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Witchfinder General
 
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Witchfinder General (1968)

Starring: Vincent Price, Ian Ogilvy Director: Michael Reeves Rating: Unrated Format: DVD
4.1 out of 5 stars See all reviews (58 customer reviews)

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Witchfinder General + The Masque of the Red Death / The Premature Burial + The Fall of the House of Usher /The Pit and the Pendulum
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Product Details

  • Actors: Vincent Price, Ian Ogilvy, Rupert Davies, Hilary Heath, Robert Russell
  • Directors: Michael Reeves
  • Writers: Michael Reeves, Louis M. Heyward, Edgar Allan Poe, Ronald Bassett, Tom Baker
  • Producers: Arnold L. Miller, Louis M. Heyward
  • Format: Color, DVD, Widescreen, NTSC
  • Language: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rating: Unrated
  • Studio: MGM (Video & DVD)
  • DVD Release Date: September 11, 2007
  • Run Time: 86 minutes
  • Average Customer Review: 4.1 out of 5 stars See all reviews (58 customer reviews)
  • ASIN: B000RO9PUU
  • Amazon.com Sales Rank: #22,066 in Movies & TV (See Bestsellers in Movies & TV)

Editorial Reviews

Amazon.com
By consensus, Vincent Price's finest performance among his gallery of horror-movie rogues comes in Witchfinder General, the intense 1968 film that erased any hint of camp from the actor's persona. Price plays Matthew Hopkins, a sadistic 17th-century "witchfinder" who uses barbaric methods to identify (and invariably execute) supposed witches. Along with Price's disciplined work, Witchfinder is also the best film by the talented and ill-fated director Michael Reeves, who was only 24 when he shot the movie. Blessed with a great feeling for English landscapes and an eye for blackly telling details (peasants roasting potatoes in the ashes of a burned witch), Reeves was clearly a promising filmmaker, who died in 1969 from a drug overdose. The most vivid thing about Witchfinder General is the way it explicitly links paranoia and witch-hunting to misogyny, and how female sexual energy is seen by the ruling order as a threat. The final sequence is perhaps the most harrowing fade-out of any Sixties horror picture, and offers no comforting resolution.

Included on the Witchfinder package is a disc of three featurettes: a half-hour bio, the 12–minute Art of Fear that looks at his horror work (with the expected focus on the other films in this box set), and a 15–minute piece on other actors working with Price (although these actors are not interviewed, just the gallery of experts who speak in the other docs). The Witchfinder disc includes a valuable backgrounder on the movie, including the story behind the original U.S. release of the film, titled The Conqueror Worm (to cash in on Price's connection to Edgar Allan Poe works, which this is not), plus a commentary with producer Philip Waddilove and Michael Reeves' favored leading man, Ian Ogilvy. --Robert Horton

Product Description
Studio: Tcfhe/mgm Release Date: 09/09/2008 Run time: 86 minutes Rating: Nr


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Customer Reviews

58 Reviews
5 star:
 (30)
4 star:
 (15)
3 star:
 (6)
2 star:
 (3)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (58 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
47 of 51 people found the following review helpful:
5.0 out of 5 stars My Pivotal Film Experience., September 13, 2007
By Chip Kaufmann (Asheville, N.C. United States) - See all my reviews
(TOP 1000 REVIEWER)   
Every lover of film has had a pivotal film experience, the movie that made such an impact on them that they have never forgotten it. For me WITCHFINDER GENERAL is that film. I first saw it in 1969 as THE CONQUERER WORM (AIP's American release title designed to cash in on the Vincent Price/Edgar Allan Poe series although the movie has nothing to do with Poe). I was 17 years old, just about to complete my junior year of high school in Greenville SC, and was a big fan of the Roger Corman/Vincent Price Poe series. I had seen very few films that would not qualify as G rated. The ratings system had just been introduced the year before and this film was rated M (for mature audiences, later GP then PG). It was a complete shock to the system in every way. It was the first time I had seen nudity/lovemaking before and the violence was painful and ugly. Vincent Price was cold and hard without a trace of his usual mannerisms and therefore not sympathetic in the least. To top it all off there was no happy ending and people were worse off than they were before. Of course these things had been in films since the silent era but it was the first time I had seen them and we always remember our firsts.

