Review
Cressida Campbell seems never to have looked over her shoulder to see what other people are doing, or tried to second-guess trends and institutional taste. She has simply concentrated on making her subtle and distinctive woodblock prints, and has gradually become one of those artists that collectors wait in line to acquire. She has never worried about the tribe of curators and catalogue-essay writers and the art establishment has consequently ignored her. The paucity of her bibliography is striking, especially considering the quantity of verbiage heaped on far less significant artists. Curators have no idea what to make of her... the functionaries of contemporary art are guided by brands and slogans, not by visual appreciation. Campbell's work belongs to a different world altogether: it is quiet, self-possessed, entirely confident in its own vocation; the stillness and lucidity of her compositions speak of sustained attention and an almost perfect harmony between her vision and her craft. - Christopher Allen, art critic --The Australian 31/1/08
Undoubtedly the most beautiful book of [2008] was The Woodblock Painting Of Cressida Campbell (Public Pictures, $130), edited by the husband of the Bronte artist, Peter Crayford. Campbell slept next to the press when it was printed in Singapore, so she could check the colouring of every plate and the result is something to be cherished by those of us who can only dream of owning one of her prints. -Catherine Keenan. --Sydney Morning Herald, 21/12/08
Undoubtedly the most beautiful book of [2008] was The Woodblock Painting Of Cressida Campbell (Public Pictures, $130), edited by the husband of the Bronte artist, Peter Crayford. Campbell slept next to the press when it was printed in Singapore, so she could check the colouring of every plate and the result is something to be cherished by those of us who can only dream of owning one of her prints. -Catherine Keenan --Sydney Morning Herald, 21/12/08
Undoubtedly the most beautiful book of [2008] was The Woodblock Painting Of Cressida Campbell (Public Pictures, $120), edited by the husband of the Bronte artist, Peter Crayford. Campbell slept next to the press when it was printed in Singapore, so she could check the colouring of every plate and the result is something to be cherished by those of us who can only dream of owning one of her prints. -Catherine Keenan --Sydney Morning Herald, 21/12/08
About the Author
John McDonald is the senior art critic at the Sydney Morning Herald and was formerly the Head of Australian Art at the National Gallery of Australia. He is the author of "Jeffery Smart: Paintings of the 70s and 80s" (1990) and recently published the first of three volumes on the history of Australian Art.