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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Lutheran humor, March 21, 2000
This review is from: Wobegon Boy (Mass Market Paperback)
This a brilliant comic novel, featuring the adventures of John Tollefson. He has escaped Lutheran Minnesota to live in upstate New York, where he has taken the job of a local radio station manager. In between return visits to the mythical Wobegon, John romances historian Alida Freeman and embarks on a disastrous business venture with a New Age builder. And that's the plot, such as it is. There isn't a strong narrative thread running throughout this book, and I think that this is one of its strengths. Like many people's lives, John Tollefson's doesn't run to order. This might make for a very incoherent novel, but Keillor carries this off exceptionally well. The humour and wit are exceptional, and make 'Wobegon Boy' a huge pleasure to read. I was sorely disappointed that the book actually had to end, since it had easily put me into a very buoyant mood. Exceptional.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
A terrific read, as always, September 3, 2004
This review is from: Wobegon Boy (Mass Market Paperback)
Garrison Keilor is the modern master of the narrative digression, musing on life and what is does to people. The person most being done to here is forty-three-year-old John Tollefson, refugee from Lake Wobegon, Minnesota, running an NPR station in a college town in upstate New York. He's an intelligent, quiet, reflective guy, trying to be a Happy Lutheran even though he has dark opinions about talk radio. He falls in love with Alida, a history professor at Columbia, and they see each other one weekend a month, which maybe is preferable to marriage. He has an idea for a "garden restaurant," which ends up a money pit, thanks to the mismanagement of his lawyer, Alida's brother, and the chicanery of an ex-hippie contractor. But, as in most of Keillor's writing, the plot is the least part of the book. The best part is always the telling of tales about family and friends by everyone in the little town, the spinning of yarns about ancestors, the sometimes dark but generally tolerant and amused interweavings of personalities at the Chatterbox Cafe and the Sidetrack Tap. The author himself, of course, is in many ways very much like the characters he portrays, relating the adventures of John's great-uncle, the snake-oil medicine man who served four terms in Congress, and his Aunt Mildred, who flim-flammed the bank where she was a teller and decamped to Buenos Aires, and his own adolescent adventures tipping privies and trying to pick up girls at the roller rink. The set piece is John's coming home for his father's funeral, the gathering of the clan, the service itself, led by his pastor brother-in-law, and the drunken wake at the Sidetrack afterward. As we discover, there are just as many oddballs per family in Lake Wobegon as anywhere else, probably more, and Keillor paints them vividly in more than three dimensions. This is the sort of book that could never be made into a film, but which you will drive your spouse crazy reading aloud passages from.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
Mid-life Humor, June 11, 2000
This review is from: Wobegon Boy (Mass Market Paperback)
Like I suspect with other readers, my enjoyment with this book had a lot to do with identification to its places and characters. Born and raised in small town - leave to live in big city - come home again - yada. Being my first Wobegon book, I don't know the extent that Keillor reuses characters, but such continuity would also add to reader interest. The main character's family relationships were thoughtful, funny and at one point made me cry (a rarity). His new romance was sometimes confusing but satisfying. His wit and sarcasm about everything else was on target, especially from a guy's perspective. Gave me many chuckles I recommend this book to those aged from mid-life crises on, who have lived at least some of their life in a town where you can count on one hand the number cafés, bars, gas stations or traffic lights. For everyone else, if your only view of small town life is that of quirky, untapped artistic, unsophisticated-by-choice residents like those depicted in the old CBS series Northern Exposure, this book will give you a truer perspective. I probably won't go back and read Keillor's previous books in the series, but I would consider a sequel to this one.
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