Customer Reviews

Without You I'm Nothing

5 star:		(13)
4 star:		(3)
3 star:		(1)
2 star:		(1)
1 star:		(0)

 

 

Sandra Bernhard's Without You I'm Nothing, the movie released in the winter of early 1990, followed on the heels of her 1988 off-Broadway stage production ... what she and others refer to in the movie as her "smash-hit one-woman show." There were several changes in monologues and one-liners to update the comedic appeal of the show. And the movie version visually re-vamped the story, taking Sandra from a fabulous existence as a successful stage performer in New York, during what she calls her "superstar summer," to an illusory existence back in her home in Los Angeles - her fictional manager in the film refers to it as getting Sandra back "to her roots, to ... upscale supper clubs like the Parisian Room."

There's a point to be made here. Sandra tries to appeal her liberal worldview to an audience that doesn't completely see it. In L.A. she's playing to a predominantly black audience, trying to relate her ideas and comedy when all these people seem to want is "Shashonna," a Madonna-look-alike stripper. And even then, with Shashonna dancing to drum beats that resemble those from "Like a Virgin," there's not much to be said for the audience's enjoyment of the show. The scene in the club throughout the movie is dryer than a bone. A funny scene to catch is of a rotund man from the audience helping Shashonna out of her pants.

But, if she's going down, Sandra's going down with style and force, conveying everything from foul confidence to punctured vulnerability ... right to the point at which she's naked (literally), pleading with the audience for acceptance and, yet, somehow still swimming in the pool of her own transparent stardom. Her interactions with celebrities like Calvin Klein, Jerry Lewis, Bianca Jagger, Ralph Lauren and (what we're lead to believe is) Warren Beatty are fictional and hilarious.

Sandra begins her show in her most awkward moment, performing a quiet but mystifying rendition of Nina Simone's song "Four Women" while dressed in African garb, singing lines such as "my skin is black," "my hair is wooly," and "they call me Sweet Thing."

She resurrects and celebrates the ghosts of underworld art: "Leave it to Andy [Warhol] to have the wisdom and sensitivity into the hours and hours of toil and labor that went into the Indian product ... that they've been so lucky to cash in on this whole Santa Fe thing happening."

She expounds on the excessiveness of Hollywood, consoling a distraught friend then admonishing him, saying "Mister, if this is about Ishtar, I'm getting up right now and walking out of your life forever because that's too self-indulgent for even me!"

Sandra illustrates the expectations of women in the age of feminism. In retelling her young-girl fantasy, she eventually concludes in relief, "I'll never be a statistic, not me. I'm under 35, and I'm going to be married!"

And she extols the opening of sexuality in society: "When he touches you in the night, does it feel all right, or does it feel real? I say it feels real ... MIGHTY real." And, finally, she cries for change in American society by channeling disco greats Patrick Cowley and Sylvester and proclaiming, "Eventually everyone will funk!"

All this comes in the form of glitzy, schmaltzy but wonderful cabaret performances of songs written and originated by Billy Paul, Burt Bacharach, Hank Williams and Laura Nyro, to name a few. At the same time, the idealized, fictional incarnation of Sandra -- her self-generated mirror image -- floats around town, a beautiful model with flowing gowns and tight bustiers reading the Kabala, studying chemistry and listening to NWA rap music.

Without You I'm Nothing exposes Sandra in what was then her most intimate and direct engagement with an audience to date. She explores emotions and existences that, up until then, she'd only toyed with as a regular guest on Late Night With David Letterman. Her almost child-like enthusiasm for shock, exhibited throughout the '80s, is thrown aside in the face of a subtler allure, and her confidence in the face of materialism and American celebrity proves refreshing. This approach to comedy would change Sandra's direction forever and mark the more mature, more personable entertainer to come.

If you like subtle humor to the point of engaging in inside jokes about glamour, celebrity, sex, loneliness, despair and shallow expressions of love and kinship, this movie will keep you in stitches. But see it with a friend "in the know" because it's definitely funnier that way. Before you know it, the two of you will be trading Sandra barbs and confusing the hell out of everyone else.

My introduction to Sandra Bernhard, the ultimate sage of our times, came when I went to see "Without You I'm Nothing" in the movie theater when it was first released. I knew nothing about her and was blown away by her wit and insight into American culture. I have never been in a movie audience that laughed as hard and as often than when I saw this film. Sandra has that uncanny ability to be at once hilariously funny and deeply moving. Her stage performances are brilliant and "Without You I'm Nothing" captures her brilliance in an innovative and creative way - this film is not simply a multi-camera shoot of a stage performance, but utilizes fiction, documentary and stage elements all at once.

Sandra's off-the-cuff remark that "my father is a proctologist and my mother is an abstract artist: that's how I see the world" is an early warning of her often scatological, often surrealist commentaries on the conventions and pop culture of our time. The wild musical interludes, broken up by deadpan monologues, and hilariously backhanded commentary by her fictionized former agent and an old "friend", will never be forgotten by any viewer, whether fan or not.

