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Editorial Reviews
Amazon.com
Trent Reznor has always been a one-trick-pony, but it's a damn good trick: sunny melodies filtered through ferocious electronics. Unfortunately, the trick's impact was often watered down by a tendency toward petulance and self-absorption. Still, almost six years after NIN's last release, The Fragile, the trick itself has lost none of its Teen-Beat-from-hell appeal. With Teeth blisters from the start with "All the Love in the World," and tracks like "The Collector" take full advantage of Dave Grohl's sledgehammer drumming. Reznor stretches occasionally, trying out different tactics, from crunchy, overtly commercial rave-ups ("The Hand That Feeds") to borderline New Wave ("Only"). But Teeth isn't about stretching. It's about doing the same trick, only better, with less clutter and more bite. By neatly distilling the sparseness of Pretty Hate Machine with Downward Sprial-style density, it ends up being the most focused record in the NIN catalog. –Matthew Cooke
Product Description
Five years is a long time by most people's standards, but when such a period passes between albums by Nine Inch Nails, the turbulent electro-noir behemoth conducted by Trent Reznor, it's par for an increasingly elaborate course. With Teeth follows a period of intense self-investigation, a psychological shelf-clearing. It's an album that startles with its clarity, with its renewed vigour. A catalogue of grievances perhaps, like all his records, but possessed with more of a will to fight back than any other Nine Inch Nails release to date. Interscope. 2005.
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196 of 208 people found the following review helpful
Format:Audio CD
Since this review is attached to the DualDisc edition, I'll begin there. The 5.1 surround mix is worth the additional price for the DD; it brings the sound alive just as the 5.1 reworking of "The Downward Spiral" anniversary edition did. However, the additional content is pretty lackluster. The video for "The Hand That Feeds" is the one being played on MTV, not the fabled alternate clip. The discography contains short audio/video samples of NIN's entire career, but they're nothing new to any fan. It's also important to note that the DualDisc format isn't as universally compatible as the standard CD and can even get stuck and/or scratched in certain laptop and car CD drives. So, unless you plan on listening regularly to the 5.1 mix, I'd save the couple of dollars and stick with the regular CD edition. Now on to the album itself. . .
It's been over six years since the last full-length studio release from Trent Reznor, and a difficult six years at that. Reznor has since come clean about his battles with substance addiction and crises in confidence about his musical abilities. After hearing the pre-release single "The Hand That Feeds", the Internet buzzed with hot-and-cold reactions to its more accessible sound. Had Reznor actually lost the edge that had produced so much crucial music over the last decade and a half?
A single listen to "With Teeth" is enough put such concerns to rest. It's a return to the "Pretty Hate Machine" idea of creating an album of songs, not a synth symphony with returning motifs such as "The Fragile" or an industrial-rock opera like "The Downward Spiral". Each song displays a lot of maturity in the writing and recording - plenty of raw emotion gets across with less aggro-angst overkill (let's face it - too much more of that and Reznor would have been on the way toward becoming a real self-parody). Some songs are upbeat, some are heavier than anything that he's done before, some are delicate ballads that will have crowds waving lighters in the air. But the tracks still maintain enough continuity that no tracks are stranded - although diverse from song to song, the album is without a doubt a comprehensive work.
As for the performance, each song on the record is geared toward being played as-is by the current tour lineup - not that it's stripped-down, but you should be able to count on live performances sounding like the album without overreliance on pre-recorded tracks. Dave Grohl, this millennium's hardest working man in show biz, laid down a lot of the drum tracks on the studio recording and the entire album has a very man-made, organic rock sound. The result is a very satisfying record, not just compared to other acts' current releases, but also to NIN's earlier works.
Here are some notes on the tracks and how the compare to other NIN tracks:
1. "All The Love in the World": Begins with a complex almost drum-and-bass rhythm over quiet vocals and ends with a major-key piano chord progression over a multi-layered chorus of Reznor vocals. Progressive in the Radiohead vein but unmistakably NIN.
2. "You Know What You Are?": When nin.com promised that the upcoming tour would "destroy" audiences, this was the track that Reznor had in mind. A thrashy, incredibly fast beat immediately kicks off the track's verse, sounding a lot like Ministry; this is broken up by a slower but incredibly heavy chorus.
