Works of Igor Stravinsky [Box set, Import]

Igor Stravinsky (Conductor) | Format: Audio CD

Product Details

• Conductor: Igor Stravinsky
• Audio CD (July 23, 2007)
• SPARS Code: ADD
• Number of Discs: 22
• Format: Box set, Import
• Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
• Label: Sony / BMG Int'l
• ASIN: B000PTYUQG
• Average Customer Review: 4.8 out of 5 stars  See all reviews (27 customer reviews)
• Amazon Best Sellers Rank: #5,713 in Music (See Top 100 in Music)
  • #1 in Music > Classical > Chamber Music > Octets
  • #1 in Music > Classical > Chamber Music > Septets
  • #2 in Music > Classical > Opera & Vocal > Vocal Non-Opera > Anthems

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Customer Reviews

Most Helpful Customer Reviews

188 of 192 people found the following review helpful:

5.0 out of 5 stars Igor and I: 53 years and 22 CDs: a lifetime in a box., August 20, 2007

By 

RENS (Dover, NH USA) - See all my reviews

Amazon Verified Purchase

This review is from: Works of Igor Stravinsky (Audio CD)

I began listening to the works of Igor Stravinsky about 53 years ago, when I was 13. Over my lifetime I've listened to every work ever recorded and each in as many versions as possible. A highlight of my life was singing the Symphony of Psalms as a member of the Oberlin College Choir under Stravinsky's direction in 1963. It was half an hour outside of time and space. I remember him in his tuxedo, sitting on a stool with a white turkish towel about his shoulders, like a prize fighter, smiling at each of us as we passed by to take our places on the stage. I remember how everyone in the concert hall rose as one person when he set foot on the stage. I remember the total silence that fell upon the hall before the music began. I remember him, old and rather hunched over, raising his arthritic hands to lead us, to lead us ... and then suddenly a torrent of time and sound rushed in; it was over and there was clapping and shouting and crying. Later he said to our conductor, Robert Fountain, "Your chorus makes a most delicious sound."

And now SONY has issued this giant bargain box of the great majority of the recorded performances to which that mega-corporation now has access - and at an amazingly low price. Thank you, SONY/BMG! But also: shame on you, SONY/BMG! The annotation is terribly inadequate, even for a bargain box. The casual listener doesn't have necessary information; the serious listener doesn't have important information; and the musician / scholar who knows the scores by heart hears what the annotations do not tell. Which version of the Firebird is it? The 1910 original or the 1945 revision? We are told much later that the suite excerpted from the ballet is the 1919 version. We read that Petrouchka is done in the original 1911 version, but actually it is the 1947 version. Stravinsky recorded the 1911 version earlier, in mono, with the New York Philharmonic. The same disc contains the Rite of Spring without indication of which version, the original of 1913 or the 1947 scaled down revision. And so on and on. This is vital information that it would have taken an editor but a few hours to add to the skimpy booklet included in the big box.

There is no indication that any of the performances that first appeared on CD as early as 1986 or so have been remastered. All have of course been transferred from some analogue master at some time or another, but nowhere do we find the standard information telling us whether a recording is AAD or ADD. To my ears the recordings sound the same as the original CD releases in the mid to late 1980s or the "original cover" release about 1991 (the most recent (P) date to appear anywhere in the present box). The sound varies from recording to recording in matters of bass resonance or harshness in the higher ranges, especially in the strings.

Particularly disappointing in this 22 CD collection is the use yet again of the 1961 stereo recording of Oedipus Rex. The sound is raw, the soloists strain their voices, the chorus sounds small and over-miked, and the orchestral sound is muddy. Altogether preferable as a greater performance and a far better recording is the 1951 Oedipus Rex with Stravinsky conducting the Cologne Radio Symphony Orchestra and Chorus. The superb soloists include Peter Pears, Martha Moedl and Heinz Rehfuss, the chorus sings spot on pitch and tempo and is clearly but not too closely miked, and the orhcestral sound is rich and detailed. Moreover, Stravinsky brings greater energy and nuance to his conducting. The narration is given a somewhat over the top presentation in French by Jean Cocteau. Perhaps because it is a monophonic recording, SONY has let it sit in the vaults, to the best of my knowledge never reissuing it on CD. This is true as well of other fine monophonic recordings from the 1950s, including great performances in fine sound with Stravinsky conducting the Cleveland Orchestra. In some cases these would have been musically preferable to the later stereo remakes. They might even have been included alongside of the remakes for purposes of comparison.

Although ballet suites are included in addition to complete ballets, the variant orchestrations of a major work such as Les Noces are not included (as they were on the LP, under Craft's direction). This gift horse is a fine thoroughbred and a grand prize winner, but when you look it in the mouth, some of the teeth are missing.

Every performance is a revelation and worth repeated listening, but as I have indicated, that doesn't mean that every or any performance is the best or even one of the best of the recorded versions available. As other reviewers have noted, it is well to explore other versions on CD and DVD, some more recent and some recorded even earlier than those in this box. I think of conductors such as Tilson Thomas, Salonen, Gergiev, Gardiner, Colin Davis, Kondrashin, Haitink, Boulez, Markevitch, Monteux, Koussevitzky, and Van Beinum, and I am sure readers will think of others. But works of genius require many interpretations and many performances to reveal the fullness of their beauty, and so it is with most of Stravinsky's compositions.

