These stories celebrate winter and its festivals, in a northern setting. They encompass Lieutenant William Bligh at the port of Hamnavoe, an Edinburgh man rediscovering his roots in Shetland, Baltic-men shipwrecked on the Orkney coast, and Norse warriors setting out for the Holy Land.
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Book Description
Editorial Reviews
From Booklist
These 18 stories by Orkney poet Brown are as poetic as any of his verse; indeed, the shortest, especially "Shell Story," about the widows of lost fishermen tossing scraps to gulls, are prose poems, although in the manner of folktales rather than the meditation or wry jape usual for the form. Several stories are, like many Brown poems, calendars consisting of 12 monthly sections, always ending at Yuletide. They range in style from the 12 tiny impressions that add up to "A Nativity Tale" to long character sketches, such as "Ikey," about a tinker (itinerant) boy who is a mascot to the stabler folk of the islands he tramps, and "The Woodcarver," a dourly comic look at a genuine folk artist. A few stories are sui generis, "Lieutenant Bligh and Two Midshipmen" outstandingly so; read it to learn what historical fiction ought to sound like--an aural slice of its era, not modern speech dressed, as it were, in period drag. This collection, like the star associated with its season, shines with gentle brilliance. Ray Olson
From Kirkus Reviews
Noted Scottish poet, novelist, and playwright Brown (A Time to Keep, 1987, etc.) celebrates the dark season of the year in the Orkney Islands with 18 always luminous if sometimes lifeless stories. Suffused with old Norse and Christian beliefs, the tales are all set in the northern islands once ruled by the Vikings. Many characters, like the stubborn farmer in ``The Paraffin Lamp,'' who uses the electric light only when he needs to fill his old lamp, still observe the traditional rituals, especially those of the Yule season, that ease the passing of winter. Inured to hardship and frugality, the islanders must contend with weather that is always changing (``one day is wind and flung spindrift, the next is loveliness beyond compare''). And this protean weather is sometimes center stage, as storms and blizzards dramatically take lives: In ``A Boy's Calendar'' and ``Dancey,'' two babies, the sole survivors of ships wrecked by terrible storms, are adopted by childless women and become islanders. In other pieces, the weather is simply part of the fabric of daily life: Men and women race to harvest crops before the rain comes, or to harvest fish before a blizzard strikes. Three notables are ``Lieutenant Bligh and Two Midshipmen,'' ``The Woodcarver,'' and ``A Boy's Calendar,'' in which, respectively, Bligh, of Mutiny on the Bounty fame, visits the islands and signs on two local men; an imaginative husband, who finds refuge from his acerbic wife in drink and carving, becomes an unwilling cultural icon; and a young boy describes the round of work and celebration in a typical year. Stories such as ``St. Christopher'' and ``The Road to Emmaus'' give the saint's life and the Crucifixion a local setting, while ``A Crusader's Christmas'' recalls the Viking era. Cumulatively, an affectionate but muted portrait of a far place where both heart and spirit are strong, though the days are often short and bitter. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.
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