From Publishers Weekly
In the center of Watts, the impoverished Los Angeles neighborhood, a cluster of multicolored towers stands tall, bearing witness to one man's dream of beauty. An understated text tells the true story behind the towers. Simon Rodia, an Italian immigrant, spent 30 years collecting "things that people thought were better thrown away" and transformed them into mosaic-covered monuments twinkling over his neighborhood. In gouaches as stylized and vivid as those in her Caribbean Alphabet (reviewed above), Lessac captures the gaudy beauty of his achievement while recasting the towers as a magical fairground ride, all curves and pillars glittering with promise. Just as the spires rise from behind dull gray fences, the wonder of this story bubbles just below the surface of the spare narrative. Zelver ( The Wedding of Don Octavio ) stresses the poverty of Watts to underline the hopeful symbolism of Old Sam's dream, and it is a shame that she didn't set her text in perspective with an afterword about the Watts riots, civil rights, etc. Lessac's artwork carries the book even further away from history. Ages 5-up.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
PreSchool-Grade 3-This simply narrated picture book tells of Italian immigrant Simon Rodia, a self-styled artist who created unique constructions in inner-city Los Angeles. In addition to carting home broken tiles from the factory where he worked, Simon (known in the neighborhood as Old Sam) made a habit of collecting discarded objects that he came across in his travels. His amazing, lacy, intricate towers made from concrete and steel and decorated with bits of tile, glass, mirror, pottery, and seashells were his life's work, taking 33 years to build, and became objects of conversation, speculation, wonder, and delight within the Watts community. After city engineers declared them structurally sound, they became a permananent landmark, to be seen and admired by people from all over the world. Lessac's familiar gouache paintings fill the pages with soft rich colors. The cheerful double-page spreads provide an element of whimsy appropriate to the narrative and the towers themselves. The book can stand on its own, but could also spark an interesting discussion on art and its role in our society.
Corinne Camarata, Port Washington Public Library, NYCopyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.