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Special Features
- 5-Part Documentary: Between Two Worlds: The Making of Witness
- Deleted Scene
- Theatrical Trailer
- Three TV Spots
Editorial Reviews
Amazon.com
When Samuel (Lukas Haas), a young Amish boy traveling with his mother Rachel (Kelly McGillis), witnesses the murder of a police officer in a public restroom, he and his mother become the temporary wards of John Book (Harrison Ford), a detective who's been assigned to solve the crime. After suspect lineups and mug-shot books yield nothing, Samuel, in the most memorable scene of the film, recognizes the murderer as a narcotics agent whose picture he sees in the precinct. Once Book realizes that the police chief is in on it, too, he whisks Samuel and Rachel back home to Amish country, where he himself goes into hiding as a plain Amish man. The juxtaposition between the life of the Amish and the violence of inner-city police corruption work surprisingly well for the story, and Kelly McGillis as the falling in love widow gives an almost perfect performance. Directed by Peter Weir, the film is extremely successful in drawing the viewer into its world and, accordingly, is immensely entertaining. The only thing that mars its polish is the one-dimensional, almost cartoonish handling of the upper-echelon police corruption--a subtler, more realistic treatment of this aspect of the story would have rendered the film near perfect. --James McGrath
Product Description
When a young Amish woman and her son get caught up in the murder of an undercover narcotics agent, their savior turns out to be hardened Philadelphia detective John Book. Harrison Ford is sensational as Book, the cop who runs head-on into the non-violent world of a Pennsylvania Amish community. The end result is an action packed struggle of life and death, interwoven with a sensitive undercurrent of caring and forbidden love.
Customer Reviews
Most Helpful Customer Reviews
102 of 105 people found the following review helpful
Format:DVD
Made immediately after "The Year of Living Dangerously", "Witness" continued a winning streak for Australian director Peter Weir. His first "American" movie, "Witness" deals with the conflict between two cultures and, in a sense, two centuries as part of a much more conventional police drama about an Amish boy (Lukas Haas) who witnesses the murder of an undercover police officer in the men's room of a train station. His mother Rachel (Kelly McGillis) is traveling with the boy and both are drawn into the police investigation. What Detective Captain John Book (Harrison Ford) who is investigating the case doesn't realize is that someone is out to kill them both. As a result, Book goes undercover himself taking them back to the Amish community they come from and hiding out with them there until he can resolve who is trying to kill them.
Featuring a rich, startling performance from Ford and a powerful turn by Kelly McGillis (who had only appeared on "One Life to Live", a TV movie and the marvelous film "Rueben, Rueben" at that point in her career) "Witness" still manages to amaze with the suspense that Weir generates in the film. His focus on the contrasting cultural values of Book and the Amish community makes the film much more than a conventional "B" movie police crime drama adding depth and nuance to the film.
A much needed improvement over the previous edition of "Witness", this collector's edition looks sharp with vivid colors, sharp image quality and very few digital artifacts. Blacks are rock solid throughout. The original release was a non-anamorphic widescreen image and, as such, this anamorphic presentation is a huge improvement over the previous edition of the movie. The 5.1 Dolby Digital Surround mix sounds solid throughout.
The original "Witness" was released bare bones so this new edition is a welcome change. There's a 5 part documentary "Between Two Worlds" which features new interviews with producer Edward S. Feldman, director Peter Weir, actors Harrison Ford and Kelly McGillis. Feldman discusses how the original script was presented to many directors (including director David Cronenberg "The Fly") and many turned it down. Feldman and his wife happened to see Weir's "The Year of Living Dangerously" and he commented to his wife about how that was "a movie" and how perfect he would be to direct the film. McGillis discusses how lucky she was to work with Ford and Weir on one of her first major movies. Ford focuses on how difficult it can be to work with a Foreign director where English isn't their primary language so they can frequently lose the nuance of the performance. As Ford points out Weir had the advantage of their common language plus the added advantage of being an outsider culturally giving added perspective to the film. Weir's comments are, not surprisingly, the most valuable as he discusses the challenges of making a film in the United States vs. his home country. He also focuses on how he made substantial changes to the script shifting the point of view from Rachel (McGillis) to Book (Ford) since Book was the outsider in Amish country much like Weir was with the American crew and actors. His perceptive comments are always valuable it's a pity he's not a believer in doing film commentary tracks. He also points out that the sequence in the grain tower was improvised and created by he and Ford a couple of days before shooting as they wanted their "High Noon" like showdown to have something different and unique that might take advantage of the setting.
We get one deleted scene that was added to the network broadcast (it isn't integrated here into the feature either). Like "The Truman Show" it's clear why the deleted scene was cut although it wouldn't have damaged the pacing of the film all that much. Still, the point made in the deleted sequence where Book's nephews show the Amish boy his first video game is charming; thematically it's echoed by other far superior sequences throughout the film. There are also the original TV spots and theatrical teaser and trailer for the movie.
