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A Woman is a Woman (The Criterion Collection)


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Product Details

  • Actors: Anna Karina, Jean-Claude Brialy, Jean-Paul Belmondo, Henri Attal, Karyn Balm
  • Directors: Jean-Luc Godard
  • Writers: Jean-Luc Godard, Eric Rohmer, Geneviève Cluny
  • Producers: Carlo Ponti, Georges de Beauregard, Pierre Braunberger
  • Format: Anamorphic, Color, Subtitled, Widescreen, NTSC
  • Language: French (Dolby Digital 2.0 Mono)
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Criterion
  • DVD Release Date: June 22, 2004
  • Run Time: 84 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (34 customer reviews)
  • ASIN: B0001ZIYDO
  • Amazon Best Sellers Rank: #154,523 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "A Woman is a Woman (The Criterion Collection)" on IMDb

Special Features

  • New digital transfer, supervised by director of photography Raoul Coutard
  • An early short film by director Jean-Luc Godard "All the Boys Are Called Patrick"
  • Qui etes-vous Anna Karina?, excerpts from a 1966 French television interview with Karina, Brialy, and Serge Gainsbourg
  • Collection of A Woman is a Woman publicity including trailers, rare on-set photos, a poster and stills gallery, and an audio recording
  • 24-page booklet featuring essay by film critic J. Hoberman

Editorial Reviews

With A Woman Is a Woman (Une Femme est une femme), compulsively innovative director Jean-Luc Godard presents "a neorealist musical, that is, a contradiction in terms." Featuring French superstars Anna Karina, Jean-Paul Belmondo, and Jean-Claude Brialy at their peak of adorability, A Woman Is a Woman is a sly, playful tribute to - and interrogation of - the American musical comedy, showcasing Godard#s signature wit and intellectual acumen. The film tells the story of exotic dancer Angéla (Karina) as she attempts to have a child with her unwilling lover Émile (Brialy). In the process, she finds herself torn between him and his best friend Alfred (Belmondo). A dizzying compendium of color, humor, and the music of renowned composer Michel Legrand, A Woman Is a Woman finds the young Godard at his warmest and most accessible, reveling in and scrutinizing the mechanics of his great obsession - the cinema.

Customer Reviews

He also uses headings: "Everything will go wrong for them because they love each other."
technoguy
This is some of jean luc godard's best commentary on the art of film-making... It is ablaze in color and glamour, making it one of Godard's most accesible films..
Stalwart Kreinblaster
He loves his wife but he loves his freedom even more, and the child means the end of freedom.
Galina

Most Helpful Customer Reviews

20 of 21 people found the following review helpful By A Customer on June 25, 1999
Format: VHS Tape
Can Godard's sixties films be anything less than sensational ? " A Woman is a Woman " remains one of his most magnificent, a dazzling cinematic hymn to the Hollywood musical, and a celebration of his then wife, Anna Karina. Karina plays Angela, a nightclub stripper who yearns for a baby. Her practical boyfriend, Emile (Jean-Claude Brialy) insists that they marry first, and in her frustration she turns to Emile's friend, the romantic Alfred (Jean-Paul Belmondo)...
Seldom has the old cliché of the love triangle been filmed with such verve and innovation, and the movie is funny, tragic, happy and sad, and ultimately triumphant. The performances are wonderful. Brialy is fine as the boyfriend torn between his love for Angela and his stubborn pragmatism and Belmondo is typically cool, complete with customary cigarette permanently dangling from his mouth. Both male leads are peripheral however, for this is Karina's movie, as she examines the complexities of life and the difficulties of being a woman.
Technically, Godard is at his most playful, employing his usual array of stunning cinematic devises - there are visual gags galore, fluid tracking shots, Raoul Coutard's garish photography ( Godard's first film in colour ), a soundtrack of deliberately exaggerated big band music that seeming appears and disappears at any given moment, and the kind of referential cinema that Godard loves. There are nods towards Francois Truffaut and his films " Jules et Jim " and " Shoot the Piano Player " and at one point Belmondo mentions a screening on TV of " Breathless ", Godard's groundbreaking first feature.
Like nothing you've ever seen before, " A Woman is a Woman ", is a time capsule no doubt, but definitely a masterpiece for all time...
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26 of 29 people found the following review helpful By Autodidact on July 24, 2004
Format: DVD
The New Wave has been assessed in every intellectual capacity, and using every aesthetic criterion imaginable, but what makes the New Wave the most beguiling of cinematic phenomenon is that, in essence, it is a declaration of the love of cinema, through cinema itself.

AWOMAN IS A WOMAN ("Une Femme est une Femme"), Godard's third film, is as much a milestone as his own "Breathless" two years earlier. The basic premise is effectively that of a kitchen sink drama; an exotic dancer's (Anna Karina) whim to have a baby is met with consternation by her boyfriend (Jean-Claude Brialy), who is further dismayed when she asks a mutual friend (Jean-Paul Belmondo) to act as a surrogate father.

But the neo-realist background gives way to a film shot in bold, giddy colours and synchronised to Legrand's harebrained soundtrack - A WOMAN IS A WOMAN is best described as a musical with no singing. Actors frequently affect choreographed like stances and positions, their conversations punctuated with overtly dramatic interventions from Legrand's score. Our heroine expresses her desire to appear in an American musical, "with Gene Kelly and Cyd Charisse", before adopting the relevant deportment for the approval of the audience, who are constantly consulted, bowed to, winked at and cavorted with by actors revelling in front of Godard's lens.

It is Godard's preference for the actor, in favour of the character, that makes A WOMAN IS A WOMAN an unparalleled experience in spontaneity. Filmed without a script, the actors wear their own clothes and concoct their own dialogue.
Read more ›
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4 of 4 people found the following review helpful By Rodney Luck on June 27, 2004
Format: DVD
When you watch "A Woman is a Woman" you enter a cinematic fantasy world created by Godard, one of our most inventive filmmakers. It is a world filled with color, music, humor, heartbreak, fluid tracking shots, creative editing and groundbreaking audio tracks. When you watch films like Coppola's "One from the Heart" or the recent "Moulin Rouge" you can instantly see how much "A Woman is a Woman" influenced those films. The big difference is Godard's film was made in 1961! Years ahead of it's time. The acting from Brialy, Belmondo and Karina is nothing short of brilliant. They play off of each other so well and look like they're having a marvelous time thru-out the film. The music score by Michel Legrand is one of the highlights of the viewing experience. There are so many musical interludes that pay homage to Hollywood musicals and at moments grand opera. They're just breathtaking! But remember, this is Godard's version of "life as musical." The actors don't break into song at any given moment. The musical score accents their dialogue as if they were in a musical, operatic production. In reading the other reviews posted here I am shocked to see people write the film off as a piece of boring fluff. If you keep an open mind and allow yourself to enter the world created by Godard in "A Woman is a Woman" you will be greatly rewarded. You'll wish you could go back in time and be on the streets of Paris sharing Anna Karina's red umbrella!
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