Customer Reviews

Woman I Am

5 star:		(12)
4 star:		(2)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

This is one of Chaka's best solo albums. Although it features early-90's production values, the strong songwriting and singing by Chaka more than compensate for the dated sounds.

There is a fine mix of R&B ("Love You All My Lifetime"), ballads ("Look At Me That Way"), dance-pop ("Facts of Love"), and even a reggae-tinged mid-tempo ballad (the stunning "Telephone"). All the tracks fit well together, making this one of Chaka's most cohesive solo albums.

After two uneven albums (1986's DESTINY and 1988's C.K.), Chaka Khan returned to form with this 1992 gem.

THE WOMAN I AM has no less than eight different producing combinations on the thirteen tracks. Yet the tracks fit together like a nicely diverse buffet. Khan's voice has rarely sounded some crystal clear and the tunes have never been so consistently melodic. Khan even co-wrote five of the songs.

"Everything Changes" is a rousing opener which recalls her best days with Rufus, while leadoff single "Love You All My Lifetime" puts Khan's voice where it belongs - out in the forefront. The percolating "I Want" deserved to be a crossover smash a la "I Feel For You" or "Ain't Nobody" (alas, the ... radio programmers ignored it). Khan even takes a song by the prolific Diane Warren (writer of ... [stuff] for Milli Vanilli and Bad English, among others) - "Don't Look At Me That Way" - and makes it more than passable thanks to her haunting vocals.

"You Can Make The Story Right" could have benefitted from a few less choruses, but that fault is the exception on this album. THE WOMAN I AM is Khan at her finest.

Wow! I really can't think of any words to acurately describe just how brilliantly produced and performed this CD is! Without a doubt, "Woman I Am" is Khan's best effort to date. This CD has something for everyone. Whether you're into R&B, Pop, Rock, Jazz fusion, it's all here in one beautiful package!I beg to differ with the previous reviewer, however. Some hits did come from this CD. "Love You All My Lifetime" skyrocketed to the #2 position on the Billboard R&B charts. "You Can Make The Story Right" was a top 20 R&B hit. The CD itself was a Top Ten R&B seller. Just because neither the singles nor the CD weren'tbig hits on Billboard's Pop charts does not qualify it as a failure. If Pop audiences didn't pick up on it for whatever reason, it's their loss. In fact, sales-wise, this was Khan most successful album since 1984's "I Feel ForYou". Not to mention, it earned her a seventh Grammy award!If you're fed up with the young, skinny singers with zero talent and you're ready to listen to a real singer, without all the gimmicks, thisis the CD for you. "Woman I Am" is a masterpiece.

This album just shows Chaka Khan at her best. Probably her best solo album to date! You can just feel the soul and spirit of her singing in songs like Love You ALL my Lifetime, You can Make the Story Right, Keep Giving Me Lovin' and my favorite, the funky second song of the album by the Barnes production/writing duo. I played this back in 1992 and couldn't stop playing it--all the songs were superb! I was so happy that the album won a Grammy Award, for Best R&B album of something (forgot what category it was)! For that, those voters just were moved by that voice too! Even more than three decades later, she's still well loved by all of us with her passion for the music. If you haven't gotten this album, you need to see a psychologist, because you need to be moved by the soul and passion of Chaka Khan singing ovet these songs! Brilliant and excellent album!

The Woman I Am was just the record Chaka Khan needed to produce as a respectable comeback in 1992. Every track is slammin'. My personal faves are the funky and jazzy numbers, ala Everything Changes, I Want, Love You All My Lifetime, Love With No Strings and Telephone. The Ballads are nice too. This Time is the perfect song to play at a wedding. Bravo to Chaka! She's the best!

I have been looking for this cd to replace my 2 copies on cassette! Every track is a winner - danceable then heartbreaking ballads - all with attitude or passion! A true must have for her fans and people who value true diva performance.Even if you think you may not like this due to pre-concieved notions about her, i would give it a shot...you won't be dissapointed.

