From Publishers Weekly
The story revealed in these mid-life recollections by Chicano poet Baca is absorbing: an orphan child in a New Mexican city or town name not given/MM barrio, poorly schooled, immersed in drugs and petty crime, he only discovered the power of language as a convict, on reading Neruda and Paz: "Their language was the magic that could liberate me from myself, transform me into another person, transport me to other places far away." This volume is less an autobiography than a romantic paean, taking form as a series of essays, to the redemptive, ecstatic capabilities of poetry. Baca sees his vocation in transcendental terms: "I became one with the air and sky, the dirt and the iron and the concrete"; he regards himself as a voice for the poor and oppressed in America. As a self-ordained spokesperson for Chicanos, he is at his best when evoking barrio culture: his stately grandmother, the village cantinas and the quiet solidarity of Mexican workers. The book finally disappoints, however; too many reflections are self-indulgent, gratuitously profane, incoherent or simply lost in torturous metaphors.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
Baca is the author of several volumes of poetry, including Martin and Meditations on the South Valley ( LJ 10/15/87), the 1988 winner of an American Book Award. Baca learned to read and write as a young man in prison; his poetry focuses on prison, darkness, night, myth, and Chicanismo. This is a collection of autobiographical essays exploring his ethnic identity and the process and experience of creation and writing; the essays are permeated with Baca's intensely lyrical sense of the empowerment of literacy and language. Appropriate for comprehensive contemporary poetry collections as well as Chicano literature collections.
- Mary Margaret Benson, Linfield Coll. Lib., McMinnville, Ore.Copyright 1992 Reed Business Information, Inc.