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Wim Wenders's most purely romantic film is like poetry on celluloid, a celebration of the transient and fragile moments of being human: the warmth of a cup of coffee on a cold day, the embrace of a friend, the touch of a lover, the rapture of love. Opening with an angel's-eye view of Berlin in silvery black and white (delicately captured by the great cinematographer Henri Alekan, who photographed Jean Cocteau's Beauty and the Beast 40 years earlier), it transforms into a gauzy color world when Damiel "crosses over" by sheer will. Peter Falk plays himself as a fallen angel with a special sensitivity for celestial visitors ("I can't see you, but I know you're there," he proclaims), and Otto Sander, whose smiling eyes brighten a face etched by eons of waiting and watching, is Damiel's partner. Wenders made a sequel in 1993, Faraway, So Close, and Hollywood remade the film as City of Angels with Nicolas Cage and Meg Ryan. --Sean Axmaker
This is not a perfect film. There are some dull moments, and I thoroughly dislike a couple of moments in the film, in particular, Dommartin's speech to Bruno Ganz in the bar near the end of the film. But there are so many magnificent moments, so many moments where they not merely get something right, but produce a moment of almost transcendent beauty, that WINGS OF DESIRE provides more than entertainment, but something akin to a reason to live. The movie becomes in the end a celebration of life, of all the tawdry elements that go into being human. The movie ends in affirming nearly as many things as Walt Whitman does in "Song of Myself."
I love the cast. Bruno Ganz is perfect as Damiel, the central angel of the story. Likewise, Otto Sander's face is the perfect receptacle for all that he witnesses on his silent rounds through Berlin, while Solveig Dommartin is so sympathetic a character, so lovely, that one could imagine an angel or anyone else yearning to be with her. And Peter Falk turns in a remarkably quirky character role, playing himself on location in Berlin. The city itself emerges as a major actor, providing what is certain to stand as the last great visual representation of Berlin in the last couple of years before the Wall fell. Curt Bois was a veteran character actor who was a staple in Hollywood films in the 1930s and 1940s, playing a vast number of waiters and tailors and hotel clerks (he plays the pickpocket at the very beginning of CASABLANCA). In what would be the last role before his death, Bois appropriately plays "Homer," the ancient man remembering all that had occurred in Berlin in the past several decades, playing the role of human witness to counterbalance the angelic witnesses.
This film and UNTIL THE END OF THE WORLD, a Wenders film that followed this one in 1991 have to have two of the best soundtracks I have encountered. Subtract either "Six Bells Chime" by Crime and the City Solution or "From Her to Eternity" by Nick Cave, and this would have been far less of a film, and the scene where Solveig Dommartin changes in her trailer while listening to Nick Cave do "The Carny" might be the best scene in the film.
Wings of Desire is a nice film for German students. Bruno Ganz and Otto Sander speak German beautifully and clear. They use every day vocabulary so it gives good practice with sentence construction.
Do not bother with the American version City of Angels. Maybe it is easier for us in the U.S. since it is in English but it was a complete waste of film. The American version kills, more like savagely butchers, all the Wings of Desire cast worked so hard for.
I would give the DVD 10 stars if I could.
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