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Special Features
• Audio Commentary with Director Debra Granik
• Deleted Scenes
• Making of Winter's Bone
• Music Video " Hardscrabble Elegy," Performed by Dickon Hinchliffe
• Theatrical Trailer
• Deleted Scenes
• Making of Winter's Bone
• Music Video " Hardscrabble Elegy," Performed by Dickon Hinchliffe
• Theatrical Trailer
Editorial Reviews
Amazon.com
Family loyalty and self-reliance take on whole new meanings in this dark story of one family's desperate struggle to survive in the Ozark woods of southern Missouri. Day-to-day life is tough in the economically depressed, unforgiving harsh rural landscape that's home to the extended Dolly clan, but it's made much tougher thanks to their history of cooking crank and deep involvement in the local drug culture. For Jessup Dolly and the other men of the family, looking out for oneself has become the first priority. Seventeen-year-old Ree (Jennifer Lawrence) has been caring for her mentally ill mother and her two younger siblings while her father runs from the law. Ree has been managing OK, but when the sheriff shows up with news that her father has put the house up as bond collateral and is unlikely to show for his court date, things get desperate. Ree is well aware of the family code of silence, but desperation forces her to confront her relatives in search of her father, regardless of the personal consequences. One by one, Ree's relatives refuse to help, protecting themselves even at the cost of one of their own. This is a dark, often violent film that doesn't shy away from the harsh realities of the manic drug culture permeating some rural areas of the South. It is intense, emotional, and extremely effective: it is at times simultaneously uncomfortable to watch and paradoxically riveting. Jennifer Lawrence, John Hawkes, and Dale Dickey deliver phenomenally powerful performances and are completely believable in their respective roles. While this official selection in the dramatic film competition at the 2010 Sundance Film Festival doesn't align well with many of the details in the Daniel Woodrell novel on which it's based, what is absolutely faithfully rendered is the overwhelming sense of resolute self-reliance, complete desperation, and intense, yet distorted family loyalty. --Tami Horiuchi
Product Description
17-year-old Ree Dolly (Jennifer Lawrence) sets out to track down her father, who put their house up for his bail bond and then disappeared. If she fails, Ree and her family will be turned out into the Ozark woods. Challenging her outlaw kin’s code of silence and risking her life, Ree hacks through the lies, evasions and threats offered up by her relatives and begins to piece together the truth. Based on the novel by Daniel Woodrell, Winter's Bone is the winner of the 2010 Sundance Film Festival’s Grand Jury Prize.
Customer Reviews
Most Helpful Customer Reviews
312 of 331 people found the following review helpful
Format:DVD
As crack cocaine is to inner cities and alcohol is to Indian reservations, so methamphetamine is devastating rural white communities across the United States. WINTER'S BONE, set in the remote Ozark Mountains, hauntingly depicts this plague. The story focuses on 17-year-old Ree Dolly, whose father has disappeared after putting up the family home as bail collateral. Unless she can find him, Ree and her younger brother and sister will be without a roof over their heads.
Ree's father is a "cooker" and her mother has been driven into a catatonic state. Ree is on her own in the hostile, clannish, and male-dominated community where she stumbles from trailer to trailer in her frantic search. Crank's ravages are everywhere, in the gaunt and grim faces, the harsh and sudden violence, the cruelty and hopelessness. Her father's only brother, Teardrop (flawlessly played by John Hawkes), holds a spoonful of the white powder out to her and asks, "Gotten the taste for it yet?" "Not yet," she recoils.
Aside from the down-home soundtrack, Winter's Bone is not easy to watch. Its gritty realism never lets up. The characters look like they climbed from Dorothea Lange's Depression and Dust Bowl images, only with a touch of meth-induced paranoia added to the hunger and despair. The dialogue is sparse, and not once in 100 minutes do we hear laughter or feel much hope for Ree's future. What makes it all bearable is the strength and determination of Ree, movingly played by 19-year-old Jennifer Lawrence.
Winter's Bone is winning awards and earning rave reviews. The acclaim is well deserved. To achieve authenticity, director and co-writer Debra Granik and her team spent two years immersing themselves in the local community. Ree's younger sister is even played by a child who lives in the main house in which the movie is set. The film's power makes me want to see Granik's 2005 debut film, "Down to the Bone," another award winner focused on drug addiction and featuring a strong female lead.
