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Woken Furies: A Takeshi Kovacs Novel Mass Market Paperback – September 30, 2009


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Editorial Reviews

From Publishers Weekly

In Morgan's powerful third cyberpunk noir SF novel to feature Takeshi Kovacs, whose consciousness is transferred from one ultra–combat-ready body to another in the service of various unscrupulous powers, the interstellar mercenary returns home to Harlan's World, thoroughly pissed and dangerous. Despite his justified cynicism, he finds himself trying to protect a young woman who may house the soul of a martyred revolutionary from centuries earlier. He also must fight a hired killer who's a younger version of himself. To succeed, he has to sift through his past to see which allies and memories he can trust. Morgan has become even more nervy since winning the Philip K. Dick Award for his confident first novel, Altered Carbon (2003). This book develops a baroque, appallingly complicated setting, full of opportunities for revelation and betrayal. Both violence and sex are troweled on thickly but appropriately; they have significant consequences for these people who are trying—in circumstances even more desperate than our own—to discover who they really are and who they might have a chance to become.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

*Starred Review* Following Altered Carbon (2003) and Broken Angels (2004), Morgan's anxiously awaited third Takeshi Kovacs novel makes a terrific addition to an award-winning series. This time Morgan takes a giant leap into the cyberpunk future that William Gibson begin exploring 20 years ago. Unlike Gibson, however, Morgan combines the cyberpunk style with a fast-paced, first-person narrative that is as evocative of classic hard-boiled detective fiction as it is of cutting-edge science fiction. His protagonist, Kovacs, a futuristic version of a ronin ("for hire") samurai, is back on his home planet, Harlan's World. The ruling Harlan family awakens Kovacs from digital storage into a newly constructed body and launches him on a mission that weaves a dangerous course through labyrinthine politics and murderous hardware. But Kovacs also has his own agenda. Vengeance and a quest for a long-lost love continually put his loyalties into conflict with his powerful and ruthless new employers, in a future where death may or may not be forever. Highly recommended for followers of the series, cyberpunk devotees, and hard-boiled detective fans not averse to a little genre-bending. Elliott Swanson
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Mass Market Paperback: 544 pages
  • Publisher: Del Rey; Reprint edition (September 30, 2009)
  • Language: English
  • ISBN-10: 0345498356
  • ISBN-13: 978-0345498359
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (118 customer reviews)
  • Amazon Best Sellers Rank: #11,738,603 in Books (See Top 100 in Books)

More About the Author

Richard Morgan was, until his writing career took off, a tutor at Strathclyde University in the English Language Teaching division. He has travelled widely and lived in Spain and Istanbul. He is a fluent Spanish speaker.

Customer Reviews

4.1 out of 5 stars

Most Helpful Customer Reviews

105 of 110 people found the following review helpful By John S. Ryan on November 14, 2005
Format: Hardcover
I'd been waiting for quite a while to read this third entry in Richard K. Morgan's series of Takeshi Kovacs novels. It was worth the wait, and in some respects it may be the best of the series so far. Tak travels through some dark, dark territory here.

Don't be fooled (or put off) by the pace. Where _Altered Carbon_ was a rapid series of body blows, _Woken Furies_ is more like being dragged down very slowly by a very large weight. There's a lot going on here, but quite a bit of it is in the background and between the lines. If you don't get into Tak's head pretty early on, the novel may read like a travelogue.

Not that that's necessarily _bad_. Probably a lot of us were curious about Harlan's World, and we get to see quite a bit of it here. We also finally get to put faces (the faces of their current sleeves, anyway) with some familiar names from Tak's past. All of that will probably be interesting enough to entertain the casual reader.

But if that's all you get out of this novel, then you're missing the meat of it.

The surface-level plot opens with Tak on Harlan's World in a synthetic sleeve, trying to get back into his own body. He's also, as we gradually discover, on some sort of mission, the details of which we don't really learn until some 250 pages in. And not too far into the tale, we meet someone who just _might_ turn out to be Quellcrist Falconer . . . or maybe not. Furthermore, Tak is being pursued by a younger version of himself, decanted from a backup copy he didn't know existed. Things build toward a final revelation with implications far, far beyond Quellism and the local politics of Harlan's World.

The pace, though, is generally slow.
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19 of 23 people found the following review helpful By Michael K. Smith on October 10, 2005
Format: Hardcover
It's always a delight to find an author who creates characters in three dimensions instead of the more usual two; Morgan seems to stretch his people to five or six. This is the third novel in the series about Takeshi Kovacs, ex-Envoy, stone killer, freelance renegade, and very dangerous man to be on the wrong side of. It's been three centuries, objective time, and Kovacs is back on Harlan's World, where he originally came from. It's also been a couple of centuries since the Resettlement, the failed Quellist revolution that gave the Harlan family oligarchy a run for its money, and Kovacs -- who only wants to continue killing fundamentalist priests (it's personal) -- finds himself caught up, first, in the attempt to reclaim the nanoware-drenched continent the revolution produced, and, later, in a new revolutionary plot. Because it's part of Quell's teachings, that when things go against you, you retreat and you wait -- for generations, if necessary. But now, just maybe, Quellquist Falconer might be back, in the flesh. But that's just this novel's top-level plot. There's also Kovacs's vendetta against those who let die the only woman who mattered to him -- Real Death, no resleeving. And there's his longstanding relationships with the several criminal cultures of Harlan's World, and with his old Envoy trainer. Not to even mention being hunted by a younger, smart-assed version of himself. And, just out of sight, there are the vanished Martians, about whom we learned a lot in Morgan's second book, Broken Angels. There's military and political philosophy here, all of it cynical, there's imaginative anthropology, there's a certain amount of gruff sex, there are some great quotes, there's considerable death (some deserved, some not), and there are breath-grabbing battle scenes like you haven't read in years.Read more ›
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5 of 5 people found the following review helpful By Shane M. Mcgough on June 22, 2011
Format: Hardcover
But this book just didn't hold my attention. About halfway through I skipped to the end to find out what happens.

I loved Altered Carbon, and liked Broken Angels, but couldn't get into this book. I enjoyed Thirteen also, and am half way through Market Forces, which is 'ok'. (A friend of mine is a big fan of Morgan's and loaned me the books) Every character is like a bristling rabid animal. Everyone is over the top, and I guess it just gets tiring. It sometimes feels that people get angry and there is tension... but there isn't much reason for the tension to be there. Or at least, not enough reason for there to be SO much tension and anger in the scene. Not much happens in the first half of the book, maybe it got better in the second half but I just couldn't keep reading.

Compare Kovacs to say... Tony Soprano from the Sopranos. One of the interesting things about the show was that Tony would be happy and smiling and jovial for part of a scene, and then in an instant 'turn gangsta' and you would see his dark side.

Kovacs just broods a lot and is ultra serious in every scene. You would think after a few hundred years of life that people would mellow out a bit, but apparently for some teenage angst just never goes away. For an example, there is the scene where Kovacs is going to rent a boat and is talking to a kid (son of the captain of the boat) and gets angry with him because the kid is apparently more involved in his virtual world/matrix style life than real life. Kovacs is over the top as usual, but again, you would think someone with as much life experience as he has would just smile and shrug and maybe try to give the kid some advice. Getting *emotional* over it seems a bit ... melodramatic. Which is typical of the whole book, and really my main gripe with Morgan's writing overall.
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