3. "Collector": This is the first of several tracks that express the defining sound of this album: live, organic drums and heavy bass guitar building a rhythm that's a mile-high and two tons of heavy. It's reminiscent of "The Big Come Down" without so much electronic production. Keeping with the in-person feel, it also features a surprising but well-placed piano solo with discordant jazzy chords and scales - think Bowie's "Heart's Filthy Lesson" or "Just Like You Imagined" from "The Fragile".
4. "The Hand That Feeds": You've likely heard it either like it or hate it. Get over the keyboard solo and get on board.
5. "Love Is Not Enough": A quick rock number that features another huge rhythm foundation and a complex beat that is reminiscent of "I Do Not Want This".
6. "Every Day Is Exactly the Same": A mid-tempo electronic number that features many familiar NIN sounds. It includes a very memorable chorus that is anthemic without compromising its tone. It will get stuck in your head with no warning.
7. "With Teeth": Far and away the oddest track on the album. First off, it has a shuffling beat that will throw listeners off-kilter for the first several bars. Imagine an uber-muscular version of Siouxsie's "Peek-a-Boo". But the real kick is the incredibly quiet piano interlude in the middle of the song. This track manages to be possibly the noisiest on the album without resorting to the typical aggro conventions.
8. "Only": This, the second single from "With Teeth", begins with a very unorganic eighties-throwback drumloop backing Reznor freestyling spoken vocals - not a rap, but almost a beat poetry reading. The mood and instrumentation are vintage NIN like "Ringfinger" while the very danceable beat is reminiscent of "Into the Void".
9: "Getting Smaller": Another mosh-ready rock number similar to "You Know What You Are?". Probably the most disposable track on the album.
10: "Sunspots": A slinky, seductive number that builds to a catchy rock stomp during the chorus. Think "The Only Time" from "Pretty Hate Machine".
11. "The Line Begins to Blur": Trent's vocals are at their emotional peak on this one. Virtually atonal during the verses, with live drums that are distorted and electronically chopped up to great effect. The chorus is almost dreamy in comparison but anchored by a 4/4 war-drum tempo. By the time it hits the chorus, this track sounds very much like "The Day The Whole World Went Away" except fully realized this time around.
12. "Beside You In Time": This is the track that is played under the recent web ad on nin.com. It's not all instrumental, but it maintains it's 2/4 electronica feel throughout. It's a throwback to the Coil remixes on "Fixed".
13. "Right Where It Belongs": The album ends with its sole quiet track. A plainly pretty melody (reminded me of the verses on "Even Deeper") sung over top of keys and a detuned piano. Not quite "Hurt", but not bad, either.
"With Teeth" solidifies Reznor's place in musical history by displaying his capacity for growth within the sub-genre that he created for himself. It's undeniably Nine Inch Nails without being tired, repetitive or derivative of earlier works.
It's been over six years since the last full-length studio release from Trent Reznor, and a difficult six years at that. Reznor has since come clean about his battles with substance addiction and crises in confidence about his musical abilities. After hearing the pre-release single "The Hand That Feeds", the Internet buzzed with hot-and-cold reactions to its more accessible sound. Had Reznor actually lost the edge that had produced so much crucial music over the last decade and a half?
A single listen to "With Teeth" is enough put such concerns to rest. It's a return to the "Pretty Hate Machine" idea of creating an album of songs, not a synth symphony with returning motifs such as "The Fragile" or an industrial-rock opera like "The Downward Spiral". Each song displays a lot of maturity in the writing and recording - plenty of raw emotion gets across with less aggro-angst overkill (let's face it - too much more of that and Reznor would have been on the way toward becoming a real self-parody). Some songs are upbeat, some are heavier than anything that he's done before, some are delicate ballads that will have crowds waving lighters in the air. But the tracks still maintain enough continuity that no tracks are stranded - although diverse from song to song, the album is without a doubt a comprehensive work.
