From School Library Journal
Grade 2-5. This attractive photo-essay opens with a double-page spread of Hong Kong in the early morning mist and closes with a shot of the city at sunset. Readers are introduced to eight-year-old Tsz Yan and her family. The "six words" of the title refer to the English writing homework that the girl works on throughout the story. The "many turtles" are what she thinks school children look like with their backpacks. The "three days" are Friday, Saturday, and Sunday, thus giving readers a glimpse of the child's life at school and at home.The colorful and exciting photos are definitely the strength of the book, and are, for the most part, logical adjuncts to the text. Unfortunately, the lack of captions may cause confusion. For instance, many readers may mistake a wedding photo for a prom picture if they are not acquainted with the Chinese tradition of wearing red for weddings. The pronunciation guide does not give phonetic spellings for the words and is really not useful. Many parallels are drawn between Tsz Yan's experiences and those of a typical eight-year-old American youngster yet distinct differences are also shown. The title is interesting, the photos superb, yet the text seems lackluster in contrast.?Marilyn Fairbanks, East Junior High School, Brockton, MA
Copyright 1997 Reed Business Information, Inc.
Gr. 4^-6. The author of
Chi-Hoon: A Korean Girl (1993) and Susan Drinker, a photographer specializing in advertising, follow eight-year-old Tsz Yan for a weekend in this sunny snapshot of middle-class life in today's Hong Kong. Although less concerned than adults about the city's imminent shift of sovereignty, Tsz Yan and her age-mates are aware of it; still, school, family, songs, and the pleasures of feeding turtles in her apartment complex's courtyard pond and of going to an amusement park crowd out anxious thoughts. The sharp, unposed color photographs show Tsz Yan and other children moving easily between the cell phones and Disney icons of the modern world and the street markets and large, tightly knit families of an older tradition. Through Drinker's lens the streets, buildings, apartments, and residents of this crowded city look clean, prosperous, and tidy. McMahon writes as an omniscient observer, deftly using recurrent ideas or words to give her narrative structure and a sprightly, good-humored air. Although never quoted directly, Tsz Yan comes across clearly as bright, confident, and energetic. Text and photos run parallel courses, sometimes linking directly, sometimes not, together presenting a captivating child's-eye view of a complex society poised for big changes.
John Peters