"Witness" was a pivotal film for director Weir as it cemented his reputation as a major film director. It also set the stage for his collaboration with Ford on the underrated "The Mosquito Coast" as well as Weir's work with producer Edward Feldman on "The Truman Show" another pivotal film in Weir's career. Although he didn't wriwrite "Witness", Weir brought his experience as a writer/director to the film and kept the original writers on board to retool the script to fit his unique vision. Typically, the film was honored with an Academy Award for Best Original Screenplay but Weir was passed over as director (as he continues to be much like Hitchcock and Welles two other giants of the cinema to which Weir can be compared for his unique personal vision). Paramount has done a great job here improving the transfer as well adding much needed extras to this classic contemporary film. Although 20 years old, "Witness" holds up extremely well today (Weir comments that he thought that it was the one film would be least likely to continue to hold up well and has been pleasantly surprised). Definitely worth an upgrade for fans of this terrific movie!
Featuring a rich, startling performance from Ford and a powerful turn by Kelly McGillis (who had only appeared on "One Life to Live", a TV movie and the marvelous film "Rueben, Rueben" at that point in her career) "Witness" still manages to amaze with the suspense that Weir generates in the film. His focus on the contrasting cultural values of Book and the Amish community makes the film much more than a conventional "B" movie police crime drama adding depth and nuance to the film.
A much needed improvement over the previous edition of "Witness", this collector's edition looks sharp with vivid colors, sharp image quality and very few digital artifacts. Blacks are rock solid throughout. The original release was a non-anamorphic widescreen image and, as such, this anamorphic presentation is a huge improvement over the previous edition of the movie. The 5.1 Dolby Digital Surround mix sounds solid throughout.
The original "Witness" was released bare bones so this new edition is a welcome change. There's a 5 part documentary "Between Two Worlds" which features new interviews with producer Edward S. Feldman, director Peter Weir, actors Harrison Ford and Kelly McGillis. Feldman discusses how the original script was presented to many directors (including director David Cronenberg "The Fly") and many turned it down. Feldman and his wife happened to see Weir's "The Year of Living Dangerously" and he commented to his wife about how that was "a movie" and how perfect he would be to direct the film. McGillis discusses how lucky she was to work with Ford and Weir on one of her first major movies. Ford focuses on how difficult it can be to work with a Foreign director where English isn't their primary language so they can frequently lose the nuance of the performance. As Ford points out Weir had the advantage of their common language plus the added advantage of being an outsider culturally giving added perspective to the film. Weir's comments are, not surprisingly, the most valuable as he discusses the challenges of making a film in the United States vs. his home country. He also focuses on how he made substantial changes to the script shifting the point of view from Rachel (McGillis) to Book (Ford) since Book was the outsider in Amish country much like Weir was with the American crew and actors. His perceptive comments are always valuable it's a pity he's not a believer in doing film commentary tracks. He also points out that the sequence in the grain tower was improvised and created by he and Ford a couple of days before shooting as they wanted their "High Noon" like showdown to have something different and unique that might take advantage of the setting.
We get one deleted scene that was added to the network broadcast (it isn't integrated here into the feature either). Like "The Truman Show" it's clear why the deleted scene was cut although it wouldn't have damaged the pacing of the film all that much. Still, the point made in the deleted sequence where Book's nephews show the Amish boy his first video game is charming; thematically it's echoed by other far superior sequences throughout the film. There are also the original TV spots and theatrical teaser and trailer for the movie.
"Witness" was a pivotal film for director Weir as it cemented his reputation as a major film director. It also set the stage for his collaboration with Ford on the underrated "The Mosquito Coast" as well as Weir's work with producer Edward Feldman on "The Truman Show" another pivotal film in Weir's career. Although he didn't wriwrite "Witness", Weir brought his experience as a writer/director to the film and kept the original writers on board to retool the script to fit his unique vision. Typically, the film was honored with an Academy Award for Best Original Screenplay but Weir was passed over as director (as he continues to be much like Hitchcock and Welles two other giants of the cinema to which Weir can be compared for his unique personal vision). Paramount has done a great job here improving the transfer as well adding much needed extras to this classic contemporary film. Although 20 years old, "Witness" holds up extremely well today (Weir comments that he thought that it was the one film would be least likely to continue to hold up well and has been pleasantly surprised). Definitely worth an upgrade for fans of this terrific movie!