In this earlier incarnation, Sandra was the foremost artist of emotional abjection. A character who encounters rejection and misunderstanding everywhere, yet one whom the viewer soon identifies as easily the most intelligent person in the room. It is neither her religion nor her sexuality which marginalize her, but the particular pitch of her wit and her kaleidescopic view of cultural phenomena.

Sandra's scatter-shot talents range from singing to dancing to acting to writing, but, as this film demonstrates, the sum of her brilliance is greater than any one (though also brilliant!) part.

Sandra is a national treasure who might just change and even save your life. She is tragi-comedy incarnate. Support her artistic productions: as a one-of-a-kind artist, she is certainly an endanged species.

I saw this film in a Dallas theatre with about 5 other people in the place.I was not familiar with Ms. Bernhart's work and for the first 10 minutes I didnt know whether to laugh or feel sorry for this crazed person.Then the brillience of her humor slowly took control and I was laughing uncontrolably.Have since seen her live 3 times and rent the movie whenever I can find it.This is definatly not everyones cup of tea but if you find yourself on the same wavelengh as Sandra you will have a very good time watching this film.

I saw this film twice when it came out in LA in '89 or '90 and almost got a hernia from laughing. Sandra is truly OVER the whole Westernized idea of self-concept; she has irreverence for almost everything in pop culture, and...well, who can blame her? I listened to the soundtrack from the show again last weekend twelve years later and still laughed. She really has a way of tempering one's desire for too much self-importance, and the way she skewers fame is just... charmed!

This is Sandy at her best... ironic, sarcastic, hilarious, and heartbreaking. Based on her one-woman show which played Off-Broadway in 1987, she made the decision to film her show in front of an audience... but one that pays her absolutely no attention. In doing this, you can focus on her performance without the distraction of hearing other's reactions. This is not for everyone... if you're not overly aware of her many pop culture references, you may feel that you're not in on the joke. Like an early Bette Midler, she can turn from wildly comic to sentimental in a moment - and with a voice that wraps itself around a melody like Streisand (without the self-conciousness), you will either love her or hate her.
Nestled in between her various numbers are vigniettes of talking heads commenting on her stardom... can't say I understood what they were really all about, but it adds another dimension to the work. Plenty here to laugh about, discuss, and just plain enjoy!

This movie, WITHOUT YOU I'M NOTHING, is based on Sandra's off-broaway, smash hit one woman show. Whew.. that was a mouthful. Anyway I wasn't familiar with Sandra's work before I saw this but after I saw this, I was floored. It's funny, touching, silly, and crazy. It's one of the best movies/shows I've seen. During WITHOUT YOU I'M NOTHING Sandra takes jabs at people but she's also an incredible storyteller/comedian. She also sings and dances thoughout. This movie is like no other. It's dark humor, crazy stories, and Sandra's eccentric attitude is sure to entertain.

I remember seeing this movie when it first came out. My best friend and I went to an arthouse movie theatre in New York City.

I'm not sure even this jaded New York audience was prepared for what they were about to witness.

From the first moment, the movie is in your face. You're alarmed. You're thinking, "How am I supposed to react to this? Is this .......funny? offensive? What is this?" Then you laugh and can't stop laughing.

Of course my friend and I were the only two people in the theatre hysterical through the whole thing. The others were just stunned into shocked silence. eek! ha ha ha ha! *lol*

We were coughing, choking, passing soda, falling onto the floor!

The best.....wait! THE BEST BEST BEST PART - especially if you're a woman, ESPECIALLY if you lived through the 1960's is the Burt Bacharach/BRASIL '66 tribute (oh yes - they go THERE!)

They're all in white! Everything is white! It's AMAAAAAAAAAAAAAZZZZZING....... the look of love. AHHHHHH ha ha ha haha

You'll run for your Sergio Mendes collection and will never let it go after this!

You must must buy this IF ONLY FOR THAT PART! I'm shocked nobody has mentioned it - it's PRICELESS!

The other part of this movie that not enough people pay attention to is the music. The arrangements are off the wall sensational. Patrice Rushen is an absolute musical GENIUS! The way the music compliments the comedy and the dark edge is unlike anything I have ever seen!

Are the jokes elitist? Yes! Are the jokes urban? Yes! Is it wildly funny and dangerous? YES!

A must see!
A must buy for a Queer or Feminist Movie Collection!

What are you waiting for darling?!!!

Sandra is very much an acquired taste, a love-or-hate entertainer. I have partially acquired that taste, having seen this show on English TV. I managed to track down the DVD, which is unavailable in the UK. If you have never seen the unusual style and act of Sandra, don't bother. If however, you have been intrigued by her unique act, as I was, then this is a 'definitive' must-have. To my mind, it is worth the price for her rendition of the classic ' Me and Mrs Jones ' which is spine-tingling.

Sandra Bernhard talent shines in Without You I am Nothing. Into today's world of cookie cutter film actors, Bernhard reminds us what real talent looks like.