From Publishers Weekly
Trappist monk, novelist, poet and social critic, Merton (1915-1968) oscillates between engagement and solitude, hope and despair, in these impassioned, searching letters. This fifth and final volume of his correspondence--all of which are edited by Shannon--reflects his commitment to nuclear disarmament, his immersion in Gandhi's philosophy of nonviolence, his growing ecological awareness and his quest for a political philosophy of freedom grounded in his Catholic faith. Merton critiques the United States as a "warfare state" in which the convergent interests of big business, the military and the wealthy dominate and dictate national policy. The content of his letters to ecologist Rachel Carson, folksinger Joan Baez, fellow poet-teacher Mark Van Doren, French-Arabic scholar Louis Massignon and Zen adept Masso Abe show the breadth of his pursuits.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
Fifth, final, and least satisfying volume of Merton's prodigious correspondence (The Courage for Truth, 1993, etc.). Previous books in this series have presented Merton's letters on writing, spirituality, friendship, and love. This time the prime focus is war, a subject about which Merton, a cloistered Cistercian monk, has little original to say. Mostly composed in the years just before and after the Cuban missile crisis, and usually directed toward peace activists like James Forrest or Gordon Zahn, these letters offer predictable mutterings about the dangers of nuclear holocaust, tendentious attacks on American right-wingers, and cracker-barrel advice on the idiocy of fallout shelters (``Lots of shelters that have been built have caved in or filled with water, etc.''). Occasional forays into religious themes reveal him to be a poor prognosticator as well, as when he misreads Vatican II as a ``tightening of the screws.'' More intriguing are letters concerning a meeting in 1956 between Merton and psychoanalyst Gregory Zilboorg, who, in the words of editor Shannon, labeled Merton ``neurotic in his need to get his own way and pathological in his demand for solitude.'' This harsh evaluation, which Merton seems to accept (``Zilboorg has been terrific''), is bolstered by letters surrounding Merton's vocational crisis of 1959, in which he applies for permission to leave his monastery for a hermitage. When the request is denied by his superiors, Merton at first accepts the decision but soon begins to agitate; tensions run high until he is allowed to enter a hermitage in the 1960s. In this episode and others, Merton comes off as Peck's Bad Boy, endlessly provoking Vatican officials and siding with mischief-makers. Some compensation for all this ego-preening comes near the end, in correspondence with unidentified monks and nuns to whom Merton offers simple, solid spiritual advice (``be patient, pay attention to obedience and to grace, trust God...''). Merton as bore. Try The Seven Storey Mountain instead. --
Copyright ©1994, Kirkus Associates, LP. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.