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Women Without Men: A Novel of Modern Iran Paperback – March 1, 2004

ISBN-13: 978-1558614529 ISBN-10: 1558614524 Edition: 4th

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Product Details

  • Paperback: 192 pages
  • Publisher: The Feminist Press at CUNY; 4th edition (March 1, 2004)
  • Language: English
  • ISBN-10: 1558614524
  • ISBN-13: 978-1558614529
  • Product Dimensions: 7.7 x 5 x 0.6 inches
  • Shipping Weight: 7.8 ounces
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #1,007,402 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Using the techniques of both the fabulist and the polemicist, Paripur (Prison Memoirs) continues her protest against traditional Persian gender relations in this charming yet powerful novella. Imprisoned once for her dissident views, Paripur, a native of Iran, offers her five characters the opportunity to escape the relationships and mores that constrain them. All of the characters are led to the same metaphorical magic garden, a transcendent, timeless place where they are free to decide their fates. In most instances, this amounts to a rejection of men and marriage. Like Ovid's Daphne, Mahdokht transforms herself into a tree in order to prevent the shameful loss of her virginity. Munis, a 38-year-old virgin, is attacked and killed by her brother for refusing to obey him. She rises from the dead a psychic, heads for the garden and is raped along the way. Farrokhlaqa, a wealthy matron, accidentally kills her oppressive husband of 32 years. She then buys the magical garden where the women congregate. Only Zarrinkolah, the prostitute, discovers wedded bliss when she marries the "good gardener." The voices of the five separate narrators--delicately connected by plot and circumstance--give us variations on the theme of the mistreatment of women in contemporary Iran.

Copyright 1998 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

From Library Journal

Parsipur here synthesizes the voices of five women in contemporary Iran. Women without men?a prostitute, two unmarried women, a housewife, and a teacher?they all face serious oppression largely because of gender discrimination, cultural traditions, and notions of virginity and women's sexuality. They also seek and find freedom and some solace in the same garden. This garden, located in Karaj, near Tehran, becomes their utopia; the teacher Mahdokht becomes so distraught that she decides to plant herself like a tree in the garden and thus escape reality. Not Parsipur's first work of fiction on women in Iranian society, this novel often reads like a fairy tale, but it launches a strong statement about gender relations in Parsipur's home country. Parsipur currently lives in the United States. Recommended for fiction collections.?Faye A. Chadwell, Univ. of Oregon Libs., Eugene
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

4.3 out of 5 stars
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See all 12 customer reviews
The author on the one hand captures how in real life everything is compromise.
Brian H. Appleton
The magical realism in this novel is amazing and works so well with the plot and the characters.
Raven DeLajour
The story was somewhat stripped of Parsipur's Persian ethnic background and given my own.
Rebecca Lynn Horst

Most Helpful Customer Reviews

28 of 29 people found the following review helpful By mishalew on May 8, 2001
Format: Hardcover
Though I stumbled upon the novel by accident, I must admit this book was well worth finding. The stories were simply written but were almost deceivingly fully loaded-- full of conflicting values, political ideology and agendas, and societal turmoil. The compilation of separate women's lives, so different from one another, but joined together by a common thread, hearkens back to a similar style of tale-telling found in many other cultures, such as Amy Tan's novel 'The Joy Luck Club' and the popular film 'How to Make an American Quilt'. Rather than choosing to write a politicized essay or thesis which reaches only a certain segment of the educated and politically literate population, Parsipur chooses to write fiction, laced with raw truths and posessing a clear agenda.
Such tales are typical of the kind that are passed down from generation to generation in order to educate the young about their society's morals or possible pitfalls that may entrap those who stray from the accepted norm. This is not dissimilar from urban legends that adults in American society pass amongst themselves or the fairy tales laced with truths that young children are told before bedtime.
Sometimes the most volitile information is passed down and understood by the most simple or innocuous means, and I think that is a conscious choice that Parsipur has made with this book. She chooses to uncover the double standard that both male and female society is guilty of upholding, the notion of virginity (and the understanding of what it is and what it means), and socially-sanctioned ideas of morality, mortality, violence, and inter-gender relationships through stories that allow the reader to look at how different women deal with the society that they live in.
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10 of 10 people found the following review helpful By Brian H. Appleton on November 16, 2008
Format: Paperback Verified Purchase
Dear fellow readers,

