"The Witches of Warboys is one of those rare scholarly works that press impeccable research into the service of a thumping good read. Eschewing the usual ornate postmodern theories of Renaissance daemonomania, Philip C. Almond articulates the Warboys tragedy with passion, compassion, and exquisite erudition. The result is the single best witch-craze narrative to appear in over a generation."-- James Morrow, author of The Last Witchfinder
"This is a splendid case-study, of the classic kind that tells a gripping story in order to illuminate major historical themes. The whole of Elizabethan witchcraft is concentrated into a vivid consideration of one Huntingdonshire trial and the events that led up to it. As the story unfolds, we are confronted with the horrific double problem of how people can come to believe in a monstrous untruth, and how they can persuade others to believe in it as well. Psychology, history and literary criticism all meet in these pages, and sixteenth-century demonology comes face to face with modern issues surrounding the ability of interrogation methods to reveal or distort truths. This is at once a compelling study of the thought world of Reformation-period Protestantism and one of the timeless psychopathology of confession. Philip Almond takes us quite literally to realms beyond reason, where the only alternatives confronting an enquirer are demonic possession, paranormal human powers or mental illness. Even if the truth of what happened probably lies beyond any person now living, what this book does establish, convincingly and disturbingly, is the universe of belief within which such a tragedy can occur."--
Ronald Hutton, Professor of History, University of Bristol and author of Witches, Druids and King Arthur and The Triumph of the Moon: A History of Modern Pagan Witchcraft
'The Witches of Warboys is a fascinating but neglected episode in the history of English witch-trials. Using contemporary texts and parish records, Philip C Almond pieces together the story with scholarly diligence, investigative determination, and the imagination of a dramatist. The result is an engrossing, frame-by-frame tale of fear, prejudice and persecution in a rural parish, with intriguing ramifications for the social and intellectual history of Elizabethan England. There are ghosts, devils and demoniacs, bizarre dreams, afflictions and accusations, harsh interrogations and sordid executions. Professor Almond is a trustworthy guide into this lost world of belief and brutality, stripping bare the alien cosmology and mentality of our tense and troubled ancestors.’--Malcolm Gaskill, Fellow and Director of Studies in History, Churchill College, Cambridge, and author of Hellish Nell: Last of Britain's Witches and Witchfinders: A Seventeenth-Century English Tragedy
A chillingly convincing narrative...rich, careful and detailed...As a history of culture and ideas, this is excellent…It may be most impressive…as a study of psychology, proving that, however speculatively, it is possible to attribute plausible conscious and subconscious motivations to fairly ordinary people who lived more than 400 years ago – Professor Ronald Hutton, BBC History Magazine
"Almond uncovers with masterful research the fullest account of demonic possession and a deeply tangled story of sadism, sorcery, death and social tension in a close-knit Elizabethan village. Almond is astute enough to write in a way that is both convincing and… partisan." Zoé D’Ay, Avalon