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149 of 151 people found the following review helpful:
5.0 out of 5 stars
What makes a man.....?, September 28, 2006
I must start by explaining my circumstances with this book, when I finished A Hat Full of Sky in June, It was hard for me, not going mad for need of a sequel. The need for it was so strong at one point I nearly brought a proof copy, and I never buy proof copies. So I am sure you can understand why I was there on the day Wintersmith was released, and it was REALLY worth the wait. It was far, far better then I thought it ever could be.
I am sure you know the story from Amazon's handy synopsis so I will just tell you what I loved most about it. I loved the romance. I loved the descriptions. I love the sense of subtle menace and fear that managed to even make ME feel scared. It really doesn't read like most Terry Pratchett books, that although full of brilliance tend to get confusing. This although not confusing, was not straightforward either, you may need to read some parts twice to absorb them fully, but on the first read it is a wonderful exhilarating rush of beautiful writing.
All of the characters in this story are developed and explored more, you find out far more about Tiffany here, Tiffany the young woman, rather than Tiffany the rather solemn child. Not facts, just more about her as a person, her character. That's what I love about Tiffany, she feels like a living breathing person. Roland, looses the whining and complaining and grows a spine, and we see what may, just possibly, be a softer side to Esme Weatherwax. And of course there's the Wintersmith. The titular character, and boy is he a worthy subject for a novel, his story is very, very moving, by the time I got to the end I was close to tears. Although he could interpreted as the villain, he is such as sad, tragic character, that you just can't help but feel sorry for him.
I began this book on Monday, and finished on the school bus this morning, if I didn't have college I would of probably been unable to drag myself away from the book if someone shouted 'The apocalypse is coming!' I'd probably just stay there and die, it WAS that good.
So if I haven't hammered the point home, buy Wintersmith, you won't be sorry for doing so (and please ignore the fact that it is technically a children's book, it's wonderful that children can get access to gold like this but it can be off putting for adults who think 'children's fiction' is below them.)!
Please rate my review if you have the time!
(Please note, I do not have my own account, so I'm using my father's, I am certainly not a Mr Grant (I'm a girl)!)
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95 of 95 people found the following review helpful:
5.0 out of 5 stars
"Oh the weather outside is frightful, September 28, 2006
but the fire is so delightful. And since we've no place to go. Let it Snow! Let it Snow! Let it Snow!"
And snow it does in Terry Pratchett's delightfully funny and thoughtful latest book, Wintersmith. I have to admit that I ordered Wintersmith because it was by Terry Pratchett. I did not notice that it is targeted as a Discworld book for younger readers. Adult fans of Discworld or of the genre generally should ignore this fact and step up and read Wintersmith. It is fun and should appeal to "children of all ages!"
The plot is summarized quite nicely in the book description and I won't waste anyone's time repeating that summary. What isn't summarized is Pratchett's way with words and with characterizations. Here we have Tiffany Aching. Not only is she a 13-year girl entering her angst-filled teen years with a lot to learn about becoming an adult, but she is also learning how to become a witch. The witches in Macbeth sum this situation up nicely when they chanted: "double, double, toil and trouble, fire burn and cauldron bubble." Pratchett has a keen ear for Tiffany and he manages to convey these pangs of adolescence with an empathy that would be too sweet if it wasn't interspersed with humor and a nod and a wink. Pratchett knows how to keep the cauldron bubbling and those bubbles contain some of Pratchett's famous set-pieces.
The Wee Free Men (the miniature version of Cohen the Barbarian multiplied by a factor of five hundred) provide some of those `fun' moments. Two examples bear repeating. At one point early on Daft Wullie goes on (with more than a wee bit of Scottish brogue) about the problem of being married and having to deal with "the Pursin' o' the Lips", the "Foldin' o' the Arms", and "not tae mention the Tappin' o' the Feets". It is left to Rob Anybody to explain the art "o' the husbandry". A little later Tiffany's beau-in-waiting Roland wonders if he is too clever by half. Roland is relieved to hear that being too clever by half is preferable to "bein' too stupid by three quarters!" Out of context these may seem to be nothing more than throw-away bits of fun writing. In context they seem a bit more than that.
Granny Weatherwax and Nanny Ogg provide Tiffany with what can best be described as an inimitable (if off-kilter) support group. They are recurring characters on Discworld and they are in fine fettle. Rounding out the cast of characters is Wintersmith. This representation of Winter itself, who falls in love (in a boyish sort of way) with Tiffany, is a great counterbalance to Tiffany's character. If Tiffany is a young girl struggling to learn to be a woman, Winter is something approaching a boy struggling to learn what it is to become a human and then a man. It is a funny and touching portrayal. Looking at Tiffany (and her fellow teen witches) and Wintersmith and Roland was a lot like looking back at high school. Even in the alternate world that is Discworld - some things just don't change.
Wintersmith was a fun book to read despite the fact that I am decades (sad to say) removed from my teen years. This is a great book to pass throughout the family and one of the reasons I read Wintersmith so quickly was the fact that my own teenager was doing the Tappin' o' the Feets and the Foldin' o' the Arms until I'd finished it. Highly recommended for youngsters - even those with grey hair such as me. Enjoy. L. Fleisig
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25 of 26 people found the following review helpful:
5.0 out of 5 stars
Probably Pratchett's most technically expert book yet., October 2, 2006
_Wintersmith_ is the latest entry in Pratchett's three-book sub-series about a young witch growing up and learning, appropriately enough for her trade, to be a wise woman. (there are upwards of thirty or forty "Discworld" books total, which cluster into subgroups around individual characters). New readers shouldn't read this one first; start with _Wee Free Men_, the first in Tiffany's sub-series, and then read _A Hat Full of Sky_ before proceeding to this one.
This is billed as a children's book, although little sets it apart from Pratchett's other fantasy except for some slight bowdlerizations for the young reader; primarily, this is a children's book because the heroine is a young person. . It might more properly be billed as a "young adult" book. Like the Harry Potter books, the content and tone of the Tiffany series have been maturing ever so slightly with each book, and Tiffany herself is portrayed as very mature for a child her age - a portrayal deliberate on Pratchett's part, I believe, as Tiffany is exactly as mature as most kids that age tend to think they are, and almost as mature as she herself wants to be.
Tiffany turns thirteen in this book, and puberty is definitely the theme: in the most expert intertwining of story and myth I've yet seen Pratchett accomplish, Tiffany "steps into the dance" between the Summer Lady and "Wintersmith." Accidentally taking on the Summer Lady's role, she becomes subject to the Wintersmith's advances, and as he is the elemental spirit of winter, cold, frost, ice, etc., problems ensue. Pratchett's typical humor is present throughout (at one point, when plants begin to sprout at Tiffany's feet, one practically-minded character gets her to shove her feet into a pot of onion seeds) but the truly impressive thing about this novel is how expertly Pratchett manages to use myth and metaphor to write about a young girl becoming, ahem, fertile, while still maintaining the decorum appropriate to a british children's book.
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