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The Witch of Edmonton (New Mermaids)
 
 
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The Witch of Edmonton (New Mermaids) [Paperback]

Thomas Dekker (Author), Arthur F. Kinney (Author), John Ford (Author), William Rowley (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Paperback, September 15, 1998 --  

Book Description

September 15, 1998 0393900878 978-0393900873
New Mermaids are modernized and fully-annotated editions of classic English plays. Each volume includes:

• The playtext, in modern spelling, edited to the highest bibliographical and textual standards
• Textual notes recording significant changes to the copytext and variant readings
• Glossing notes explaining obscure words and word-play
• Critical, contextual and staging notes
• Photographs of productions where applicable
• A full introduction which provides a critical account of the play, the staging conventions of the time and recent stage history; discusses authorship, date, sources and the text; and gives guidance for further reading.

Edited and updated by leading scholars and printed in a clear, easy-to-use format, New Mermaids offer invaluable guidance for actor, student, and theatre-goer alike.


Editorial Reviews

About the Author

Peter Corbin and Dekker Sedge are both Senior Lecturers in English at the University of Exeter.
--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 116 pages
  • Publisher: W. W. Norton (September 15, 1998)
  • Language: English
  • ISBN-10: 0393900878
  • ISBN-13: 978-0393900873
  • Product Dimensions: 7.7 x 4.9 x 0.5 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,237,880 in Books (See Top 100 in Books)

 

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8 of 8 people found the following review helpful:
5.0 out of 5 stars Entertaining Plot - Methuen Student Edition is Great, December 8, 2003
I look unfavorably upon books and screenplays rushed to the market to capitalize on recent sensational jury trials, confessions of serial murderers, and distasteful behavior by politicians and other celebrities. I would consider it unlikely that I would appreciate a play rapidly assembled by three playwrights on the recent execution of a notorious old woman condemned for practicing witchcraft. Surprisingly, I did enjoy such a play.

Admittedly, a few centuries have elapsed since Thomas Dekker and John Ford and William Rowley collaborated on The Witch of Edmonton. The Mother Sawyer subplot is apparently faithful to the actual event; Sawyer was hanged on April 19, 1621. Within days the chaplain of Newgate Gaol published a pamphlet titled The Wonderful Discoverie of Elizabeth Sawyer a Witch, late of Edmonton, her Conviction and Condemnation and Death. This document served as the primary source for Dekker, Ford, and Rowley. The first known performance was December 29, 1621 at the Court of King James, but earlier public performances are likely to have occurred.

Many books, plays, (and now screenplays) on topical events are quickly forgotten. Fortunately, after several centuries of neglect, The Witch of Edmonton was republished in the late 1800s, most importantly in the influential Mermaid Series. More recently several major production companies, including the Royal Shakespeare Company, have staged The Witch of Edmonton.

The short prologue to this play ends with the sentence: 'Here is mirth and matter.' However, most readers will agree that The Witch of Edmonton has only a few elements of comedy and that matter clearly overwhelms mirth.

The plot involves two intertwined themes, both stories of betrayal and deceit and misplaced loyalty: 1) To gain a dowry, the young Frank Thorney deceives all that trust him, commits bigamy, and even murder. 'Tis done, and I am in. Once past our height, we scorn the deepest abyss' 2) Living in isolation, feared and abused by her neighbors, Mother Sawyer pleads for help. 'Would some power, good or bad, instruct me which way I might be revenged.' The devil in the guise of a dog obliges Mother Sawyer in return for her soul.

The Witch of Edmonton is interesting, entertaining drama. The characters do not have the psychological depth found in Shakespeare's tragedies, but this play warrants reading by anyone that enjoys Elizabethan and Jacobean drama.

I highly recommend the Methuen Student Edition. The extensive commentary, plot analysis, and character reviews are excellent.
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