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Women on the Case [Paperback]

Sara Paretsky (Editor)
2.3 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

May 12, 1997
These are stories of P.I.s who keep guns in their handbags--or their bras, of crime victims, homeless women, and housewives whose ordinary lives take a brutal, sometimes fatal twist. This collection brings several brilliant international authors to American readers for the first time, including Amel Benaboura, Irina Muravyova, and Helga Anderle. Mystery fans will also enjoy new works by familiar voices Sara Paretsky, Elizabeth George, Amanda Cross, Ruth Rendell, Antonia Fraser, Frances Fyfield, and many more contemporary masters.

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Editorial Reviews

Amazon.com Review

There's a marvelous mixture of mystery material in this collection of short fiction by and about women--from bestseller Nevada Barr's wrenching story about a daughter's discovery in her mother's garden to impressive entries from Russia, Germany, and Algeria by writers less famous, but equally talented. This is the perfect bedside companion for readers looking for a way into the genre, or searching for new writers to expand their mystery horizons.

From Publishers Weekly

In her introduction to a collection that endorses good politics at least as much as good storytelling, Paretsky tackles the thorny issue of "what if anything I am doing to acknowledge my duty to other women writers, and to the suffering of women in my own age." Fortunately, many entries satisfy both agendas admirably. In Nancy Pickard's "A Rock and a Hard Place," a woman who was raped and shot dreads further violence and hires a PI to prevent three murders that could be imminent. Frances Fyfield hints that some cultural differences can be deadly in "Nothing to Lose," in which an Englishwoman marries a West African and soon begins contemplating his "lovely funeral." One of a few entries in translation, "Saturday Night Fever" by Viennese writer Helga Anderle, trails a journalist the night she stumbles on a murder that demands she choose between career and conscience. Less rewarding is Ruth Rendell's "Astronomical Scarf," which follows a scarf from owner to owner and in which Rendell's habitual delicious darkness takes a backseat to mere cleverness. The leadoff story, P.M. Carlson's "Parties Unknown by the Jury," sets the tone of the book: in 1892, a white stage actress finds herself a witness to a Memphis lynching and comes upon Ida Wells at the dawn of her journalism career. Wells, as a woman who writes her way toward equality, is clearly intended as a guiding spirit of this purposeful collection.
Copyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 464 pages
  • Publisher: Dell (May 12, 1997)
  • Language: English
  • ISBN-10: 0440223253
  • ISBN-13: 978-0440223252
  • Product Dimensions: 4.2 x 1 x 6.9 inches
  • Shipping Weight: 7.8 ounces (View shipping rates and policies)
  • Average Customer Review: 2.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,490,859 in Books (See Top 100 in Books)

More About the Author

Sara Paretsky is the award-winning creator of the V I Warshawski detective novels. When Sara introduced V I in Indemnity Only in 1982, she revolutionized the mystery novel. By creating a female investigator who uses her wits as well a her fists, Sara challenged a genre in which women were traditionally either vamps or victims.

V I is the quintessential urban woman. She grew up in the shadow of the old steel mills on Chicago's Southeast side and knows her way around every alley in town. She's a street fighter, a singer, a bit of a clothes horse, and a woman of great intensity and passion.

So how much like V I is her creator? They certainly come from very different places. Sara grew up in rural Kansas where she attended a two-room school. She continues to believe the high point of her life came at the age of twelve when she was picked to play third base for the Kaw Valley District 95 baseball team.

Bleeding Kansas, Sara's 14th novel, is set in the part of the Kaw River Valley where Sara grew up.

Sara first came to Chicago in 1966 to do community service work in the same neighborhood where Martin Luther King was organizing. It was a time of fierce passions in the city and in the country as people fought over racial justice, the rights and wrongs of the war in Vietnam, and women's rights. Sara has always felt that that summer changed her life forever, and when she finished her undergraduate degree at the University of Kansas, she came back to make Chicago her home. Some of the history of that summer is recounted in her essay collection, Writing in an Age of Silence.

Like V I, Sara likes to sing, in an amateur way, has a hopeless passion for the Cubs, loves Italian shoes'and is obsessed by the search for the perfect cappuccino, so much so that she even went to cappuccino school.

In other academic ventures, Sara received a PhD in American History and an MBA from the University of Chicago. In 1976, she married physics professor Courtenay Wright. The two live in the city of Chicago with their wonder dog Callie. Their lives are made brighter by their adored granddaughter, Maia.

