Review
" I read the last half in one sitting on, appropriately, a night with a full moon. Bravo!" --
(Elaine Bergstrom, Author of Shattered Glass and Nocturne)"... [a] suspenseful story that mixes serial murder with werewolves ... Another small press title worth chasing down." --
(Don D'Ammassa, writing in Chronicle; Dec 2003)"... snares the reader right from the first page .... first-rate entertainment will keep you reading deep into the moonlit night." --
(Tom Piccirilli, multiple Bram Stoker award winner and author of A Choir of Ill Children and The Night Class)"... will grab you by the reading jugular and keep you clawing the pages until the story's exciting conclusion." --
(CNN.com Headline News Book Lizard review by James Argendeli)"A top-notch lunar-challenged hero, a villain bent on painful revenge, a deliciously developed plot ... Bravo!" --
(Elaine Bergstrom, author of Shattered Glass and Nocturne)"I was caught in the jaws of the trap and could not escape until I finished page last." --
(Robert W. Walker, author of the Instinct and Edge Series)"Shall I say it was a 'howling' good read?" --
(P.D. Cacek, World Fantasy Award winner and author of CANYONS)Wolfs Trap pounces and I was caught in the jaws of the trap until I finished page last." --
Robert W. Walker, author of the highly acclaimed Instinct and Edge Series
From the Author
I've always been fascinated with evil and what makes humans embrace cruelty. Most of the themes in my earlier short stories have been dark in nature, and in plotting Wolf's Trap I wanted to continue exploring evil and monsters, both human and supernatural, as well as sexual obsession.
It's generally accepted that werewolf mythology, which escalated during the Dark Ages, has often been used to portray the concept of duality. Two personalities, two creatures, united inside one body. The beast within. We all have a dark side, and the werewolf was an easy icon to adopt.
I see Nick Lupo (the cop), and Martin Stewart (the serial killer), as two sides of the same coin. They both have sufficient reasons for the things they do, and they know when they do wrong, yet they do them anyway -- they are not fully in control, yet they determine their own destinies. It's a kind of duality I wanted to explore, but in the context of an adventure story. In fact, most characters in Wolf's Trap have dual natures, intentionally.
I've always appreciated the more visceral approach to storytelling and I've been influenced by authors whose work is often called "erotic horror" -- the fine line between pleasure and pain, ecstasy and agony, interests me. Authors who have influenced me include David Schow, Jack Ketchum, Dick Laymon, Joe Lansdale, and Ray Garton.
True horror can be the fact that your neighbor is Jeffrey Dahmer. We horror writers don't have to make up that much stuff anymore -- it's all out there. We need to reflect it. The randomness of horror. The disgruntled guy with the gun. The child-killer. The molesting priest. Government spying. All this exists -- we don't need the supernatural to provide us with horror. I like a supernatural streak, or the potential, but the supernatural is not essential. People are evil enough on their own!
Wolf's Trap is not for everyone. It's dark and disturbing, and not always sweetness and light. That's why we call it horror.