Back in Print! The first comprehensive overview of the work of Garry Winogrand, long out of print and difficult to come by, contains an eloquent and important essay on the life and work of the photographer by John Szarkowski and a lavish plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport and Unfinished Work-- many of the 179 plates are works that had never before been published. The last section includes 25 pictures chosen from the enormous body of work that Winogrand left unedited at the time of his death in 1984. In his essay, Szarkowski, who knew the photographer well during most of his career, describes the development of Winogrand's pictorial strategies during his years as a photojournalist, the increasing complexity of his motifs as he pursued more personal goals, and the challenge posed for other photographers by the powerful and distinctive authority of Winogrand's best work, "with its manic sense of a life balanced somewhere between animal high spirits and an apprehension of moral disaster."
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Book Description
Editorial Reviews
From Publishers Weekly
Director of photographic exhibitions for New York's Museum of Modern Art, Szarkowski in this companion volume to a show traveling nationwide celebrates a camera artist whose pictures for decades elevated the mundane in American life to a distinctive, almost ethereal stature. Random-looking, even disorderly at times, Winogrand's images, his humanistic "figments" of reality, catch the eye in a detached, virtually trance-like mood: a blonde female flight attendant carrying a black child; a couple in a tentative sidewalk embrace seen over the shoulder of a distressed pedestrian; a Maine family trio inexplicably sad and perhaps angry; and the cover shot, a diapered toddler emerging from a dark garage interior toward an over-turned kiddie car in a brooding desert scene. Winogrand (1928-1984), in an era of ferment for artistic photography, produced as many as a half-million film images, many of which are published here for the first time.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
In a manner variously described as manic, compulsive, and voyeuristic, Garry Winogrand produced hundreds of thousands of black-and-white snapshots, street photographs of ordinary people and situations rich in gesture and body language. Szarkowski, director of MOMA's photography department, cultivated Winogrand and, after his death in 1984, was left with the task of editing 6500 rolls of unprinted (and 2500 rolls of undeveloped) 35mm negatives (about 300,000 unedited images altogether). Nine stages of Winogrand's work are presented chronologically here and in a traveling exhibition, along with a sizable selection of "unfinished" later work described by Szarkowski as "deeply flawed" and "pointless." The uninitiated might see much of the earlier work the same way. Kathleen Collins, Library of Congress
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
12 of 12 people found the following review helpful
Format:Hardcover
A very good retrospective of Garry Winogrand's career. All my favourite Winogrand photos are included, and the quality of the printing is excellent -- the images are not too dark nor too contrasty, with plenty of detail.
15 of 16 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
Gary Winogrand came out of the generation of street photography inspired by Henri Cartier-Bresson that included Diane Arbus, Robert Frank, Lee Friedlander, and Joel Meyerowitz. He worked at framing the "decisive moment" as he filled his black and white composition with split-second accuracy and detail. His subjects are caught mid-flight in candid moments of personal introspection, or engaged in social activity. There are photos of secretaries walking back to their Manhattan mid-town offices after lunch. There are photos of couples dancing, holding each other's gaze and unaware that the camera has recorded their intimate glance into each other's eyes. He shot the famous at night clubs, and took photos of passengers arriving and departing international airports. Wherever there were people on lines at movies, at airports, or walking down crowded city avenues, or stopping at store windows, or entering and exiting revolving doorways of skyscrapers, or of people waiting at street corners, kids hanging out, the elderly on benches, the young in love in each other's arms, Winogrand was there with his camera.
What you see through his lens is his version of America, of who we are, and what we look like, and how we fill in the spaces we inhabit from small towns in America out west, to the big city streets of Los Angeles and New York. He captures us as we work and play, he records how we gape as spectators at rodeos or at stippers at strip tease clubs, or at movies, or at square dances and Fourth of July parades in small-towns. He captures us at home, in our yards, in our cars, at zoos and at ball games and in our rooms isolated and alone.
Winogrand captures the soul of a nation. He is artful in his use of black and white in that he cuts a slice of reality and presents it as a full meal for our eyes to feast on. You can enter his composition from any angle and find a way into his image.
Winogrand is an American master, and this collection gathers the best of his many exhibits and shows and books of photographs and lays them out in chronological fashion, from the early 1950s to the the early 1980s in order that we can study the development of his genius over the course of his career.
What you see through his lens is his version of America, of who we are, and what we look like, and how we fill in the spaces we inhabit from small towns in America out west, to the big city streets of Los Angeles and New York. He captures us as we work and play, he records how we gape as spectators at rodeos or at stippers at strip tease clubs, or at movies, or at square dances and Fourth of July parades in small-towns. He captures us at home, in our yards, in our cars, at zoos and at ball games and in our rooms isolated and alone.
Winogrand captures the soul of a nation. He is artful in his use of black and white in that he cuts a slice of reality and presents it as a full meal for our eyes to feast on. You can enter his composition from any angle and find a way into his image.
Winogrand is an American master, and this collection gathers the best of his many exhibits and shows and books of photographs and lays them out in chronological fashion, from the early 1950s to the the early 1980s in order that we can study the development of his genius over the course of his career.
7 of 8 people found the following review helpful
By Leela
Format:Hardcover
You won't regret putting this one in your collection. Garry probably lost the plot out there in tv land toward the end but Moma maestro plucks 20 or 30 pictures out of the dead zone to give us a treat. Frankly liked the post-humous stuff just as much and the book gives you a super buzz if you like that good ol' street stalker stuff. Don't even think about it ...whack it in the collection or send it as a gift...it's a great book.
Most Recent Customer Reviews
5.0 out of 5 stars
Winogrand: Figments from the real world
Book is not available in Europe. Purchased from Strand books. Book was brandnew. It is a pleasure to look at the pictures taken by Winogrand.
Published on May 11, 2009 by Guy De Witte
4.0 out of 5 stars
Great book by Winogrand
Winogrand is in Europe not so well known as in the US.
This is great, inspiring work. And a nice view of the States in the 70's.
This is great, inspiring work. And a nice view of the States in the 70's.
Published on March 22, 2009 by P. J. M. Berkel
5.0 out of 5 stars
winnogrand's eye
a wonderful collection of images from street photographer garry winnogrand--this collection if from all over the country during the 50's, 60's and 70's
Published on July 5, 2003 by William D. Tompkins
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