As for the performance, each song on the record is geared toward being played as-is by the current tour lineup - not that it's stripped-down, but you should be able to count on live performances sounding like the album without overreliance on pre-recorded tracks. Dave Grohl, this millennium's hardest working man in show biz, laid down a lot of the drum tracks on the studio recording and the entire album has a very man-made, organic rock sound. The result is a very satisfying record, not just compared to other acts' current releases, but also to NIN's earlier works.
Here are some notes on the tracks and how the compare to other NIN tracks:
1. "All The Love in the World": Begins with a complex almost drum-and-bass rhythm over quiet vocals and ends with a major-key piano chord progression over a multi-layered chorus of Reznor vocals. Progressive in the Radiohead vein but unmistakably NIN.
2. "You Know What You Are?": When nin.com promised that the upcoming tour would "destroy" audiences, this was the track that Reznor had in mind. A thrashy, incredibly fast beat immediately kicks off the track's verse, sounding a lot like Ministry; this is broken up by a slower but incredibly heavy chorus.
3. "Collector": This is the first of several tracks that express the defining sound of this album: live, organic drums and heavy bass guitar building a rhythm that's a mile-high and two tons of heavy. It's reminiscent of "The Big Come Down" without so much electronic production. Keeping with the in-person feel, it also features a surprising but well-placed piano solo with discordant jazzy chords and scales - think Bowie's "Heart's Filthy Lesson" or "Just Like You Imagined" from "The Fragile".
4. "The Hand That Feeds": You've likely heard it either like it or hate it. Get over the keyboard solo and get on board.
5. "Love Is Not Enough": A quick rock number that features another huge rhythm foundation and a complex beat that is reminiscent of "I Do Not Want This".
6. "Every Day Is Exactly the Same": A mid-tempo electronic number that features many familiar NIN sounds. It includes a very memorable chorus that is anthemic without compromising its tone. It will get stuck in your head with no warning.
7. "With Teeth": Far and away the oddest track on the album. First off, it has a shuffling beat that will throw listeners off-kilter for the first several bars. Imagine an uber-muscular version of Siouxsie's "Peek-a-Boo". But the real kick is the incredibly quiet piano interlude in the middle of the song. This track manages to be possibly the noisiest on the album without resorting to the typical aggro conventions.
8. "Only": This, the second single from "With Teeth", begins with a very unorganic eighties-throwback drumloop backing Reznor freestyling spoken vocals - not a rap, but almost a beat poetry reading. The mood and instrumentation are vintage NIN like "Ringfinger" while the very danceable beat is reminiscent of "Into the Void".
9: "Getting Smaller": Another mosh-ready rock number similar to "You Know What You Are?". Probably the most disposable track on the album.
10: "Sunspots": A slinky, seductive number that builds to a catchy rock stomp during the chorus. Think "The Only Time" from "Pretty Hate Machine".
11. "The Line Begins to Blur": Trent's vocals are at their emotional peak on this one. Virtually atonal during the verses, with live drums that are distorted and electronically chopped up to great effect. The chorus is almost dreamy in comparison but anchored by a 4/4 war-drum tempo. By the time it hits the chorus, this track sounds very much like "The Day The Whole World Went Away" except fully realized this time around.
12. "Beside You In Time": This is the track that is played under the recent web ad on nin.com. It's not all instrumental, but it maintains it's 2/4 electronica feel throughout. It's a throwback to the Coil remixes on "Fixed".
13. "Right Where It Belongs": The album ends with its sole quiet track. A plainly pretty melody (reminded me of the verses on "Even Deeper") sung over top of keys and a detuned piano. Not quite "Hurt", but not bad, either.
"With Teeth" solidifies Reznor's place in musical history by displaying his capacity for growth within the sub-genre that he created for himself. It's undeniably Nine Inch Nails without being tired, repetitive or derivative of earlier works.
88 of 101 people found the following review helpful
Format:Audio CD
Nine Inch Nails are back with their fourth effort "With Teeth," and once again Trent Reznor has made an outstanding album.
