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The Women Who Knew Too Much: Hitchcock and Feminist Theory
 
 
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The Women Who Knew Too Much: Hitchcock and Feminist Theory [Paperback]

Tania Modlesk (Author)
3.7 out of 5 stars  See all reviews (6 customer reviews)


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Paperback, March 16, 1988 --  
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The Women Who Knew Too Much: Hitchcock and Feminist Theory The Women Who Knew Too Much: Hitchcock and Feminist Theory 3.7 out of 5 stars (6)
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Book Description

0415901766 978-0415901765 March 16, 1988 New edition
Tania Modleski claims that critical approaches to Hitchcock have falsely fallen into two camps: either he is seen as a misogynist, or he is seen as sympathetic to women in his demonstration of women's plight in patriarchy. In opposition to these positions, Modleski asserts that Hitchcock is ambivalent towards his female characters. Applying the theories of psychoananlysis, mass culture, and a broad range of film and feminist criticism, Modleski presents careful and fascinating readings of seven Hitchcock films from various periods in his career.


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About the Author

Tania Modleski is Florence R. Scott Professor of English at the University of Southern California. Among her other books are Loving with a Vengeance and Feminism without Women. --This text refers to an alternate Paperback edition.

Product Details

  • Paperback: 176 pages
  • Publisher: Routledge; New edition edition (March 16, 1988)
  • Language: English
  • ISBN-10: 0415901766
  • ISBN-13: 978-0415901765
  • Product Dimensions: 9 x 6 x 0.4 inches
  • Shipping Weight: 10.6 ounces
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #606,510 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
3.7 out of 5 stars (6 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Important work, October 23, 2010
By 
Mike (Astoria, NY United States) - See all my reviews
Fabulous, accessible writing! Deft use of theory makes for sensible critique. A book I go back to time and time again.
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8 of 12 people found the following review helpful:
4.0 out of 5 stars A feminist reading of seven of Hitchcock's films., December 16, 1997
This review is from: The Women Who Knew Too Much: Hitchcock and Feminist Theory (Paperback)
A fascinating though dense read for people interested in women's studies or Hitchcock. It ain't easy reading, but Modleski's perspectives of some of Hitch's best work (as seen through the lens of feminist criticism) is worth the struggle.
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6 of 9 people found the following review helpful:
4.0 out of 5 stars Great Primer for considering the place of women in film, May 30, 2001
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This review is from: The Women Who Knew Too Much: Hitchcock and Feminist Theory (Paperback)
This book was assigned reading for a Hitchcock class at NYU. I thoroughly enjoyed its even-handed approach to pondering the great film auteur's perspective on women as expressed in his films and the place of women in American films in general.

Although I might disagree with about 5-10% of her conclusions, I would still highly recommend this study.

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Inside This Book (learn more)
First Sentence:
The issue of sexual violence must be central to any feminist analysis of the films of Alfred Hitchcock. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
patriarchal cinema, blind space, double desire, feminist film theory, male masochism, castrated woman, feminist film criticism, female spectator, classical cinema, narrative cinema
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sir John, Rear Window, Miss Torso, Grace Kelly, Miss Lonelyhearts, Scotland Yard, Donald Spoto, Gavin Elster, Raymond Bellour, Alfred Hitchcock, Cary Grant, Lars Thorwald, Robin Wood, San Francisco, Brenda Blaney, Carlotta Valdez, Janet Leigh, Kaja Silverman, Laura Mulvey, Mona Lisa, Pop Liebl, Bob Rusk, Jean-Paul Sartre, Lisa Freemont, Mary Ann Doane
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