From Publishers Weekly
A former stage production manager who has written musicals for children, Froscher delivers this fluff-and-feathers debut with high-camp style. The well-known, sexagenarian stage team of Sam and Wendy Schaeffer and their younger friend and "keeper," gay Buddy Keepman, move to liberal Woodstock, N.Y., little suspecting that bigotry and murder lurk in their new environs. Nor does Buddy expect to find true love after his companion's death two years earlier. But these elements appear on cue. The prying matriarch of a hated local family arrives to help them move in. Shortly afterward, her body is found in the orchard by the Shaeffers' local housecleaner whose screams alert Tom Wilder, a state policeman who lives in another building on the property. Rushing from the shower and wearing only a towel, Tom encounters the Schaeffers and Buddy. Love and the murder investigation begin simultaneously. Soon, the victim's husband is killed with a hatchet. When their loathsome sons are murdered, Tom is left to wonder who had it in for the entire clan. Could it be the black gardener who suffered the group's vociferous racial slurs? Or the lesbian couple who were publicly castigated by them? Or the housekeeper who was repeatedly raped by the sons? The fairly summary ending adequately ties the threads of the plot, but the star of this show is the witty, articulate cast.
Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews
What ought to be the biggest celebration in Woodstock in 30 years--the arrival of those pillars of the American musical theater, Sam and Wendy Gayle Schaeffer (think Comden and Green, think Nichols and May) at Appletop, the estate they've just boughtis marred, as usual, by the lowlife Driver family. This time, the trouble is with Lucille Driver, brained with a weed- whacker as she's cutting the lawn in Appletop's orchard. But her death is only the curtain-raiser in an all-out assault on her marijuana-growing husband and lying, raping sons. Who on earth would want to kill an entire family? Senior State Police Investigator Tom Wilder, enticed from the closet by the Schaeffers' fetching manager, Buddy Keeper, can't take a step outside his bed (or roll over inside it) without hitting somebody who'd be happy to take on the job, from abused cleaning woman Mary Margaret Mudd to arson victims Marc and Tiffany Markowitz to rival brush-cutter Wally Ellsworth. Despite the high death toll and the epidemic hatred of the Drivers, though, the tone here is so consistently, rather desperately zany that you keep expecting the rest of the cast to join Sam and Wendy in the musical interludes that first-timer Froscher scatters around as generously as red herrings. One thing's for sure: Those maniacally upbeat showbiz types sure knew where they'd fit in with the natives. ``Gay'' only begins to describe a latter-day Woodstock as consistently fey as if the whole town were made out of gingerbread. --
Copyright ©1998, Kirkus Associates, LP. All rights reserved.