The Woman in White (Oxford World's Classics) [Paperback]

Wilkie Collins (Author), John Sutherland (Editor)

Book Description

Publication Date: May 15, 2008

The Woman in White (1859-60) is the first and greatest "Sensation Novel." Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue. This new critical edition is the first to use the original manuscript of the novel. John Sutherland examines Collins's contribution to Victorian fiction, traces his practices as a creator of plot, and provides a chronology of the novel's complicated events.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Editorial Reviews

From Publishers Weekly

Starred Review. Josephine Bailey and Simon Prebble turn in stellar performances of Collins's classic, commonly regarded as the world's first mystery novel. Late one night, on the way to his new post, art teacher Walter Hartright encounters a ghostly woman dressed all in white, tending to a grave. The next day, he meets his new pupils, Laura Fairlie and her half-sister, Marian, and discovers that the sisters have mysterious ties to the woman in white. For a story told by a sequence of first-person narrators, Bailey and Prebble provide well-paced, alternating readings: Prebble's Hartright is steady, even-keeled, and sensitive; his Marian is bright and clear and blunt. Bailey's Laura is equally well rendered: kind and young, sad and sweet. The voices both narrators provide the host of other characters—including the hot-tempered Sir Percival Glyde and the devious Count Fosco—are attended with equal imagination and skill. A must-listen for mystery lovers. (Jan.)
(c) Copyright PWxyz, LLC. All rights reserved. --This text refers to the Audio CD edition.

Review

`with each volume having an introduction by an acknowledged expert, and exhaustive notes, the World's Classics are surely the most desirable series and, all-round, the best value for money' Oxford Times

`Collins's mid-Victorian novel is one of the first, and possibly still the greatest, of all literary thrillers.' The Irish Times

See all Editorial Reviews

Product Details

• Paperback: 736 pages
• Publisher: Oxford University Press, USA (May 15, 2008)
• Language: English
• ISBN-10: 0199535639
• ISBN-13: 978-0199535637
• Product Dimensions: 5 x 1.3 x 7.7 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (315 customer reviews)
• Amazon Best Sellers Rank: #629,766 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

190 of 190 people found the following review helpful

4.0 out of 5 stars A Classic Mystery That Keeps You Guessing February 11, 2010

By FancyPants

Format:Kindle Edition|Amazon Verified Purchase

I'd never heard of Wilkie Collins before I got my Kindle. In searching out free classics, I of course found a number of references to this classic mystery. I inferred from the title that the woman in white was a ghost (who knows why!) so fully expected some specter to rise out of the misty moors. Instead, I was surprised to find myself in the grip of a diabolical and tragic tale told by several different and distinct voices. While a tad overlong - why use one word when you can use six? - my thumb rarely left the Next Page button. I had no desire to 'cheat' on Walter, Laura, Marion, Anne, the Baronet and Fosco with another book, and in fact could barely put down my Kindle until I could no longer keep my eyes open in the wee hours of the night. Collins was a genius at keeping the reader guessing, which I did throughout. Just when I thought I had it all figured out, Collins read my thoughts and threw me a curveball. And though the language is very old-fashioned and formal - think 19th century England - I had few troubles figuring out the odd unfamiliar phrase. Of course, it was tough not to chuckle at the quaint and genteel 'evils' that seem so commonplace today, but it didn't take away from my enjoyment of the book. If anything, it added to it. After reading - and thoroughly enjoying - The Woman in White, I can clearly understand why this classic has endured.

A note on Kindle formatting: I have seen reviews of other Kindle freebies that were badly formatted and/or edited, but that was not the case with this book. Not only were there few (if any) typos, the formatting was quite readable. The one addition I would have liked is a linked table of contents. If you find a 99 cent version that boasts such a TOC, I'd recommend buying it instead of downloading it for free as I would have like to have looked back at different characters' accounts after reading them.

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257 of 265 people found the following review helpful

5.0 out of 5 stars Innocence, Villainy and Heroism February 3, 2003

By Lance C. Panzer

Format:Mass Market Paperback

Laura Fairly is the innocent, the young, sheltered, Victorian maiden who abides by her departed father's wishes. On his deathbed, he bids her to marry Sir Percival Glyde. Enter villainy. The grasping, frightened, short-tempered Sir Percival insists on a speedy wedding. He handily dispatches any obstacles thrown up in his path; he is damned and determined to wed Laura--and her fortune. But Laura has a sister, Marian, a strong-willed, independent, fiercely loyal sister who at first champions the marriage and then recoils once she realizes the true nature of Sir Percival. The man is a monster. And Marian will do anything to protect her sister. Heroism, and then some. There is also another, a drawing master named Walter Hartright, commissioned to teach Laura and Marian the fine art of watercolors. He falls in love with Laura, and she with him--before her marriage to Sir Percival. The drama should be obvious.

But what of the title? Who is the Woman in White? Her chance meeting with Walter Hartright on the road to London provides the catalyst upon which the entire narrative turns. She is at once and both the key and the puzzle. She is a victim. She is a harbinger. She scares Sir Percival out of his wits.

This book offers vivid portrayals of Victorian England, its mannerisms, its wardrobe, its inhibitions, its attitude. This book eerily reflects our own time, our own angst, in the 21st century. Once you read it, you'll know what I mean. Deception has no age.

P.S. Whatever you do, don't turn your back on Count Fosco!

119 of 122 people found the following review helpful

5.0 out of 5 stars Gripping plot, engaging characters May 28, 2006

By Michael B. Collins

Format:Mass Market Paperback

I read this book in one day, a day where no classes were attended, no phone calls were taken, and no visits made. I cooked and ate my food with it in hand, and sometimes damned my inability to read faster, I was so eager to find out what was going to happen next.

"The Woman in White" is not just one of the most engaging and gripping Victorian novels I have ever read, it is one of the most engaging and gripping novels of all time. Collins creates vivid, memorable characters (ranging from brave intelligent Marian to the surprising and sinister Count Fosco) who are engaged in a plot that twists and turns like nothing else. There are so many unexpected, even shocking incidents, and Collins moves between them with exactingly precise yet graceful and beautiful prose. Not only that, his narrative style, which moves from character to character, allows for fantastic comic interludes which break up the drama (the chapter from the point of view of the hypochondriac uncle is gut-bustingly funny).

A couple of people I know, who are generally not fond of 19th century literature, loved this book. I have never met someone who has not been charmed by it. I strongly urge anyone and everyone to read it.