Postscript: For an excellent critical review, I recommend the Feb. 20 analysis by "Turfseer." (As a shortcut to it, you can type amzn.to/hYcDdT into your browser.)
Ree's father is a "cooker" and her mother has been driven into a catatonic state. Ree is on her own in the hostile, clannish, and male-dominated community where she stumbles from trailer to trailer in her frantic search. Crank's ravages are everywhere, in the gaunt and grim faces, the harsh and sudden violence, the cruelty and hopelessness. Her father's only brother, Teardrop (flawlessly played by John Hawkes), holds a spoonful of the white powder out to her and asks, "Gotten the taste for it yet?" "Not yet," she recoils.
Aside from the down-home soundtrack, Winter's Bone is not easy to watch. Its gritty realism never lets up. The characters look like they climbed from Dorothea Lange's Depression and Dust Bowl images, only with a touch of meth-induced paranoia added to the hunger and despair. The dialogue is sparse, and not once in 100 minutes do we hear laughter or feel much hope for Ree's future. What makes it all bearable is the strength and determination of Ree, movingly played by 19-year-old Jennifer Lawrence.
Winter's Bone is winning awards and earning rave reviews. The acclaim is well deserved. To achieve authenticity, director and co-writer Debra Granik and her team spent two years immersing themselves in the local community. Ree's younger sister is even played by a child who lives in the main house in which the movie is set. The film's power makes me want to see Granik's 2005 debut film, "Down to the Bone," another award winner focused on drug addiction and featuring a strong female lead.
Postscript: For an excellent critical review, I recommend the Feb. 20 analysis by "Turfseer." (As a shortcut to it, you can type amzn.to/hYcDdT into your browser.)
87 of 96 people found the following review helpful
5.0 out of 5 stars
No longer in art houses, here's one of the best American movies of 2010
October 28, 2010
Format:DVD
In American movies, we don't often see how we really live, but you will in Winter's Bone, and you don't need to have had a rough childhood in the back woods for this movie to make you feel the grittiness and glory of life -- or for you to know, like you would know how to find your bed in the dark, that this is probably the best movie you will see this year. And maybe longer.
Winter's Bone, directed by Debra Granik, was adapted from a novel by Daniel Woodrell. It was made in the Ozarks, often in the homes of the people who live there. Shot digitally on a mingy budget, it could pass for state-of-the-art Hollywood --- just raw and unvarnished, like Hollywood never is.
The story is simple; this is a straightforward thriller. Ree's father, Jessup Dolly, was busted a while back for cooking methamphetamine. To make bond, he put up his family's house and 300 acres of virgin timber. Now his court date is a week away --- and he's nowhere to be found. The local lawman drives out to warn Ree that the Dollys are in danger of losing their home.
Ree's mother has suffered a breakdown and is of no help, either in caring for her children or finding her husband. That puts her daughter --- already burdened by the need to look after her younger brother and sister --- on a mission. And don't think for a minute she'll quit, even though her quest is a walk on a knife edge; she can't turn in her father, all she can do is ask for help in finding him so she can talk to him. And the only people who can help her? His relatives. Some of them make the most addictive drug on the planet. All of them don't understand why she can't remember she's a Dolly --- "bred and buttered," as she says --- and just stop. As they say, "Talking just causes witnesses."
In its dramatic revelations, its dark surprises, and its no-nonsense portrayal of The Way We Are, the film feels almost like a Greek tragedy --- or an American Western.
There's a good reason this film won the Grand Jury Prize for Dramatic Films and the Waldo Salt Screenwriting Award at Sundance last winter, and why critic after critic is reaching deep into the superlatives lexicon to praise it as "the American film of the year" -- every detail is right. Jenny Lawrence, who plays Ree, comes from Tennessee. John Hawkes, last seen in Deadwood, is Jessup's brother; he's also from the region and looks so much like a member of The Band that it's eerie. Much of the cast is local and non-professional --- and, no offense, but they look like people who might make crank, who could scare you at traffic lights with a sidelong glance, who would quiet you with "I already told you to shut up with my mouth" and let their hands do the talking after that.
