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43 of 53 people found the following review helpful:
5.0 out of 5 stars
Working On A Dream - Bruce Springsteen, January 27, 2009
Optimism and Springsteen haven't gelled well in the past. "Human Touch" and "Lucky Town", the 1992 two-fer that saw Bruce waxing truly optimistic for the first time in his career, rate among the least memorable efforts of his career; they weren't bad, per se, but they lacked a certain something. (The songs were recorded without the E Street Band, which was undoubtedly a contributing factor; but above and beyond that, the arrangements and lyrics suffered from a certain sameiness and genericism that left the majority of the tracks unmemorable.)
Fans will be pleased to know that, while "Working On A Dream" (Columbia, 2009) sees Bruce once again venture into the realm of the positive, he's both a) with E Street this time and b) kept his songwriting skills on top form.
The first thing longtime Springsteen fans will notice about this album is that the focus here is firmly on the music. The album is bookended by two of his more narrative-driven songs - eight-minute epic Western "Outlaw Pete" and Golden Globe-winning movie theme "The Wrestler" - but elsewhere, it's all about the sonic experimentation, rather than storytelling. The songs here hop across a veritable plethora of genres and styles: "My Lucky Day" is a foot-stomping rocker that sounds like it was written in the "River" sessions. "Tomorrow Never Knows" is a beautiful easy-listening tune that sounds more like the '50s than anything Bruce has ever written. "Working On A Dream" is an Orbison-esque plush pop tune. "Good Eye" is what can only be described as electronic rockabilly.
This variety makes the album one of the most enjoyable listens in Bruce's history. On first listen, you've no idea what will come next: harmony-laden "This Life" segues into the cacophonous "Good Eye"; the relentless joyful "Surprise, Surprise" - possibly the Boss' poppiest tune ever - fades into the melancholy, calliope-backed "The Last Carnival", a touching track clearly dedicated to dear departed ESB member Danny Federici.
"Kingdom of Days" is one of Bruce's finest ballads of all-time: the guy from "Born to Run" is all grown up now; no longer desperate to get out of this place, he's happy to lay on "the wet grass, as autumn breeze drifts through the trees", and "count the wrinkles and the grays" of his lover beneath the covers. Bruce's maturity pervades the album: reflecting on past lovers who were "life itself, rushing over [him]"; coming to recognise that "where the river flows, tomorrow never knows".
Not everyone will enjoy every track. Many have criticised the "trite sentiment" of "Queen of the Supermarket", and the "lyrical simplicity" of "Surprise, Surprise". These may be valid criticisms, but they did not hamper my enjoyment of the album even slightly.
The deluxe version of the album comes with a 40-minute DVD that includes some footage from the studio sessions creating the album, as well as the video for "A Night With the Jersey Devil", a Halloween song Bruce released for free via his website last year.
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32 of 41 people found the following review helpful:
4.0 out of 5 stars
"Time" to diversify. , January 27, 2009
Having been indoctrinated into the fold in '84 after seeing them live for the first time (I've been to many, many shows since), I'm pretty psyched that they're playing the Superbowl. Here's my song by song synopsis of the new album, "Working on a Dream".
'Outlaw Pete'-Always a master of the epic story song, Bruce doesn't dissapoint here at all. We've been to circuses, carnivals, city streets and back alleys, front porches, and boardwalks with Bruce, but, this is the first 'old west' themed storyline I can recall. Being from Kentucky, I find it cool that Pete comes from the "Appalachian Trail". This one's a little cornball at first, with Pete robbing the bank in his diaper and all, but, that just helps set up the story. The theme of this whole album, whether intentional or not, it 'time'. Here in this song, boys and girls, the lesson is: No matter what you do, you can't escape your past. You can't run from it. Instead you must find way to deal with it before you move on because like it or not, it becomes a part of who you are forever. Great song. Ranks among his best.
'My Lucky Day'-A great upbeat rocker. Wouldn't have sounded out of place on "Born in the USA".
'Working on a Dream'-Nice song. Used on a couple of late stops on the campaign trail.
'Queen of the Supermarket'-Lyrically, this one's a departure. Seems there may be more going on at the local Kroger than milk, cereal, and meat purchases. This'll be some folks' favorite. Not mine. I haven't really 'gotten' it yet. The surprisingly blatant "F" bomb he throws at the end is an intentional surprise. I'll have to skip this one when the kiddies are present.