Although the album has a sense of urgency, "With Teeth" is not as angry or intense as "Pretty Hate Machine," (1989) or "The Downward Spiral" (1994). Overall, I think the actual songs on "With Teeth" sound most similar to those on "The Fragile" (1999). Unlike "The Fragile," however, there are not any instrumentals. "With Teeth" gets more to-the-point. Although I personally loved the long instrumentals on "The Fragile," fans who thought the album was too self-indulgent or long, may be more pleased with the format of "With Teeth."
One additional difference between "The Fragile" and "With Teeth" is the welcome addition of drummer Dave Grohl on several of the tracks. His playing gives the album more of a live, organic feel, and gives the sound a shot in the arm. Unfortunately, what tracks he plays on are not listed on the CD case and there is no booklet. However, you'll know when you hear him.
I liked "With Teeth" after the first listen. However, much like "The Fragile" this is definitely an album that grows on you with repeated plays. There's a lot going on in all of the songs-subtle things, solos, guitars and keyboards-things that you might not pick up on the first couple times. It definitely gets better with repeated plays. Like all Nine Inch Nails albums, each song is meticulously and painstakingly crafted, there is no filler.
The themes of "With Teeth" are similar to those on past NIN albums-loneliness, rage, fear, nihilism-but Reznor sounds less bleak, more confident, if only slightly so.
The album starts out with the rather sluggish "All the Love in the World," which has an almost claustrophobic feel. It sort of grinds itself along, and gives way to a satisfying buildup and sublime finale when the piano kicks in towards the end.
"You Know What You Are?" sounds frantic, and is intensified by the pounding drums.
"The Collector" has a really cool, almost funky bass line. It has a great groove and the chorus is really melodic. It's very infectious.
"The Hand that Feeds" was a good pick as the first single, as it is pretty representative of the album as a whole. This mid-tempo industrial rocker is very catchy.
The slow-paced "Love is Not Enough" is one of the album's more rock orientated songs, when the guitars kick in. The verse sort of rolls along, and then explodes into the chorus. The keyboard solo toward the end is a nice touch.
I think "Everyday is Exactly the Same" would be a good choice for the next single. It has a very cool, low-key industrial background. It reminds me somewhat of "That's What I Get" from "Pretty Hate Machine." The song is especially beautiful when the piano kicks in.
The album's title track "With Teeth" takes a few listens to get into. It starts out rather sluggish and claustrophobic...and then...you can hardly hear anything, as Trent Reznor whispers the words over a faint piano...it's very melancholy...and then it gets back to where it started, only now it is more intense.
"Only" has a bit of retro feel; it sort of sounds like something Gary Numan or Devo might do. It has a lot of synths going on and is very interesting. It's really catchy and I think a potential single.
The fast paced "Getting Smaller" is effective and keeps up the momentum.
The pacing of "Sunspots" is what makes the song really work. It starts out slow, builds up, intensifies, slows down again, builds up, intensifies, it keeps the listener intrigued. The keyboards and guitars are subtly added in and sort of creep up on you-it's a cool effect.
The distorted "The Line Begins to Blur" is mid-paced, but intense. It transforms and becomes hauntingly melodic. The guitar solo, while not technically brilliant, is really catchy and part of the song's highlight.
"Beside You in Time" keeps going on-and-off, like when you turn a radio off-and-on-this creates a really cool throbbing effect. The song actually sounds like it's throbbing. The throbbing gets more and more intense as the song rolls along.
The closing "Right Where it Belongs" is beautifully eerie. The piano and the underwhelming vocals really give the song a nice effect. The song builds up and gets more intense; but the song, and the album, go out with a whimper rather than a bang (not that that's a bad thing).
Again, this album takes a few listens to really appreciate. It gets better and better with successive plays. "With Teeth" is an album to be relished with repeated listens.
If you've never liked Nine Inch Nails, this album probably won't win you over. If you disliked "The Fragile," you also probably won't like this album. If you disliked "The Fragile" because of its long instrumentals, but liked the actual songs, you will probably like this to. Most NIN fans in general should be pleased with "With Teeth."