I've never seen a movie that's both painful to watch and impossible to turn away from. The scene with the squirrel. Ree's desperate attempt to convince an Army recruiter -- who's played by an Army recruiter -- to let her enlist for five years so she can collect the government's $40,000 bonus. And a climax so remarkable, so distant from anything you know as reality, that you'll never forget it.
Winter's Bone, directed by Debra Granik, was adapted from a novel by Daniel Woodrell. It was made in the Ozarks, often in the homes of the people who live there. Shot digitally on a mingy budget, it could pass for state-of-the-art Hollywood --- just raw and unvarnished, like Hollywood never is.
The story is simple; this is a straightforward thriller. Ree's father, Jessup Dolly, was busted a while back for cooking methamphetamine. To make bond, he put up his family's house and 300 acres of virgin timber. Now his court date is a week away --- and he's nowhere to be found. The local lawman drives out to warn Ree that the Dollys are in danger of losing their home.
Ree's mother has suffered a breakdown and is of no help, either in caring for her children or finding her husband. That puts her daughter --- already burdened by the need to look after her younger brother and sister --- on a mission. And don't think for a minute she'll quit, even though her quest is a walk on a knife edge; she can't turn in her father, all she can do is ask for help in finding him so she can talk to him. And the only people who can help her? His relatives. Some of them make the most addictive drug on the planet. All of them don't understand why she can't remember she's a Dolly --- "bred and buttered," as she says --- and just stop. As they say, "Talking just causes witnesses."
In its dramatic revelations, its dark surprises, and its no-nonsense portrayal of The Way We Are, the film feels almost like a Greek tragedy --- or an American Western.
There's a good reason this film won the Grand Jury Prize for Dramatic Films and the Waldo Salt Screenwriting Award at Sundance last winter, and why critic after critic is reaching deep into the superlatives lexicon to praise it as "the American film of the year" -- every detail is right. Jenny Lawrence, who plays Ree, comes from Tennessee. John Hawkes, last seen in Deadwood, is Jessup's brother; he's also from the region and looks so much like a member of The Band that it's eerie. Much of the cast is local and non-professional --- and, no offense, but they look like people who might make crank, who could scare you at traffic lights with a sidelong glance, who would quiet you with "I already told you to shut up with my mouth" and let their hands do the talking after that.
I've never seen a movie that's both painful to watch and impossible to turn away from. The scene with the squirrel. Ree's desperate attempt to convince an Army recruiter -- who's played by an Army recruiter -- to let her enlist for five years so she can collect the government's $40,000 bonus. And a climax so remarkable, so distant from anything you know as reality, that you'll never forget it.
116 of 131 people found the following review helpful
Format:DVD
Adapted from the novel by Daniel Woodrell, WINTER'S BONE immediately sparked comparisons to last year's Best Picture winner, The Hurt Locker. Both films received limited runtime in theaters. But I must say this is by far the superior movie in just about every aspect imaginable, unless you count overwrought machoism, slanted anti-war sentiments, and explosions as a category. Don't get me wrong, The Hurt Locker was a decent film for what it was. But it won't leave the kind of lasting impression like this story will.
When you hear the word "backwoods", you might get the immediate impression of inbred, buck-toothed hillbillies wearing overalls and drinking moonshine. This story doesn't succumb to exploiting certain exaggerated stereotypes just to grab your attention. But these characters are definitely a little rough around the edges, to say the least.
Filmed in the Ozarks of Missouri, this is a simple but riveting dramatic tale about family, danger, and perseverance. Ree Dolly (Jennifer Lawrence) is a 17-year-old girl forced to grow up way too fast. With her mother desperately ailing and her father somewhere hiding from the law, she struggles to support her younger brother and sister. To make matters worse, a bail bondsman notifies her that her dad put up their home as his bail bond, then skipped out on court. In order to track her father down, Ree is forced to enter a seedy, violent realm of paranoid drug pushers and users. Many of them happen to be distant family members. Family ties or not, none of them are too anxious to help her out. The risks and desperation mount as she inches closer to the truth.
The best part of this film is the character development and the acting. It is so refreshing to see the young cast perform their roles with such controlled precision. Especially Lawrence. She puts many established Hollywood actors to shame here, I can't wait to see more of her work.