'What Love Can Do'-Catchy hook. Some nice guitar work. Other than the "sunny" lyrics, this wouldn't have sounded out of place on 'Magic', musically.
'This Life'-Some critics will say this one's overproduced. I disagree. If anything, more of the Beach Boys type harmonies would have been welcomed. Wait'll you here this intro. It takes the layered sound that they were shooting for on 'Girls in their Summer Clothes' to a whole other level. In fact, the music on this is so much like the Beach Boys, it ain't even funny. Great song, and something different.
'Good Eye'-Now I know why Bruce counts Howlin' Wolf and Muddy Waters as some of his all time favorite singers. Bruce does the Delta Blues here. He's found a place for that fuzzbox vocal that first showed up on the D&D tour for "Reason to Believe". This one's awesome, and another musical departure.
'Tomorrow Never Knows'-Steve Earle doesn't sound this much like Steve Earle anymore.
'Life Itself'-I've been playing this one over and over for the past couple of weeks now. I love the jingle jangle Byrds sound they're getting out of the guitars on the breaks. Yet another musical stretch.
'Kingdom of Days'-Another one about 'time', and it's effect on our lives. Use it wisely. This one sounds like a lot of the stuff on 'Magic' as well.
'Surprise, Surprise'-This might be my least favorite so far. Nice hook, though.
'Last Carnival'-This one had to have been written with Danny Federici in mind. If you're a long time E Street Band fan, this one'll put a lump in your throat.
'The Wrestler'-Thanks to Mickey Rourke for asking for a song for "The Wrestler". Otherwise, we might never have gotten this one. Great. Very somber. But, danged if I ain't ever seen a one legged dog making it's way down the street. Maybe two legs, or three, yeah, but, a one legged dog? I'm going to youtube now.
"WOAD", in my opinion, is yet another sonic and lyrical masterpiece from the Earth Shakin', Soul Stirrin', Tongues a Waggin', Tail's a Rockin', mighty Bruce Springsteen and the E Street Band. I might add that you can hear Federici all over the place on this whole album. I've loved most all of Bruce's stuff over the years, and the "Tunnel of Love" album was no exception, but, I remember when it came out, I searched frantically for any sign of "the band" in there, and it just wasn't happening for me. Little did we know back then...
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7 of 8 people found the following review helpful:
3.0 out of 5 stars
Working up a scream., March 25, 2009
I'm a 20 year veteran fan of Bruce's and I'm sorry I'm not going to be too kind to this album just because he's the Boss. Strike one, I have to say is that no artist in recent history has ever been able to accomplish having a great successful new album made up of old sessions (this was mostly recorded during the sessions for 'Magic'). Strike two, no one can tell me any different that at least a certain amount of reasoning for releasing this album so quickly within' a year was to capitalize on Bruce's own campaign for Obama. Mixing politics and music is absolutely insulting, just stop already!!! As far as the songs, 'Outlaw Pete' is just very sneaky and cunning sounding, epic if you will. It could easily contend for the 'Jungleland' of the 21st century. 'Working on a Dream' isn't bad until the whistle while you work theme comes into play, it just makes my skin crawl at how cheesy that is. 'My Lucky Day' is one of the highlights to me, it could have easily fit on the Born In The U.S.A. album, yeah Bruce can still rock like that if he wants. 'Queen Of The Supermarket' is just plain weird, it's another one those Brian Wilsonesque songs that was first featured on the 'Magic' album. The only concept in the song I like is the orchestration and the checkout scan chirps at the end of the song. 'What Love Can Do', is another highlight which would've fit nicely on the last album. 'Life Itself' is a pretty song, dramatic at best. Why Bruce chose to sing the way he does on this song though is beyond me. It sounds like his jaw is wired shut, and his voice almost comes across as some Holy man singing a hymn, it's just plain irritating. 'Good Eye', ehhhh. 'Surprise, Surprise' I have no words for, it's really that bad. 'The Wrestler' one word ...awesome!!!!!! This is easily the centerpiece on the album. So why the hell is it a bonus track then, and why the hell is shortened by 2 minutes!?!?!?! The version on the soundtrack of the film by the same name is almost 5+ minutes with a gorgeous piano outro. Ughhhh....you know, there's at least 4-6 songs on here that are worth hearing and having. My recommendation is that Bruce should have just made 'Magic' a double album and called it a day until he started fresh new sessions for a something completely new and without the political capitalization.
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