Although the album has a sense of urgency, "With Teeth" is not as angry or intense as "Pretty Hate Machine," (1989) or "The Downward Spiral" (1994). Overall, I think the actual songs on "With Teeth" sound most similar to those on "The Fragile" (1999). Unlike "The Fragile," however, there are not any instrumentals. "With Teeth" gets more to-the-point. Although I personally loved the long instrumentals on "The Fragile," fans who thought the album was too self-indulgent or long, may be more pleased with the format of "With Teeth."
One additional difference between "The Fragile" and "With Teeth" is the welcome addition of drummer Dave Grohl on several of the tracks. His playing gives the album more of a live, organic feel, and gives the sound a shot in the arm. Unfortunately, what tracks he plays on are not listed on the CD case and there is no booklet. However, you'll know when you hear him.
I liked "With Teeth" after the first listen. However, much like "The Fragile" this is definitely an album that grows on you with repeated plays. There's a lot going on in all of the songs-subtle things, solos, guitars and keyboards-things that you might not pick up on the first couple times. It definitely gets better with repeated plays. Like all Nine Inch Nails albums, each song is meticulously and painstakingly crafted, there is no filler.
The themes of "With Teeth" are similar to those on past NIN albums-loneliness, rage, fear, nihilism-but Reznor sounds less bleak, more confident, if only slightly so.
The album starts out with the rather sluggish "All the Love in the World," which has an almost claustrophobic feel. It sort of grinds itself along, and gives way to a satisfying buildup and sublime finale when the piano kicks in towards the end.
"You Know What You Are?" sounds frantic, and is intensified by the pounding drums.
"The Collector" has a really cool, almost funky bass line. It has a great groove and the chorus is really melodic. It's very infectious.
"The Hand that Feeds" was a good pick as the first single, as it is pretty representative of the album as a whole. This mid-tempo industrial rocker is very catchy.
The slow-paced "Love is Not Enough" is one of the album's more rock orientated songs, when the guitars kick in. The verse sort of rolls along, and then explodes into the chorus. The keyboard solo toward the end is a nice touch.
I think "Everyday is Exactly the Same" would be a good choice for the next single. It has a very cool, low-key industrial background. It reminds me somewhat of "That's What I Get" from "Pretty Hate Machine." The song is especially beautiful when the piano kicks in.
The album's title track "With Teeth" takes a few listens to get into. It starts out rather sluggish and claustrophobic...and then...you can hardly hear anything, as Trent Reznor whispers the words over a faint piano...it's very melancholy...and then it gets back to where it started, only now it is more intense.
"Only" has a bit of retro feel; it sort of sounds like something Gary Numan or Devo might do. It has a lot of synths going on and is very interesting. It's really catchy and I think a potential single.
The fast paced "Getting Smaller" is effective and keeps up the momentum.
The pacing of "Sunspots" is what makes the song really work. It starts out slow, builds up, intensifies, slows down again, builds up, intensifies, it keeps the listener intrigued. The keyboards and guitars are subtly added in and sort of creep up on you-it's a cool effect.
The distorted "The Line Begins to Blur" is mid-paced, but intense. It transforms and becomes hauntingly melodic. The guitar solo, while not technically brilliant, is really catchy and part of the song's highlight.
"Beside You in Time" keeps going on-and-off, like when you turn a radio off-and-on-this creates a really cool throbbing effect. The song actually sounds like it's throbbing. The throbbing gets more and more intense as the song rolls along.
The closing "Right Where it Belongs" is beautifully eerie. The piano and the underwhelming vocals really give the song a nice effect. The song builds up and gets more intense; but the song, and the album, go out with a whimper rather than a bang (not that that's a bad thing).
Again, this album takes a few listens to really appreciate. It gets better and better with successive plays. "With Teeth" is an album to be relished with repeated listens.
If you've never liked Nine Inch Nails, this album probably won't win you over. If you disliked "The Fragile," you also probably won't like this album. If you disliked "The Fragile" because of its long instrumentals, but liked the actual songs, you will probably like this to. Most NIN fans in general should be pleased with "With Teeth."