52 of 53 people found the following review helpful
By JLind555
Format:VHS Tape
'Witness' is probably Harrison Ford's best film, and when it was released it showed him another facet of a gifted actor who until then had been known only to most moviegoers only as Han Solo and Indiana Jones. In 'Witness', Ford is police detective John Book, called to interrogate a terrified little Amish boy named Samuel Lapp, and his young widowed mother. An undercover cop has been killed in the men's room at the railroad station, and Samuel, hiding in a stall, is the only eyewitness. Samuel is unable to identify the perp from the usual log of suspects; but there he is, posted prominently on the precinct bulletin board -- a decorated narcotics agent. When Book relates his findings to the police captain, he ends up getting shot himself -- seems the captain is in on it as well. With the captain, the narcotics agent, and a third dirty cop gunning for him, Book needs a place to hide, and what better place than the Lapp house deep in Amish country?
The contrast between the gritty urban police precinct and the bucolic Amish farm country is one of the best things about the film. Book dressed in a blue shirt and black trousers several inches too short for him, looking like the proverbial fish out of the water, is a sight to behold. All of a sudden he's back in the nineteenth century -- no electricity, no cars, no TV or computers. He might as well be on another planet. And the Amish are as different from him as space aliens; gentle, quiet pacifists, hardworking and industrious, intent on keeping the outside world as far from them as possible. They are neighborly and cooperative; the barn-raising scene is inspiring to watch. We feel sympathy for these quiet, decent people as the outside world keeps encroaching, and see them trying to navigate a horse and buggy on the Interstate. Book has to try to fit into this world, and he gives it his best shot. He joins in the barn-raising, does odd chores around the farm. But the Amish, while they respect his abilities, hold him at arm's length. For one thing, he's falling in love with the young widow Lapp, whose feeling for him is mutual. For another, his assimilation is only skin-deep; on a trip into town, when a group of local louts start pestering the Amish, Book chips in with a right to the lout's nose that leaves his face a bloody mess. It's going to prove his undoing; back in his precinct, the narcotics agent and the captain have gotten wind of his hideout, and now they come to shut him up once and for all, and silence Samuel as well.
In contrast to his one-note performances in the 'Star Wars' films and as Indiana Jones, Ford gives a much more nuanced performance in this film; he's the tough city cop on the one hand and the refugee who doesn't fit on on the other. Lukas Haas is very effective as the young boy Samuel, all big eyes and ears; and Kelly McGillis is excellent as his mother, torn between her feelings for Book and her ties to her Amish community; faced with the threat of being shunned for the rest of her life and cut off from everyone she knows if she marries him. There are several notable supporting performances as well, especially the late Alexander Godunov as the widow Lapp's admirer whose innate civility prevents him from expressing the resentment he feels at Books presence, and Danny Glover as the murderous narcotics detective. Peter Weir's sensitive direction plays up the contrast between time and place, sustaining the tension throughout the film. 'Witness' is not an action/adventure blockbuster like the movies that made Ford a household name, but it doesn't need pyrotechnics to stand out. It's a well-crafted, well-acted, eminently satisfying movie.
The contrast between the gritty urban police precinct and the bucolic Amish farm country is one of the best things about the film. Book dressed in a blue shirt and black trousers several inches too short for him, looking like the proverbial fish out of the water, is a sight to behold. All of a sudden he's back in the nineteenth century -- no electricity, no cars, no TV or computers. He might as well be on another planet. And the Amish are as different from him as space aliens; gentle, quiet pacifists, hardworking and industrious, intent on keeping the outside world as far from them as possible. They are neighborly and cooperative; the barn-raising scene is inspiring to watch. We feel sympathy for these quiet, decent people as the outside world keeps encroaching, and see them trying to navigate a horse and buggy on the Interstate. Book has to try to fit into this world, and he gives it his best shot. He joins in the barn-raising, does odd chores around the farm. But the Amish, while they respect his abilities, hold him at arm's length. For one thing, he's falling in love with the young widow Lapp, whose feeling for him is mutual. For another, his assimilation is only skin-deep; on a trip into town, when a group of local louts start pestering the Amish, Book chips in with a right to the lout's nose that leaves his face a bloody mess. It's going to prove his undoing; back in his precinct, the narcotics agent and the captain have gotten wind of his hideout, and now they come to shut him up once and for all, and silence Samuel as well.
In contrast to his one-note performances in the 'Star Wars' films and as Indiana Jones, Ford gives a much more nuanced performance in this film; he's the tough city cop on the one hand and the refugee who doesn't fit on on the other. Lukas Haas is very effective as the young boy Samuel, all big eyes and ears; and Kelly McGillis is excellent as his mother, torn between her feelings for Book and her ties to her Amish community; faced with the threat of being shunned for the rest of her life and cut off from everyone she knows if she marries him. There are several notable supporting performances as well, especially the late Alexander Godunov as the widow Lapp's admirer whose innate civility prevents him from expressing the resentment he feels at Books presence, and Danny Glover as the murderous narcotics detective. Peter Weir's sensitive direction plays up the contrast between time and place, sustaining the tension throughout the film. 'Witness' is not an action/adventure blockbuster like the movies that made Ford a household name, but it doesn't need pyrotechnics to stand out. It's a well-crafted, well-acted, eminently satisfying movie.
