Sewing Pattern - Cotehardies and Sideless Surcoats, 14th and 15th centuries. Cotehardies were worn by both sexes of all ages and classes for over 200 years, from England to Bohemia, Norway to Spain. While there were variations, the basic cut of the cotehardie was the same throughout Europe. Originally a version of the tunic (PP16), cotehardies differed in sleeve cut, variations, and tailor fit. Woman's were fitted or even tight to the hips, then flared to the hem. They often had long tight sleeves. They would be worn over a chemise (PP90). Men's cotehardies, worn long or short, were initially tight to the hips, with long tight sleeves. They were worn over a shirt (PP43) and hose (PP101), often with hoods. In the first 1/2 of the 14th c. a change occurred. With the invention of curved sleeve caps, gussets under the arm became unnecessary. Puffed chests & full sleeves became fashionable on men's cotehardies by 1350. Sleeveless tunics or surcoats were worn by both sexes as early as the 12th c., but with the return of crusaders from the Holy Land the style became wildly popular. The armholes deepened to the waist, then (particularly on woman's surcoats) to the hip, earning the name "sideless surcoats". These worn by women over very tight cotehardies, roused the ire of the church because their revealing cut was considered too seductive.
Surcoats and cotehardies for both sexes could be plain& somber, or wildly colorful. Heraldic motifs were common on these garments. Both sexes began wearing houpelandes (PP26) over a cotehardie after 1380. Cotehardies and surcoats as outerwear became unfashionable before 1425, with one exception. Cotehardies, with or without sideless surcoats, remained fashionable for women, as regal ceremonial garments, until well into the 16th century. When the houpelande went out of fashion, the cotehardie for women briefly re-emerged, with slight changes, as the kirtle (PP51). Men's cotehardies had meanwhile evolved into the doublet (PP43 & PP53).