Without Sanctuary: Lynching Photography in America [Hardcover]

James Allen (Author, Editor), John Lewis (Foreword), Leon F. Litwack (Contributor), Hilton Als (Contributor)

Editorial Reviews

Review

These images make the past present. They refute the notion that photographs of charged historical subjects lose their power, softening and becoming increasingly aesthetic with time. These images are not going softly into any artistic realm. Instead they send shock waves through the brain, implicating ever larger chunks of American society and in many ways reaching up to the present. They give one a deeper and far sadder understanding of what it has meant to be white and to be black in America. And what it still means. -- New York Times, January 13,2000

Product Details

• Hardcover: 209 pages
• Publisher: Twin Palms Publishers; First Edition edition (February 1, 2000)
• Language: English
• ISBN-10: 0944092691
• ISBN-13: 978-0944092699
• Product Dimensions: 10.4 x 7.9 x 1.3 inches
• Shipping Weight: 2.7 pounds (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars  See all reviews (59 customer reviews)
• Amazon Best Sellers Rank: #79,949 in Books (See Top 100 in Books)
  • #45 in Books > Arts & Photography > Photography > History
  • #66 in Books > Arts & Photography > Photography > Collections, Catalogues & Exhibitions
  • #93 in Books > Arts & Photography > Photography > Photo Essays

Customer Reviews

Most Helpful Customer Reviews

284 of 299 people found the following review helpful:

5.0 out of 5 stars Excerpts from a letter to my adult children, March 16, 2000

By 

David Sheriff (Anaheim, California) - See all my reviews

This review is from: Without Sanctuary: Lynching Photography in America (Hardcover)

Kids,

Thanks for the birthday present I suggested, the book "Without Sanctuary," published last month. It arrived yesterday and I sat down and read it from cover to cover. The book is horrifying, fascinating and chastening. You might think it a strange or grotesque request from me. Its not, and I feel compelled to write a little "book report" to show how much I appreciate it.

If you did not know, the book contains photographs and several essays which document the practice of lynching in America, which reached its peak from 1890 through 1930. The victims, three-quarters of them black, were people you might be afraid of just because of the way they looked. We can all identify with that fear. If we had photographs from the Inquisition or a thousand other atrocities they would look much the same. You can always spot the victims in the photographs, but you cannot tell the perpetrators from the bystanders. This particular behavior, lynching, did not take place far away or long ago; that it is so contemporaneous makes it so excruciating. Looking at these pictures, which were taken during the years my grandparents and great-grandparents were in their prime, makes it difficult to view the events as extraordinary. This is America, these are people I could have met in church when I was young. These are people my parents and grandparents must have KNOWN, some of them anyway. I don't think my grandparents would have participated in such events, but I don't really know and they certainly would not have mentioned it to me. The bulk of the terror took place in the South, but the photographs show mob killings everywhere, Minnesota, Iowa, Ohio, Texas, Indiana, California, everywhere.

After the second word war, historians tried to explain what was so different about Nazi Germany. What was so rotten in one of most advanced cultures that produced the Holocaust? If we could explain why Germany was uniquely cursed, then we would understand why such things could never happen here. Now the remarkable thing is how ordinary the Germans were. This is not to diminish the unspeakable horror of the Holocaust. But I think, whether as victims, oppressors or guilty bystanders, horrible things can overtake all of us everywhere.

When I was in my early twenties I interviewed General Lewis Hershey, who headed the military draft during the Viet Nam war. He was a devil to those of us who thought the war was stupid and pointless. We all knew his name and hated him; he personified the arbitrary and complete power of the draft over our lives. I was a really green reporter and he was a folksy, avuncular old pro. I didn't come away with a usable story, but the light came on in my head. I realized that evil people could fuss over their dogs and love children and seem very, very ordinary, just like my neighbors. I had demonized Hershey completely and here he was, human and likeable. Shuddering at my naiveté, I learned that decent, fine people were capable of sending you to die. Not evil at all, by his lights. Thirty years later, when I see the neighbors of some horrible murderer say on TV what a regular fellow he was and how they can't understand how he could have done such a thing, I understand.

I did not appreciate what a festive occasion lawless torture, mutilation and murder could be in the modern world. White people were killed too, but virtually never skinned, mutilated or burned. Usually just black people in the wrong place at the wrong time. It was fully-developed civil terror, calculated to spread fear and keep some people from doing anything which would call attention to themselves. It wasn't open civil war as in Pol Pot's Cambodia, present day Kosovo, or one of the other outrages in the news. But it was here, and it was us, and the attitudes that produced the lynchings aren't very far below the surface of in awful lot of ordinary, upstanding Americans today.