I have seen just about everything in the movies since then but seeing WITCHFINDER nearly 40 years later I'm amazed at how well it holds up. I am happy to report that after years of substandard VHS and Region 2 DVD editions this version features the original director's cut and restores the original soundtrack which was not available in America. An added bonus is the commentary which features star Ian Ogilvy that fills in the background of the making of the film. For those who don't know, the film is set during the English Civil War and pits two young lovers against a sadistic Puritan witchfinder. The director, Michael Reeves, died shortly afterwards of an accidental prescription drug overdose at the age of 25. The 5 star rating is purely subjective because of the important part it played in my overall movie development but it's a solid 4 star film anyway.
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34 of 36 people found the following review helpful:
4.0 out of 5 stars A satisfying but sadly marginalised cult horror classic, September 7, 2000
By P. I. Johnson (Cape Town, South Africa) - See all my reviews
(REAL NAME)   
This review is from: Conqueror Worm [VHS] (VHS Tape)
The Conqueror Worm is a textbook example of a movie's potential prospects as an acknowledged classic being wrecked by the stupidity of critics and the cynical manipulations of a distributor underestimating the intelligence of American viewers. Distributed by AIP in America as "The Conqueror Worm" and purportedly "based on the writing of Edgar Allan Poe", the film got buried by disinterested US critics who incorrectly passed it off as simply another addition to the increasingly tiresome Poe fare being churned out by AIP, Roger Corman and others. The casting of Vincent Price, of course, only strengthened this unfortunate and lazy critical impulse. For this, the distributor is as much to blame as the critics, by consciously pursuing a marketing strategy which implied precisely what critics chose to believe. And by tampering with the film itself to contrive to provide a Poe connection (by adding prologue and epilogue commentary by Vincent Price quoting from Poe's poem) AIP hung its sinking critical reputation around the neck of this great movie. In fact, The Conqueror Worm has nothing to do with Edgar Allan Poe and was not even made by the AIP studio either. And when US critics began hearing European buzz about a great little horror movie called The Witchfinder General by an innovative young Brit director, Michael Reeves, how were they then to know it was the same movie they had so flippantly disregarded? By the time The Witchfinder General was rereviewed as the stand alone original it is, it was too late. The movie's moment had passed amongst the moviegoing mainstream. It is only through its devoted cult following that memory of it and its tragic young director (who died in mysterious circumstances at the age of 25) has deservedly been kept alive. Considered in the context of its time, The Conqueror Worm is a powerful, violent tale of hypocrisy and vengeance. It tells the story of the villainous opportunist Matthew Hopkins and his sidekick, the brutish moron John Stearne, who went from village to village in Cromwellian England torturing, hanging and burning "witches". The movie pulls no punches in its portrayal of the methods used by Hopkins and Stearne to extract confessions and exact punishment, but is also satisfyingly contemptuous in its portrayal of these two psychopaths. In this regard, Reeves manages something even Roger Corman couldn't do: extract a layered, complex and credible performance from the normally corny Vincent Price. This simply has to be one of his best performances ever - the one that could've given him consolidated mainstream respectability, but the one that probably the least people actually saw. Ian Ogilvy (TV's The Saint - after Roger Moore's stint)- is also very good as the tender then vengeful soldier, Richard Marshall. I am of the view that the original reason this film got trumpeted as a horror movie related to the casting of Vincent Price and AIP's cynical business calculations. However, it is indeed a horror movie, just not the kind of horror movie AIP wanted the public to believe. It falls rather - despite its gorgeous costume dress and sets - into the same category of horror sub genre which deals with studies of pure evil a la Henry: Portrait of a Serial Killer. (In fact, the knowing, murderous collusion - and tension - between Hopkins and Stearne resembles somewhat the relationship between the calculating Henry and moronic Otis in the later movie.) The Conqueror Worm is also, however, a revenge movie - a kind of proto-Death Wish - in that the story is driven by Richard Marshall's obsessive quest to avenge the violation and rape of his fiance by both Hopkins and Stearne. The movie looks fantastic, probably the best sense of that period ever captured on film. The shots of Marshall racing his horse through the English countryside under a foreboding evening sky are simply breathtaking. The images are strong and dark as well, contributing to a grave atmosphere of oppression in the air. The opening scenes - incorporating a lone townsman preparing a hilltop gallows against a dark sky and an old woman being dragged to her execution - are as powerful as anything you'll ever see. The wonderful thing is, the movie never lets up on this opening power. It runs its violent course without dragging and delivers a stunning visual feast of violence and evil. This movie absolutely has to find its way to DVD - and soon. And, for once, the audience frustration that builds up in the face of hypocrisy and cruelty, is satifactorily resolved. So, for those of you who are still wound up from having experienced Nicholas Hytner's brilliant version of Arthur Miller's The Crucible, watch this movie to get the closure you need! Highly recommended to serious moviegoers and collectors - but also as a great midnight with popcorn movie for couples! At under $12, buy, buy, buy. Or wait for the DVD which will be stunning.
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19 of 21 people found the following review helpful:
5.0 out of 5 stars This is the Directors Cut , September 3, 2007
By J. Curley "JMC" (Tokyo, Japan) - See all my reviews
There's more good news regarding MGM's long awaited September 11 DVD release of WITCHFINDER GENERAL (aka THE CONQUEROR WORM). Producer Philip Waddilove has confirmed to DVD Drive-In that the movie will not only be presented as Michael Reeves' director cut, but will also contain the original music score by Paul Ferris which was removed from all previous home video versions in the U.S. For this DVD, Waddilove has also just recorded an audio commentary along with star Ian Ogilvy, and an additional supplement will be a collection of Waddilove's personal stills, taken on the set. Looks like it's going to be one hell of a release!
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Most Recent Customer Reviews

