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Most Helpful Customer Reviews
10 of 10 people found the following review helpful:
4.0 out of 5 stars
A compelling read,
By
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This review is from: A Woman Run Mad (Paperback)
This is not a book I would normally pick to read ~~ till a friend recommended this book to me. I have never heard of John L'Heureux before, so this is a new venture for me to read. After I turned the last page, the conclusion I reached may not be exactly what the author intended, but it did provoke a reaction from me.I would have rated this book 5 based on its superb writing prose and how he snares your attention while reading this book ... but the use of graphic details of the murder and sex scenes are just a little too much for me to take. I don't see how it adds to this book at all ~~ it only takes away the enjoyment I had while reading the suspense he was building up ... and it is a let down. It's as if he decided that his story wasn't enough to keep my interest, so he tries to "jazz" it up to keep my attention. It didn't work. Otherwise, the story within a story did keep my attention and made me think ~~ which I love it when an author grabs me by my eyes and keep me ensnared in seeing their point of views. Quinn, an inattentive husband to Claire, sets off a chain of events when he followed Sarah home from the store after she steals a handbag that he was thinking of buying for Claire. In turn, Quinn gets propositioned by Angelo, who is Sarah's bodyguard and her brother's lover. It is a soap opera of a sort ~~ ones that the gods of old surely love to tell. Based on Claire's, a professor of Euripides-studies, conversations with Angelo, you can tell that L'Heureux is attempting to tell the bloody story of Medea through Sarah and Claire. Quinn's decisions lead to the chaos that erupted violently on everyone's part. This book is great for discussions. It is a book I would recommend a book group to read together because there are so many interpretations of this book and its ending. This is also a book that makes you want to brush up on your Greek tragedies and see what the gods had to say. It is a good read ~~ in spite of the gory details that I wish had been downplayed ~~ and something I wouldn't mind discussing with someone about.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Good Reading,
By "esquirrel" (Havertown, PA United States) - See all my reviews
This review is from: A Woman Run Mad (Paperback)
In all, this is a compelling read. The plot is tight, the characters are interesting, and the prose sizzles. There are some interesting metafictional aspects to the story as well. Two of the principal characters are writers, one of novels and one of academic studies of women in Euripides' plays; L'Heureux exploits this cleverly but not too overtly. True there is gore. True one of the characters has had some nasty sexual experiences at the hands of a former lover. These are not gratuitously included for shock value, however. They enhance the story. It is good that L'Heureux did not shy away from describing these things; they amplify the psychological dimesions of the story, adding depth to the characters. That said, I'm sure many readers will find certain passages revolting. But, then, good fiction isn't only about puppy dogs and fields full of wildflowers. On the whole this is one of the better contemporary novels I've read recently.
5 of 6 people found the following review helpful:
4.0 out of 5 stars
As close to classical tragedy as American fiction comes.,
By
This review is from: A Woman Run Mad (Mass Market Paperback)
This was L'Heureux's debut novel, but don't let that put you off; he was already an accomplished short story writer and poet. Oftentimes, short story writers and poets can't make the transition to the novel form, but that's not the case here. L'Heureux gives us the story of a husband, a wife, an insane murderess, and her homosexual bodyguard, and more than anything, underneath the gore and glitz, L'Heureux's real intention is to examine the relationships between these people.There are few authors, in these days when the gods no longer have truck with humanity, that attempt to write tragedy in the classical Greek fashion. L'Heureux takes an inventive out by using insanity as the "god" whose mechanizations drive the narrative, and in doing so bring it closer to classical tragedy than to its modern cousin, metatheatre. It's a risky move, but one carried off extremely well by one of the American masters of letters.
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