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In addition, read as a whole thematically, this anthology can be seen as similar to the sort of artistic coming-of-age novels such as Hermann Hesse's Peter Camenzind. The key turning point in this development may be the story "Little Miracles, Kept Promises," which is a series of letters left at the shrine of La Virgin de Guadelupe. This reveals the many layers of the shrine, which is the site of an old Aztec goddess with whom Cisneros identified, and who allows for a new revelation of feminine power in the Mexican heritage which comes out for the rest of the work.
However you choose to read it, this is a collection which will both delight and challenge all who come prepared.
These stories range from impressionistic, two-page shorts that read like poems, to longer, more detailed accounts of relationships. As with any collection of short stories, there are those that are more successful than others (in other words those that you'll relate to better than others). However, all of the tales have a sort of vivid life to them; and, in all, I think that this is a very well rounded collection.
Perhaps the only real point of difficulty that readers may face in this collection is Cisneros' use of spanish phrases throughout the book. However, don't let such things discourage you. Many of these phrases can be understood within the context in which they are written (so they aren't too much of a stumbling block). Also, these stories are too good to let a few words discourage you from reading this book. I would recomend this book to anybody who is interested in the struggles of childhood (especially that of minority children), as well as the pains and pleasures of intimate relationships. I would also recomend this book to lovers of good, colorful short stories.