!

91 of 116 people found the following review helpful:

1.0 out of 5 stars Can I dislike it because it was bad?, July 17, 2001

By 

E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(VINE VOICE)    (HALL OF FAME REVIEWER)    (TOP 50 REVIEWER)    (REAL NAME)   

This review is from: The Wind Done Gone: A Novel (Hardcover)

The author and accompanying media seem to imply that if you dislike this book, you are clinging to a pro-slavery fictional South portrayed in "Gone with the Wind," that you are being stodgy and unwilling to face facts.

Can I dislike this book just because it was really bad?

Sadly, this volume was not worth the highly-publicized legal battle that was waged over it. Though described as an unauthorized parody from the African-American POV of the time, this book is an utter failure. (Did I mention the title is also pretty bad?)

The book centers on the mulatto half-sister of GWTW lead Scarlett O'Hara, Cynara. Cynara is the daughter of Captain O'Hara ("Planter") and Mammy, Scarlett's strong-minded, down-to-earth nursemaid. "The Wind Done Gone" chronicles Cynara's life in Tara and in the post-Civil War Reconstruction, where she is raised alongside her glamorous half-sister but denied the same love, attention and privileges. Then "Planter" sells her, and she ends up in a brothel. Ironically, one frequenter of the brothel is Rhett Butler, the dashing handsome husband of Scarlett (who is constantly--and irritatingly--referred to as "Other"). She becomes his long-term lover, and naturally we are supposed to sympathize with Cynara and not with "Other..."

Where to begin?

Despite the red sticker on the cover, this is not a parody: a parody indicates humor or satire, of which this book has neither. It's too relentlessly self-conscious of Its Mission to be truly amusing, and too heavy-handed to be a successful satire. (Here's hoping that someone with the witty style of Dave Barry tries a satire of GWTW) The writing style is, like many pieces of literary fiction, rambling and present-tense, sometimes lapsing into stream of consciousness.

As a main character, Cynara fails. While "Other" is decidedly unlikeable in the original work, she has the rare quality of fascination that draws the reader in and makes them read about a character whether they like him/her or not. Sadly, Ms. Randall does not have the capability to do this with her characters; I felt that Cynara's only function in the story was to compare her to "Other." When Cynara got involved with dashing, handsome, virile Rhett Butler ("R") I began to wonder if Cynara was Randall's alter ego. She's annoying contemporary, as well as being delightfully PC; also, I saw little maturing and learning in her thoughts, as well as little of the touted intelligence that she is supposed to have.

Cynara, in fact, spends so much time comparing herself to "Other" that I found the description of "independent-minded woman" irrelevent. She frets constantly about Other's prettiness, her glamor, her relationship with "R"--and it rapidly becomes childish and tiresome.

And though this was touted as a viewpoint from the slaves, I was appalled to see how they were portrayed. This book gave Randall an opportunity to portray the slaves as being oppressed and maltreated, yet retaining inner dignity and will. Rather, she had them violent and aggressive toward others, including the infant sons of "Planter" (chop it down to simple terms "they were killing innocent babies" and it doesn't sound so fair, does it?). I was shocked. REALLY SHOCKED. Like "St. Louis" I was rather disgusted that the worst part of slavery was gleefully twisted around, thus negating its very horror.

I can only imagine why Ms. Randall was so determined that TWDG be a parody of GWTW -- either a deep-seated psychological fixation, or a determination to boost her first book sales. But I do know that had she not been so relentless in her pursuit of making this so-called parody, she could have produced an excellent novel. If you could strip away the preoccupation with GWTW, Scarlett O'Hara, and the PC-ness of it all she could have written a decent novel. (Minus the infanticide mentioned in the previous paragraph, of course)

Quite honestly, I'd have welcomed a witty parody of GWTW that could pointedly show the plight of the slaves and lampoon the "gallant South" (it is admittedly fun to read about). Sadly we'll have to wait for someone else to do so.