22 of 24 people found the following review helpful
Format:Audio CD
Since no one has any info posted on this release, I figured I'd just add in some info. This is the same exact "With Teeth" everyone knows and either hates or loves, and it's the same Japanese Import "With Teeth". For those not familiar with this version, it includes the following extra tracks:
First 13 Original Songs plus:
14. Home
15. The Hand That Feeds (Ruff Mix)
16. Right Where It Belongs (v2)
It also includes a discography DVD, which was available at some videogame stores, which basically contains some clips of NIN's music videos and their discography. Nothing special, and really not worth $40 bucks, in my opinion. You can easily find the other three tracks on singles, or just online.
"Home" is a decent song, just a WT leftover.
"The Hand That Feeds (Ruff Mix)" is just a plain old remix of the first single.
"Right Where It Belongs (v2)" is the same exact song as the original, the only difference is that the crowd noise at the end is removed and it's mastered a little differently.
Like I said, okay, but not worth it. The DVD doesn't have full music videos, and the songs are just okay or different versions. Find them somewhere else, and save your money. Yes, Japanese import CDs look nice with the packaging, but this is NOTHING SPECIAL. SAVE YOUR MONEY.
It's still a great album, though.
First 13 Original Songs plus:
14. Home
15. The Hand That Feeds (Ruff Mix)
16. Right Where It Belongs (v2)
It also includes a discography DVD, which was available at some videogame stores, which basically contains some clips of NIN's music videos and their discography. Nothing special, and really not worth $40 bucks, in my opinion. You can easily find the other three tracks on singles, or just online.
"Home" is a decent song, just a WT leftover.
"The Hand That Feeds (Ruff Mix)" is just a plain old remix of the first single.
"Right Where It Belongs (v2)" is the same exact song as the original, the only difference is that the crowd noise at the end is removed and it's mastered a little differently.
Like I said, okay, but not worth it. The DVD doesn't have full music videos, and the songs are just okay or different versions. Find them somewhere else, and save your money. Yes, Japanese import CDs look nice with the packaging, but this is NOTHING SPECIAL. SAVE YOUR MONEY.
It's still a great album, though.
Most Recent Customer Reviews
5.0 out of 5 stars
just because they wanted is C
I like the CD but I don't think I'm not in junior high I shouldn't have to d I'm not in junior high I shouldn't have to do essays Shasta ple just to please someone to eat go then... Read more
Published 4 days ago by Angela M. Ricks
5.0 out of 5 stars
My favorite NIN album
I know that this will piss a lot of die-hard NIN fans off but "With Teeth" is my favorite album by the band. Read more
Published 2 months ago by Matt Chazz
5.0 out of 5 stars
Love it!
I pretty much like the whole album, especially since "The line begins to blur" is one of my favorite songs by them. Anyways, good CD.
Published 5 months ago by Alyssa1318
4.0 out of 5 stars
Not Reznors Mona Lisa, but still great!
Downward Spiral is and always will be my favorite NIN album, maybe for reasons of nostalgia or maybe because nothing can top it. Read more
Published 5 months ago by Nathanial Dupont
5.0 out of 5 stars
Works great
I love this it works great and I love NIN so this was a great buy also it has very small scratches and it came early
Published 5 months ago by Christian Berg
1.0 out of 5 stars
"Toothless" would be a more appropriate album title. 9%
I still remember the last months of my junior year in high school (April-May 2005) and I know "The Hand that Feeds" was being played like crazy on the radio. Read more
Published 6 months ago by Duckman
1.0 out of 5 stars
So disappointed...
Been a huge NIN fan since PHM....pretty much everything Trent did was pure gold....he could fart into a plastic bag and I'd buy it... Read more
Published 7 months ago by KMFDM781
5.0 out of 5 stars
Absolutely Gorgeous Compilation
With Teeth. Trent Reznor and Nine Inch Nails prove themselves yet again with this excellent installment of industrial rock, whatever you call it. Read more
Published 7 months ago by avidreader
5.0 out of 5 stars
More Mainstream NIN.
With Teeth has a different sound to it. After making The Fragile which is very complex, diverse and unique. Read more
Published 12 months ago
4.0 out of 5 stars
With Teeth
A long time coming, `With Teeth' showed those doubters that Nine Inch Nails not only still had `it' but could actually improve as well. Read more
Published on January 29, 2011 by Spider Monkey
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