I was absolutely amazed by the total lack of attention that was paid to this CD when it was released back in 1992. Upon my first listen, I knew that Chaka was going to go straight to the top of the charts again. These songs are brilliant and the vocals are superb. In my honest opinion, there is no other CD that can even compare to the genius of this project. Many of the melodies are hauntingly beautiful. Why this CD did not generate any hits is beyond my capacity. If you are a Chaka Khan fan and you don't have this CD, you have no idea what you are missing.

This is definitely one of the best efforts of Chaka's career. Track after track keeps you riveted. It's a great mix of music. Something for everyone. It's one of my favorite Chaka Khan albums!

CHAKA KHAN, The Woman I Am (Warner Bros.) Review by Kirk Douglas Provo

Chaka Khan is unique among singers. A highly expressive artist possessing vast vocal resources, she can come across as wild R&B diva one moment, then effortlessly transforms herself into a purring jazz chanteuse the next. For the impassioned listener, enjoying a Chaka Khan recording often involves moments of careless abandon, along with joyful burst of elation. The casual, new listener may feel lost in a world of soulful wailing and jazz-scale phrasing more commonly found in vintage recordings by the likes of greats Bessie Smith and Sarah Vaughan.

Following a four year break between albums, Khan returns here in high form. Right from the Stevie Wonder-like churning funk drive of lead-off track Everything Changes over to the hip hop-jazz/soul sensibilities of Give Me All, it's clear. The singer is not only back on the scene, but for the first time in the nearly ten years of an often erratic solo career with Warner Brothers Records, the artist is in control. For, regardless of the fact that The Woman I Am employs the services of a multitude of producers, writers, and co-writers alike, this album has an overall feeling of jointness and focus which has been lacking in Khan's otherwise engaging, yet over-looked output of recent years. As the title indicates, the former lead-singer of the innovative Rufus has firmly put her foot down. In a recording career spanning nearly twenty years, the artist has undertaken a more active behind-the-scenes role in the music she makes. Acting as Executive In Charge Of Production on this project, Khan has re-emerged as a songwriter too, and with quite the impressive offerings. Telephone is a reggae/funk fusion that could not be more tailor-made for Khan's unique brand of stylish singing. Keep Givin' Me Lovin' matches fun-loving, old-school Chaka-isms with quasi New-Jill rhythm tracks while Facts Of Love, with its up to the minute production values is a good articulation of the varied ! stages of a romantic affair, offering shades of Rufus (Hawk Wolinski-like keyboard turns are prevalent)! The Woman I Am - All star writer/good message tune (Brenda Russell, Dyan Cannon, with Chaka)! Chaka's growth as writer is evident. Exudes confidence.

On the not written with Chaka end we find tasteful choices in Love You All My Lifetime, the album's first, chart-climbing single - a reunion with David Gamson of Scritti Polliti whom worked with Khan on 85's Destiny. Very funky. Immensely catchy chorus. Poignant, bittersweet renderings of verses. First-rate Chaka wailing announce that That Voice is still in great shape! I Want - Chaka thrown to recycled call and response soul groove. She, of course, tears it up! Lovely layering of her vocals. Exhibits fully-developed harmonising skills throughout. You Can Make The Story Right - Written and produced by the late Wayne Braithwaite, enough cannot be said about this bouncy mid-tempo track that is one of Chaka's best attempts at being current, yet herself. Smooth delivery. Very good song. Superb vocal choices by Chaka. This Time - another reunion here. Written by David Lasley (Roll Me Through The Rushes, from Chaka, her first solo outing) Pop ballad-Chaka (Through The Fire, Got To Be There) strikes again! Warm, caressing vocal. Mature, full-bodied. Beautiful. Don't Look At Me That Way - What can you say ...? Penned by the almost-legendary-by-now Diane Warren. A ballad slightly a bit more on the pop side of things, with a great Chaka popish vocal with splendid melody, tight bridge, infectious chorus typical of most Diane Warren compositions. As with This Time, very radio friendly. Over all, The Woman I Am as an album is a captivating testimony of everything a good pop record should be - diverse, yet cohesive. A satisfying discovery in the other-wise bland music business of late. A tour de force that is at once a feel good romp and a reflective chronicle of someone coming to terms with all that they are and can aspire to be. Perhaps the! finest display of all the woman that is Chaka since '82's Chaka Khan LP. The word on the street is true, Chaka Khan is back - and she is still very much Everywoman!!!

