Women's Work: The First 20,000 Years Women, Cloth, and Society in Early Times (Paperback)

~ (Author) "For millennia women have sat together spinning, weaving, and sewing..." (more)
Key Phrases: silver spindle, ground loom, golden spindle, Bronze Age, Middle Kingdom, Near East (more...)

Editorial Reviews

From Publishers Weekly

While men dominated early agriculture, women for millennia took primary responsibility for sewing, weaving textiles and making clothing. In this beautifully illustrated study, Barber ( Prehistoric Textiles ) retrieves an important chapter in the history of civilization by drawing on archeological evidence, ancient texts, myths and linguistics to reconstruct women's paramount role in the fiber arts until the start of the late Bronze Age, about 1500 B.C., when, Barber observes, the advent of commercial textiles brought men to the looms. In prehistoric Europe, women invented elaborate textiles with complex designs; women of ancient Anatolia ran cloth-making establishments. Barber begins her saga with the description of a Paleolithic "Venus figure" that dates from about 20,000 B.C. and is carved wearing a skirt woven of loose strings. Ranging from Egypt to Greece to Sumatra, covering the period from 20,000-500 B.C., Barber illuminates women's changing social status as makers of cloth and clothing.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

In this age of ready-to-wear clothing and shopping malls, we sometimes forget that for the first 20,000 years of human existence, all textiles-from everyday clothing to ship's sails-were made by women (and sometimes men) who used a hand spindle to spin threads and a loom to weave the threads into cloth. As an archaeologist and a knowledgeable weaver capable of reproducing the cloth remnants she is studying, Barber is ideally qualified to investigate early textile production and its relation to women's changing roles in ancient societies. Here she reconstructs the history of textiles (primarily in Europe and the Near East), based on the hard evidence of archaeology, geology, art, and ancient texts. Her approach is scholarly yet presupposes no practical knowledge of textile production on the part of the reader. Highly recommended for academic and larger public libraries.
Janice Zlendich, California State Univ. Lib., Fullerton
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 336 pages
• Publisher: W.W. Norton & Co. (September 17, 1995)
• Language: English
• ISBN-10: 0393313484
• ISBN-13: 978-0393313482
• Product Dimensions: 8.1 x 5.5 x 0.9 inches
• Shipping Weight: 9.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars  See all reviews (17 customer reviews)
• Amazon.com Sales Rank: #16,716 in Books (See Bestsellers in Books)

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  #7 in	Books > Nonfiction > Women's Studies > History
  #9 in	Books > Gay & Lesbian > History
  #22 in	Books > Home & Garden > Crafts & Hobbies > Textile Arts

Customer Reviews

Most Helpful Customer Reviews

26 of 26 people found the following review helpful:

5.0 out of 5 stars It's no work to read this book!, November 21, 2003

By	"beginnersluck" (Fresno, CA United States) - See all my reviews

This review is from: Women's Work: The First 20,000 Years : Women, Cloth, and Society in Early Times (Hardcover)

This book covers a huge amount of information without ever being dry or boring. The tone is conversational throughout and incredibly interesting. The author shows us the oldest surviving fragment of cloth (a wool plaid from 800 B.C.) and then weaves a replica herself to see how long it would have taken to make. There are examples of Greek pottery showing women weaving at warp-weighted looms, which allows the author to tell us about the migration of peoples by describing finds of loom weights in Egypt. Other pottery fragments show women walking and hand spinning at the same time, and then a drawing of the Venus de Milo, with arms drawn on, shows that her arms are in the same position and she was very likely spinning thread. It's a marvelous book that's as easy to understand as a conversation over a fence with your neighbor. In fact, there's a picture of two modern Hungarian girls doing just that while wearing their typical bell-like national costume, and beside this picture is a scene from a mid-first millennium B.C. vase found in Hungary showing a very similar costume. The author moves us back and forth through history and across the continents with ease and interest. It's a fabulous book.

23 of 24 people found the following review helpful:

5.0 out of 5 stars Brilliant, June 26, 2002

By	Jennie (metro DC) - See all my reviews

I bought this book after attending some lectures Wayland Barber gave at Grinnell College. Amazingly well-researched, well-argued, and thought provoking, this book isn't in the least bit dry or heady. Thoroughly academic, but still a pleasent read! Tracing the global connections of development and using several disciplines to gather evidence makes for an amazing work. Who would have known linguistics to be so important to textile history? Or how much textile history can tell us not only about social history, but political history as well. Read this book.

20 of 21 people found the following review helpful:

5.0 out of 5 stars Who knew string could be so interesting?, April 19, 2000

By	Loren Tripp "mamazebra" (Pasadena, CA USA) - See all my reviews (REAL NAME)

I had the privelege of attending a lecture by the author recently, and ran out immediately after to get the book. It is clearly written and obviously well researched, and Barber has a refreshing, unique perspective in archaeology: she views her subject from more than one angle. Looking at "women's work" as an archaeologist, linguist and weaver, Barber is able to see the bigger picture, and points out gaping holes in most prehistoric civilization studies: little, if any, mention of textile production, and its sweeping impact on early society. Barber has reproduced many of these textiles herself, and in my mind, this practical experience makes her more than just another academician spouting theory. The book is a good read, and thankfully the author does not use this material to plug any revisioinist-history agenda. I look forward to her next book, possibly a study connecting language, archaeology, etc., with regard to textiles found in N.W. South America that have a stiking similarity to some Asian textiles. This was brought up as a final point in the lecture: we all await the next chapter!