Leon F. Litwak in "Without Sanctuary:"

"The photographs stretch our credulity, even numb our minds and senses to the full extent of the horror, but they must be examined if we are to understand how normal men and women could live with, participate in, and defend such atrocities, even reinterpret them so they would not see themselves or be perceived as less than civilized. The men and women who tortured, dismembered, and murdered in this fashion understood perfectly well what they were doing and thought of themselves as perfectly normal human beings. Few had any ethical qualms about their actions. This was not the outburst of crazed men or uncontrolled barbarians but the triumph of a belief system that defined one people as less human than another. For the men and women who comprised these mobs, as for those who remained silent and indifferent or who provided scholarly or scientific explanations, this was the highest idealism in the service of their race. One has only to view the self-satisfied expressions on their faces as they posed beneath black people hanging from a rope or next to the charred remains of a Negro who had been burned to death. What is most disturbing about these scenes is the discovery that the perpetrators of the crimes were ordinary people, not so different from ourselves - merchants, farmers, laborers, machine operators, teachers, doctors, lawyers, policemen, students; they were family men and women, good churchgoing folk who came to believe that keeping black people in their place was nothing less than pest control, a way of combating an epidemic or virus that if not checked would be detrimental to the health and security of the community."

Change a few words and the book might be talking about ordinary Germans in the early 1940's. But its not. It speaks to us, here, now.

If we understand our history, we are not necessarily doomed to repeat it.

Love,

Dad

202 of 213 people found the following review helpful:

5.0 out of 5 stars Lynching is as American as Apple Pie, February 1, 2000

By 

M KIRK-DUGGAN "Reverse Mike" (El Cerrito Fellowship, CA USA) - See all my reviews
(REAL NAME)   

This review is from: Without Sanctuary: Lynching Photography in America (Hardcover)

"Without Sanctuary brings to life one of the darkest and sickest periods in American history. . . . The photographs in this book make real the hideous crimes that were committed against humanity. . . .such atrocities happened in America not so long ago. These photographs bear witness to the hangings, burnings, castrations, and torture of an American holocaust." From the Foreward by Congressman and 1960's Civil Rights Leader, John Lewis. These lynchings are portrayed on picture postcards that were sent to friends and relatives of the lynch mobs. "At a number of country schools the day's routine was delayed until boy and girl pupils could get back from [viewing] the lynched man. . . .The degree to which whites came to accept lynching as justifiable homicide was best revealed in how they learned to differentiate between 'good' and 'bad' lynchings. . . .'The best people of the county, as good as there are anywhere, simply met there and hanged Curl without a sign of rowdyism. There was no drinking, no shooting, no yellings, and not even loud talking.' " The victims were Black and White, Male and Female, Young and Old. Some were burned after hanging, others were burned before hanging. California and Duluth, as well as Mississippi, Alabama and North Carolina lynchings are all represented. Even the Jew, Leo Frank, is photographed. Only 4000 copies of this first edition have been printed. "We must prevent anything like this from ever happening again."

78 of 80 people found the following review helpful:

5.0 out of 5 stars It CAN happen here, June 10, 2000

By 

GHT - See all my reviews

This review is from: Without Sanctuary: Lynching Photography in America (Hardcover)

It did. I live in Atlanta, just a few miles from some of the trees in this book, just a few miles from Stone Mountain were they lit crosses up until the 1960s. Evil walked the land HERE - not in far off Europe, HERE, under the Stars and Stripes.

Lynching became America's national pastime after the Civil War, at least in the South. From the 1880s to the 1930s the US averaged over 100 lynchings a year, mostly in the South, over 75% of the victims were black.

This book brings a powerful light to a dark dirty corner of the American experience and psyche. This book is savage, gut-wrenching, and profoundly and deeply disturbing. The photos bear witness to monstrous crimes against humanity. The charred and mutilated bodies of the dead are shocking, and the depraved lust-filled feral faces of the lynch mobs are truly disgusting.

The oppression of slavery gave way to the viciousness and animalism of Jim Crow, and for 100 years the "vicious racists" (as Dr. King called them) ruled supreme in the southern USA, as evil in their stupidity and cowardly fear as the Nazis of Germany were in their arrogance and megalomania.

There are Holocaust deniers. Here in the US we have slavery and Jim Crow deniers, and racism deniers. This book and these awful pictures certainly do not support the happy mythology of the Lost Cause or the "New South"; nor the myth of color-blind justice in the USA. The evil on these pages is the evil one imagines in a pack of wild rabid dogs - savage, arbitrary, unspeakably cruel.

This book is a powerful dose of anti-denial. Most people know what slavery was really about, and have an idea about lynching. But just seeing the "strange fruit of southern trees" is like Eve eating the apple in Eden. It moved me, and I cannot go back to the lies and denial and the forgetting. Kudos to Mr. Allen for bringing these postcards and photos to our faces, so that this pornography of evil, stupidity, self-righteousness and barbarism can be seen for what it was, what it is, and what it still might be, so we can say "Never Again" to this Holocaust too.