| |||||||||||||||||||||||||||||
Save now on Hit TV Comedies such as Married with Children, Community, King of Queens and many more. Offer ends May 31, 2013. |
Frequently Bought Together
What Other Items Do Customers Buy After Viewing This Item?
Product Details
Would you like to update product info or give feedback on images? |
Special Features
- Photo gallery with Filmmaker Commentary
- Bonus Trailers
- Creating the Music Featurette
- Full length Director's Commentary
- In-depth Filmmaker interviews
- Incredible "Making-Of" goes behind the scenes in revealing how this extraordinary film was made
Editorial Reviews
Amazon.com
Product Description
Customer Reviews
But French filmmaker, Jacques Perrin and crew are certainly the real deal. This breathtaking documentary is one that I would unqualifiedly recommend--to just about anyone. Even my "ex" called recently to let me know that this film had left her in tears. I found it equally moving, and plainly I wasn't alone. In fact, when I saw it the whole theater burst into applause at the end.
As others have noted, the camera work on this film is awe inspiring. I have seen a few television docs with this kind of upclose footage before (I think maybe the EYEWITNESS series?), but none have sustained the effect for very long, and most don't pack the emotional wallop of this film.
Between this film and the recent SPELLBOUND, I can see an expanding market for documentaries--at least the more unique and captivating ones. A great film for family viewing, although younger children may be upset by the depiction of some of nature's (and mankind's) harsher realities. Otherwise, a true must-see in a sea of only purported must-sees.
At the beginning of the film there's a disclaimer informing the audience that there were no special effects were used. And so I sat there in wonder of how they were able to achieve all their shots. There's the beauty of birds flying in formation, close up shots of them feeding their young, competing with each other, stopping to rest. And there's one magnificent shot of fleeing an avalanche.
There are different species filmed in different areas of the world. We see the Artic Circle, the American Southwest, the industrial areas of Eastern Europe, the vast oceans, the skyline of cities and even a shot as they fly past the World Trade Center and the Statue of Liberty. We also see hunters whose gunfire brings sudden death as well as a bird with a broken wing who is attacked and devoured by crabs.
Here is nature, in all its power and glory. I sat there wide-eyed, taking it all in. And somehow, the petty concerns of my daily life seemed to fall into perspective.
Some people might find this film boring and I doubt if it will get wide distribution in theaters. It's only playing in one theater in New York and, even in this densely populated city, there was a very sparse audience. I'm glad I was one of the people in that audience though because I loved every moment of the film would definitely see it again on DVD, especially if it had special features to describe how the cinematography was done.
Highly recommended.
The film begins along a minor waterway in Europe as a flock of geese begins its annual migration north to its summer breeding ground. It then cuts to other locales around the world as other species of large birds - usually cranes, swans, and storks, but also gannets, loons and others - begin their respective journeys. In all cases, the captioning identifies the species, their start points and destinations, and the miles between the two. Occasionally, Perrin makes the point more spectacularly by superimposing the flying flock on an image of the Earth taken from near-orbit. Voice overs are kept to a minimum.
Except for New York (with the WTC still standing), Paris, and a dismal industrial wasteland in eastern Europe, the flocks are shown flying through unpopulated landscapes both varied and magnificent: beaches, ice fields, Monument Valley, northern tundra, open oceans, snow-covered mountains, Asian farmlands, forest-enclosed lakes, deserts, and tropical rainforests. The sunset and weather (blizzards, fog, thunderstorms) provide dramatic backdrops. Then, at journey's end, the birds are shown in their summer habitats - usually steep, dramatic cliffs or rock-strewn shores with sea-ravaged margins.
But certainly the most eye-popping camera work is with the bird formations on the wing. The apparent vantage point of the lens is among the flock, with individual birds only an arm or hand-length away above, below, or to the side. I mean, you're RIGHT THERE! You'd think they'd have to be computer animated models. But a disclaimer at the film's beginning states that no special effects were used in the filming of the birds.
While Perrin emphasizes the round trip to, and the stay in, the breeding grounds, he doesn't gloss over the dangers. The viewer watches as individual birds fall victim to animal predators, human hunters and poachers, and industrial pollution. Some circumstances are heartrending, as when a disabled bird is surrounded and overcome by predatory crabs on an African beach.
Before concluding back at the same waterway and with the same flock of geese which began his documentary, the filmmaker makes a digression at first seemingly inconsistent with the title, i.e. with flightless Emperor penguins in the southern hemisphere. Of course, they use their wings to swim a couple hundred miles.
WINGED MIGRATION is a film to remind us that the real world can be just as spectacular and amazing as any one of the mega-budget, FX-laden, mindless thrillers dished out to the masses. It's wonderful.
Information rich narrative.
Artful construction.
Loved it in theater and loved it again here. Read more