WINTER'S BONE is slow paced, and might not appeal to many casual movie goers. But it does have some moments of heightened tension that will leave you holding your breath. It explores a certain drug culture and meager lifestyle that is rarely touched upon in movies. Plus it makes some poignant, thought-provoking points about family devotion and the human spirit.
It also was the winner of the Grand Jury Prize: Dramatic Film at the 2010 Sundance Film Festival. I doubt there will be a better film than this all year. Brilliant filmmaking.
When you hear the word "backwoods", you might get the immediate impression of inbred, buck-toothed hillbillies wearing overalls and drinking moonshine. This story doesn't succumb to exploiting certain exaggerated stereotypes just to grab your attention. But these characters are definitely a little rough around the edges, to say the least.
Filmed in the Ozarks of Missouri, this is a simple but riveting dramatic tale about family, danger, and perseverance. Ree Dolly (Jennifer Lawrence) is a 17-year-old girl forced to grow up way too fast. With her mother desperately ailing and her father somewhere hiding from the law, she struggles to support her younger brother and sister. To make matters worse, a bail bondsman notifies her that her dad put up their home as his bail bond, then skipped out on court. In order to track her father down, Ree is forced to enter a seedy, violent realm of paranoid drug pushers and users. Many of them happen to be distant family members. Family ties or not, none of them are too anxious to help her out. The risks and desperation mount as she inches closer to the truth.
The best part of this film is the character development and the acting. It is so refreshing to see the young cast perform their roles with such controlled precision. Especially Lawrence. She puts many established Hollywood actors to shame here, I can't wait to see more of her work.
WINTER'S BONE is slow paced, and might not appeal to many casual movie goers. But it does have some moments of heightened tension that will leave you holding your breath. It explores a certain drug culture and meager lifestyle that is rarely touched upon in movies. Plus it makes some poignant, thought-provoking points about family devotion and the human spirit.
It also was the winner of the Grand Jury Prize: Dramatic Film at the 2010 Sundance Film Festival. I doubt there will be a better film than this all year. Brilliant filmmaking.
Most Recent Customer Reviews
5.0 out of 5 stars
This is a superb movie with a strong young female heroine
You will be drawn into the story from the start and captivated until the end. Teenager Ree Dolly needs to find her father, who has skipped bail and used their family's house and... Read more
Published 4 hours ago by Heather
5.0 out of 5 stars
Awesome Drama
I believe that this is the first feature film for Jennifer Lawrence. She is an enthralling central character. Read more
Published 4 days ago by Rock Report
5.0 out of 5 stars
Great movie
We rewatched this after seeing Jennifer Lawrence in Silver Linings Playbook and Hungar Games. She's amazing. All the characters were well played. Read more
Published 4 days ago by donna l. krause
4.0 out of 5 stars
This will stick with you.
Man, this movie put me in a funk for days! Jennifer Lawrence is breathtaking in this performance and to think of how young she was and how much she took on with this role, it's... Read more
Published 5 days ago by Joan Davidson
5.0 out of 5 stars
A gritty tale about meth and family.
A gritty tale about a meth-ridden town and a snitches daughter trying to save her family. This one is as good as it was billed to be and well worth the time spent watching it.
Published 5 days ago by M. R. Mathias
4.0 out of 5 stars
GREAT SHOW
Was a very good show kepted your interest,as well as a breathtaking show for the whole family to watch together .
Published 6 days ago by shane
5.0 out of 5 stars
Inspiring
It is a gripping "coming of age" story about a girl who faces the grim facts of her life and decides to do something to take care of her family and herself. Read more
Published 7 days ago by Dorothy D.
5.0 out of 5 stars
One of the best movies I've seen in a long time
I consider this film to be perfect in every detail. The script, acting, and cinematography were all incredibly strong, and the editing was amazingly refined. I loved it.
Published 8 days ago by Shirley Gutierrez
5.0 out of 5 stars
What a great movie!
This is the first movie I saw Jennifer Lawrence in and I saw immediately how talented she was and what a star she would be. Read more
Published 9 days ago by Alanna Vinyard
4.0 out of 5 stars
Very well done, but sad
Not much to say here. If you are looking to get a bit depressed, watch this movie. If you enjoy good acting, watch this movie.
Published 10 days ago by Sf Shook
