Amazon.com Review
There is an old Zen story: when a monk was asked why he went to a monastery when he claims to have never lacked anything in the first place, the monk replies that if he hadn't gone, he would never have known that he never lacked anything. Reading
The Wooden Bowl, you get the same feeling. It is a meditation manual that teaches you that you basically have nothing to learn, but you must read every page actually to learn it. If you have aspirations for astral travel or of becoming a renowned Zen master, this book isn't for you. Clark Strand is himself a former monk who seems to turn from institutional Zen to its roots in ancient Taoism, without actually saying so. He emphasizes simplicity, humility, and letting things happen, traits that he picked up from an old Chinese monk before he studied Zen formally. Still, in the great Zen tradition, Strand is an iconoclast. His message is what meditation is not. It is not becoming an expert, achieving different states of mind, reliving the life of the Buddha, daily sitting, or even concentration. Strand reflects on the silent lessons taught him by the Chinese monk and realizes that meditation is the natural condition of our minds. It "doesn't make us better or worse or different than we are, it only wakes us up." A haiku poet, Strand writes in short sections with a polished ease that reflects his view of what meditation should be. Like a hobby, he says, mediation should be a time of doing something for its own sake, absent other preoccupations. Don't worry about doing it right or doing it better or different from others. Meditation is empty yet substantial, plain but useful, the reality behind grand ambitions--a wooden bowl.
--Brian Bruya
From Publishers Weekly
Former Buddhist monk Strand (Seeds from a Birch Tree) opens this engaging book with a personal anecdote about how despair led to his early embracr of Zen Buddhism and how disillusionment led to his eventual resignation from his position as director of the New York Zendo, a Renzai Zen Buddhist training center in Manhattan. Strand's disillusionment stemmed from his sudden realization that meditation was too often considered by professional religious teachers to be little more than a technique to be mastered by their students. In this book, Strand argues that meditation should be a "hobby" whose practice can be enjoyed by novices seeking to enfold meditation into their everyday lives. Strand combines lively stories drawn from his personal experience as a teacher and Zen practitioner with short meditation exercises as he guides readers to use meditation to "be present to nature, to oneself, and to other people." The book is divided into three sections. In "Getting Started," Strand offers simple instructions for beginning meditation. "Getting Settled" provides insights into establishing a regular meditation practice. And, "Getting Together" offers recommendations on starting and maintaining a meditation group. Rather than giving readers a set of rules to follow to get meditation right the first and every time, Strand, with good humor, helps readers gain a sense of their inner presence through a sharing of his own faltering steps to make meditation a hobby rather than a professional life.
Copyright 1998 Reed Business Information, Inc.