I have become a personal friend of the author, Shahrnush Parsipur recently as fortunately we both reside in Northern California now. We have common interests as I am an Anglo American who lived in Iran before,during and four months after the revolution and really didn't want to leave. I have some understanding of the complexity of Iranian society. There have been a few articles recently like last summer's National Geographic which try to explain how the private side of Iranians remains very impenetrably private and their public image is one of friendship, hospitality and generosity because this is how they have survived centuries of being invaded and conquered....sugar coated lies and taroff (honorifics)...making total strangers feel good and everyone feel important...while hiding from them what you really think...it is bitter sweet, it is something I love and hate...

When I read this "magical realism" or surreal style of writing, I not only recognized Iranian social complexity but in fact a certain universality about human nature and what experts we human beings are at deceit, especially self deception and denile. The aspiring socialite starving for fame and glamourous life, Farrokhlaga finally finds it in the end by marrying an older diplomat and living abroad, no romance but life style she wanted after years of trying to be the hostess of literary salons or become a member of parliament or even write poetry, all without success because other than her sophisticated physical beauty she had no real talent.

Fazieh always in love with Amir, her best friend Munis's brother, finally settles for being his secret second wife on the side with a seperate houshold.

The author on the one hand captures how in real life everything is compromise.
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15 of 17 people found the following review helpful By A Customer on January 28, 1999
Format: Hardcover
Women without Men is another entry in the growing category of Iranian cultural exports to the U.S., and one of the best. Like the Cannes-winning film The White Balloon, Women without Men presents a much different view of Iranian life than readers might expect based on reports from the evening news--a nuanced, subtle, self-reflexive society much concerned with the role of art in both everyday life and in the turbulent cultural politics of the nation. The story of a group of diverse Iranian women who forge a brief-lived utopian society, Women without Men also addresses, in startling, beautiful prose, the lives of women in any modern society. The fact that these stories can be transposed to, and understood by, Americans, is one of the pleasant surprises of the book; this isn't just a novel for scholars, but for anyone looking for a story that's both entertaining and profound. And, the translators, one Iranian and one American, have done a fabulous job in rendering the Persian into lucid English. I give this book five stars because, even though it's a small book, as one of the very few first rate translations of contemporary Iranian literature, it should be at the top of the reading list for anyone interested in international writing.
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4 of 5 people found the following review helpful By Rebecca Lynn Horst on August 29, 2008
Format: Paperback
This book is a work of a genious abstract vision of womanhood through the eyes and Persian ethnic culture of the author. It relates to the reader of every culture. I have had the honor of reading this book numerous times, researching, analysing the characters and themes. This is a novel with touches of prose and poetry. It is a story of female rivalry through the Persian ethnic culture that is influenced by Islam. It requires the abstract vision of the reader to find, see, and understand the many layers of truth in each character, their relationships, and their transformations. As an actress I was honored to perform the world debut of the stage performace, adapted by Diana Bigelow on August 1, 2, 3 of 2008. Even more wonderful was to perform in front of Shahrnush Parsipur, herself, and discuss aspects of her life and the book with her. I am Rebecca (Becky) Horst and played the part of Faizeh, a very complicated and real character with flaws that exist in every woman in every culture. I will cherish the experience for the rest of my life.

Faizeh's flaws are difficult to accept. She has a innocent vision of how her life "should be." She is waiting for "Her night in shining armor and the white picket fence." She presents her virginity as a code of female honor and judges others by adherance to traditional female duty. When this vision is burst through loss and exploration of woman-hood through communal living with women in a magical garden; she changes. These chages are for the reader to discover; but I found them facinating and evident of the abuses women place on themselves and men. I had difficulty accepting Faizeh as an actress. Her uninhibited behavior expressed in this book is the controversy.
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