27 of 27 people found the following review helpful
Format:DVD
Although I suppose "Bladerunner" is the movie that showed Harrison Ford could do something outside of "Star Wars", I personally think "Witness" was one of the most important movies of his career, because it's a complete departure from a science fiction storyline, and therefore paved the way for all the Tom Clancy stuff and other movies that featured him as a romantic hero.
Here he plays John Book, a police detective who has to interrogate a small Amish boy who is the only witness to a brutal murder in a train terminal washroom. When the boy makes an ID that implicates a respected fellow police detective, Book gets wounded, but realizes that he must get the boy and his widowed mother (Kelly McGillis) back to the Amish country and go underground. Thus, much of the movie concerns itself with the fish out of water experience he has, trying to pass as an Amish man, learning about their life and falling in love with the boy's mother. This is dangerous territory for her, as her father-in-law warns her that if she steps out of line, she will be shunned by her community. And then of course, the corrupt police have been looking for Book and the boy, remember. Final showdown is about as you would expect it, and glad to have it so. One interesting note is the pretty good performance by Alexander Godonoff, the defected ballet dancer, as a jealous suitor of Kelly McGillis. Too bad he died so young; he might have branched into a whole new career here.
Here he plays John Book, a police detective who has to interrogate a small Amish boy who is the only witness to a brutal murder in a train terminal washroom. When the boy makes an ID that implicates a respected fellow police detective, Book gets wounded, but realizes that he must get the boy and his widowed mother (Kelly McGillis) back to the Amish country and go underground. Thus, much of the movie concerns itself with the fish out of water experience he has, trying to pass as an Amish man, learning about their life and falling in love with the boy's mother. This is dangerous territory for her, as her father-in-law warns her that if she steps out of line, she will be shunned by her community. And then of course, the corrupt police have been looking for Book and the boy, remember. Final showdown is about as you would expect it, and glad to have it so. One interesting note is the pretty good performance by Alexander Godonoff, the defected ballet dancer, as a jealous suitor of Kelly McGillis. Too bad he died so young; he might have branched into a whole new career here.
I hadn't seen this for many years before finding it among the tapes at a bed and breakfast place last summer. I was pleased to find it as enjoyable today as it was years ago, and my friend who had never seen it was enthralled, as you would be, too.
Most Recent Customer Reviews
3.0 out of 5 stars
Decent Flick That Comes Across A Bit Formulaic
Of the many movies I have reviewed on Amazon thus far, "Witness" is a strange one in that while it does contain some great scenes, it is (at its core) quite formulaic and very much... Read more
Published 11 hours ago by Zachary Koenig
5.0 out of 5 stars
Wonderful movie about love and it's too large obstacles.
what started out as a simple search for a killer of a fellow cop leads to a conservative religious groups accidental involvement and the purposeful involvement of the police... Read more
Published 1 day ago by Joanne W. Ciccone
5.0 out of 5 stars
Very good
Very good movie. Would recommend watching it. Harrison Ford plays a good part as does Kelly McGuiness. Has a good ending.
Published 1 day ago by Cindy
4.0 out of 5 stars
Well done!
An interesting story melding big city law enforcement and corruption with Amish ideals of conduct. A great story line. Harrison Ford does a great job again.
Published 3 days ago by ralmil
5.0 out of 5 stars
Witness DVD
I received this DVD in good order and in a timely fashion. I watched it immediately after receiving it and enjoyed this DVD
Published 4 days ago by Sandra F. Slivar
5.0 out of 5 stars
Great Story good acting
Movies over time have increased the pace of the story, so many of the movies even just a few years old seems deadly slow. Read more
Published 8 days ago by Ray Zatorski
5.0 out of 5 stars
A Four-Star Story Lifted To A Five-Star Movie.
My bargain-rack movie for last night was "Witness" starring Harrison Ford. I found it in the five-dollar bin at Wal-Mart. It was a good movie, and quite interesting too. Read more
Published 11 days ago by Gary Peterson
5.0 out of 5 stars
BEAUTIFUL movie!!!
I loved this movie when it came out years ago (when Harrison Ford was in his heyday as a romantic lead) and when I saw it was available to stream on Amazon Prime I rewatched it... Read more
Published 11 days ago by S. Humma
4.0 out of 5 stars
Solid Film
Very good, solid classic film. Well acted. Good story. Some predictability, as with most movies, but holds your interest throughout. Read more
Published 16 days ago by The Shopaholic
4.0 out of 5 stars
not much dialogue
For me, I need dialogue, and this didn't have it. It was, however, a good movie and worth the time to watch.
Published 16 days ago by jbbaby
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