Reviewer: kprovo@hotmail.com
CHAKA KHAN, "The Woman I Am" (Warner Bros.) Review by Kirk Douglas Provo

Chaka Khan is unique among singers. A highly expressive artist possessing vast vocal resources, she can come across as wild R&B diva one moment, then effortlessly transforms herself into a purring jazz chanteuse the next. For the impassioned listener, enjoying a Chaka Khan recording often involves moments of careless abandon, along with joyful burst of elation. The casual, new listener may feel lost in a world of soulful wailing and jazz-scale phrasing more commonly found in vintage recordings by the likes of greats Bessie Smith and Sarah Vaughan.

Following a four year break between albums, Khan returns here in high form. Right from the Stevie Wonder-like churning funk drive of lead-off track "Everything Changes" over to the hip hop-jazz/soul sensibilities of "Give Me All", it's clear. The singer is not only back on the scene, but for the first time in the nearly ten years of an often erratic solo career with Warner Brothers Records, the artist is in control. For, regardless of the fact that "The Woman I Am" employs the services of a multitude of producers, writers, and co-writers alike, this album has an overall feeling of jointness and focus which has been lacking in Khan's otherwise engaging, yet over-looked output of recent years. As the title indicates, the former lead-singer of the innovative Rufus has firmly put her foot down. In a recording career spanning nearly twenty years, the artist has undertaken a more active behind-the-scenes role in the music she makes. Acting as Executive In Charge Of Production on this project, Khan has re-emerged as a songwriter too, and with quite the impressive offerings. "Telephone" is a reggae/funk fusion that could not be more tailor-made for Khan's unique brand of stylish singing. "Keep Givin' Me Lovin'" matches fun-loving, old-school Chaka-isms with quasi New-Jill rhythm tracks while "Facts Of Love", with its up to the minute production values is a good articulation of the varied stages of a romantic affair, offering shades of Rufus (Hawk Wolinski-like keyboard turns are prevalent)! "The Woman I Am" - All star writers/good message tune (Brenda Russell, actress/artist Dyan Cannon, with Chaka)! Chaka's growth as writer is evident. This song exudes confidence on many levels.

On the not-written-with-Chaka end we find tasteful choices in "Love You All My Lifetime", the album's first, chart-climbing single - a reunion with David Gamson of Scritti Polliti whom worked with Khan on 85's "Destiny" project. Very funky; immensely catchy chorus. Poignant, bittersweet renderings of verses. First-rate Chaka wailing announce that That Voice is not only still there but in GREAT shape! "I Want" - Chaka thrown to "recycled" call and response soul-funk groove. She, of course, tears it up! Lovely layering of her vocals. Exhibits fully-developed harmonising skills throughout. "You Can Make The Story Right" - Written and produced by the late Wayne Braithwaite, enough cannot be said about this bouncy mid-tempo track that is one of Chaka's best attempts at being current, yet herself. Smooth delivery. Very good song. Superb vocal choices by Chaka. "This Time" - another reunion here. Written in-part by David Lasley ("Roll Me Through The Rushes", from Chaka, her first solo outing). Pop ballad-Chaka ("Through The Fire", "Got To Be There") strikes again! Warm, caressing vocal; mature, full-bodied ... beautiful. "Don't Look At Me That Way" - What can you say ...?!! Penned by the almost-legendary-by-now Diane Warren. A ballad slightly a bit more on the pop side of things, with a great Chaka pop-ish vocal with splendid melody, tight bridge, infectious chorus typical of most Diane Warren compositions. As with "This Time", very radio friendly. Over all, "The Woman I Am" as an album is a captivating testimony of everything a good pop record should be - diverse, yet cohesive. A satisfying discovery in the other-wise bland music business of late. A tour de force that is at once a feel good romp and a reflective chronicle of someone coming to terms with all that they are and can aspire to be. Perhaps the finest display of all the woman that is Chaka since '82's "Chaka Khan" LP. The word on the street is true, Chaka Khan is back - and she is still very much Everywoman!!!

KDP

kprovo@hotmail.com