4.0 out of 5 stars Price at his most dispicable...
Witchfinder General (though American audiences might know it as The Conqueror Worm), released in 1968, is probably one of his better performances int he set as well as being the... Read more
Published 1 month ago by S. M. Robare

1.0 out of 5 stars The best scene was cut!
I feel cheated by this DVD. The best scene has been cut in which a group of women are tried, lots of sadistic torture, very intense. Read more
Published 3 months ago by Amy H. Hesketh

4.0 out of 5 stars Cinema's account of the infamous Matthew Hopkins
Released in 1968, the British film "Witchfinder General" (originally known as "The Conqueror Worm" in the U.S. Read more
Published 4 months ago by ! Durrkk

5.0 out of 5 stars Witch Finding Crookedness
I found Vincent Prices performance in this movie delightful as with most his work. For some reason his role felt perfect for him and his presence onscreen is fantastic to see... Read more
Published 6 months ago by j-rob-82

2.0 out of 5 stars Not worth 4+ stars
Seriously, this movie is not worth the more than 3 stars many people give it. Yes, give credit to Price for playing a vile character sans the usual "camp" factor, but that praise... Read more
Published 8 months ago by moonlighteye77

4.0 out of 5 stars Classic. Chilling. A worthy re-issue of a stand out horror classic.
This British horror film from 1968 is definitely worth a look. Price gives a career best performance as the evil, self-serving Matthew Hopkins, who abuses his position as... Read more
Published 9 months ago by K. L. Wilson

4.0 out of 5 stars Vinny the P gets Medieval on us
Everybody loved Vincent Price. In the 60s and 70s, he was crowned the King of Horror but no matter how many horror movies he appeared in, people still loved the guy. Read more
Published 9 months ago by The JuRK

5.0 out of 5 stars Classic horror still chills the blood
This is a story of persecution and revenge filled with Vincent Price's manic leering, which has never been better. This is great entertainment, dark brutal fun.
Published 10 months ago by The Cheerful Teacher

5.0 out of 5 stars Vincent Price's best performance, and quite an extraordinary film....
I remember seeing this film on regular TV (WFLD-TV in Chicago to be exact) at 2 in the afternoon. I remember the bone chilling screams from the prison scene. Read more
Published 11 months ago by Grigory's Girl

5.0 out of 5 stars Vincent Price
Vincent Price is wonderful in this movie. A must have for anyone who enjoys Vincent Price.
Published 13 months ago by Lily Munster "Cyndi"

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