Sara shares V I's passion for social justice. She founded Sisters in Crime in 1986 to support women readers and writers in the mystery world. To give back to the community, Paretsky established the Sara and Two C-Dogs Foundation, which primarily supports girls and women in the arts, letters, and sciences. She has endowed several scholarships at the University of Kansas, and has mentored students in Chicago's inner city schools. She serves on the advisory boards of Literature for All of Us, a literacy group for teen moms, and Thresholds, which serves Chicago's mentally-ill homeless.

Sara has received numerous awards, including the Diamond Dagger for Lifetime achievement from the British Crime Writers Association, the Gold Dagger for best novel for her book Blacklist, and the honorary degree of Doctor of Letters from several different universities. Sara's books have been translated into almost thirty languages.

 

Customer Reviews

3 Reviews
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Average Customer Review
2.3 out of 5 stars (3 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
2.0 out of 5 stars 20 Mediocre Tales, 6 Good Ones, June 24, 2003
By 
This review is from: Women on the Case (Paperback)
An avid VI Warshawsky and Sara Paretsky fan, I ran out VI novels to read ... So I grabbed this one thinking that Sara would pick some interesting or controversial subjects.

Sara didn't let me down. There are six jewels in this 26 story meat pie. Unhappily the majority are made of "mystery meat".

The six Jewels make me want to seek out other works by their authors. They are:

Nevada Barr's *Beneath the Lilies*, an excellent piece of short fiction. Part drama and part mystery, it equals a Paretsky or a Sayers tale of the same length.

Nancy Pickard's *A Rock and a Hard Place* is a shot of rye in the eye, sap to the back of the head, Phyllis Marlowe detective yarn.

Sara's own *Publicity Stunts* is a good chapter in the VI Warshawsky saga. Its only flaw is that it hurtles to a conclusion in four paragraphs. I prefer a well-paced unraveling, not the abrupt crashing-of-a-meteorite-through-the-ceiling type of ending. Must have been getting close to press time.

Andrea Smith's *A Lesson in Murder* is a good, by-the-books whodunit.

*The Baroness* by Amanda Cross is very Dorothy Sayers-like in that we get a lesson in art forgery while trying to keep up with the detective as she solves the case.

Susan Dunlap spins an entertaining story about a Private Eye of the Afterworld in *I'll Get Back to You*.

Linda Grant's *Hamlet's Dilemma* ingeniously uses literature as a tool for detection.

I rated this collection low because there are twenty mediocre or bad stories in the muck. Even the collected stories of Hemingway have a stinker or two among them, but over 75%? Ugh!

Sara would've been better off using the six stories I mentioned, spent more time on *Publicity Stunt's* ending and chosen a few of the European tales to add flair and spice. That would have made for a more balanced collection.

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5 of 7 people found the following review helpful:
2.0 out of 5 stars Morose and Depressing, April 3, 2002
By 
Beth McKenzie (South Eastern USA) - See all my reviews
This review is from: Women on the Case (Paperback)
This book is filled with stories by many of my favorite authors, which is why I purchased it. All of the stories are good mysteries; none of the endings are overly obvious, and most of the outcomes left an impression to be thought about later. (The picture of Heaven and Salvation in Susan Dunlap's "I'll Get Back to You" has started many thought-provoking conversations.) The reason I would highly praise the individual stories yet rate the book so low is that as a group the stories are depressing. Even the relatively happy endings are tainted with sadness, failure, fear or misery. Being the owner of two fickle little kittens I still cry occasionally when I think of "A Witch and Her Cats" by Antonia Fraser. I realize that it is the purpose of each of these women to reach out and impact her audience, but the combination of stories in this book turns the pen into an arrow, piercing the soul. It is a rare occurrance, but I have given my copy away.
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3.0 out of 5 stars Very disappointing, August 23, 2007
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This review is from: Women on the Case (Paperback)
If not for Ruth Rendell and Sara Paretsky, the book would have been a total waste of time
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Inside This Book (learn more)
First Sentence:
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Tasha Pierce, Miss Pollard, New York, David Valentine, Dolphin Bay, Rowan Sherwood, Woman's Place, Jerry Heckler, Chloe Love, Lisa Macauley, Tommie Moss, House of Lords, Claud Barnett, Miss Mooney, Aunt Mollie, Joe Mallory, Margo Daniels, Maria Crucita, Maureen Noonan, Miss Gibson, Nan Carruthers, Ross Harvey, United States, Dee Willis, Donna Hazlitt
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