Stravinsky left us what is surely one of the greatest musical legacies of the 20th century; some would argue the greatest, because his compositions track the stylistic developments of the century from its beginning to 1966 and explore nearly the complete range of known musical forms. Indeed, he absorbed the entire course of western music history into his art, but whether he is paying homage to Machaut, Gabrieli, Monteverdi, Bach, Mozart, Verdi, Tchaikovsky, Russian folk songs, Louis Armstrong, Schoenberg or Webern, his works always sound like Stravinsky.

For goodness' sake: buy the box, listen, and let the music make you new again.

60 of 60 people found the following review helpful:

5.0 out of 5 stars The prime Stravinsky collection, August 1, 2007

By 

LJM (Earth) - See all my reviews
(VINE VOICE)   

This review is from: Works of Igor Stravinsky (Audio CD)

Stravinsky conducted by Stravinsky - this super bargain set collects the famous recordings that Stravinsky made of his own works for CBS (now owned by SONY). Even if there are many fine recordings of the core of Stravinsky's works, for instance Ansermet's (Decca) and Ancerl's (Supraphon), the composer's own legacy must be seen as the first choice for any Stravinsky collector - or, indeed, by anyone who wants to have the basic Stravinsky repertoire at home.

This boxed set of 22 CDs contains more Stravinsky music than any other contemporary box, and the price is a complete steal (less than $2.5 for each CD, and even cheaper if you buy it used).

Here are some examples of what you get for your money:

- The early ballets: Firebird, Petroushka, Rite of Spring, Les Noces, Pulcinella, and the later, neo-classical ones (e.g., Agon, Apollon).
- The symphonies (in E and in C and in Three Movements).
- Oedipus Rex and The Rake's Progress.
- Chamber music, such as Ragtime, Septet and Octet.
- Jazz suites, and the piano concerto.
- Songs and choral works, such as the Mass, the Cantata and the Symphony of Psalms.
- Later works, such as Threni.
- And much more... (including the Robert Craft recordings that Stravinsky supervised).

(For a complete listing of the content on each CD, see SONY's German Webpage.)

Sound quality is vintage analogue from the sixties, generally very fine and remastered as well. In addition, the box is of the slim cardboard kind, with each CD in a cardboard sleeve. Booklet is included, but (unfortunately) no texts and translations of libretti.

In short, this is an essential set. Warmly recommended even if you already have individual Stravinsky by Stravinsky recordings - I suggest you use them as presents to friends and relatives. Grab and save this one!

62 of 63 people found the following review helpful:

5.0 out of 5 stars A list of the Works of Igor Stravinsky, May 7, 2009

By 

K. MIURA "koshiro" (Japan) - See all my reviews
(REAL NAME)   

This review is from: Works of Igor Stravinsky (Audio CD)

DISC 1

Ballets Vol. 1

The Firebird (ballet)
Scherzo à la Russe
Scherzo fantastique*
Fireworks
CBC Symphony Orchestra*
Columbia Symphony Orchestra
(Recorded in 1961, 1962, 1963)

DISC 2

Ballets Vol. 2

Petrushka (ballet)
The Rite of Spring (ballet)
Columbia Symphony Orchestra
(Recorded in 1960)

DISC 3

Ballets Vol. 3

The Wedding (ballet)
Samuel Barber, piano
Aaron Copland, piano
Lukas Foss, piano
Roger Sessions, piano
The American Concert Choir
Columbia Percussion Ensemble
Renard the Fox (ballet)
The Soldier's Tale (Suite)
Columbia Chamber Ensemble
(Recorded in 1959, 1961, 1962)

DISC 4

Ballets Vol. 4

Apollo (Apollon Musagete) (ballet)
Columbia Symphony Orchestra
Agon (ballet)
Los Angels Festival Symphony Orchestra
Card Game (ballet)
Cleveland Orchestra
(Recorded in 1957, 1964)

DISC 5

Ballets Vol. 5

Scènes de ballet
CBC Symphony Orchestra
Bluebird - Pas de deux
The Fairy's Kiss (ballet)
Columbia Symphony Orchestra
(Recorded in 1963, 1964, 1965)

DISC 6

Ballets Vol. 6

Pulcinella (ballet)
Columbia Symphony Orchestra
Orpheus (ballet)
Chicago Symphony Orchestra
(Recorded in 1964, 1965)

DISC 7

Ballets Vol. 7 (Suites)

Petrushka (Suite)
Pulcinella (Suite)
The Firebird (Suite)
Columbia Symphony Orchestra
(Recorded in 1960, 1965, 1967)

DISC 8

Symphony in E flat, Op. 1 - Rehearsals and Talks
Columbia Symphony Orchestra
(Recorded in 1966)

DISC 9

Symphonies

Symphony in Three Movements
Columbia Symphony Orchestra
Symphony in C
Symphony of Psalms
CBC Symphony Orchestra
(Recorded in 1961, 1962, 1963)

DISC 10

Concertos

Concerto for Piano and Wind Instruments
Philippe Entremont, Piano
Movements for Piano and Orchestra
Chales Rosen, Piano
Capriccio for Piano and Orchestra
Philippe Entremont, Piano
Concerto in D for Violin and Orchestra
Isaac Stern, Violin
Columbia Symphony Orchestra
(Recorded in 1960, 1961, 1964, 1966)

DISC 11

Miniature Masterpieces

Greeting Prelude
Suite No. 1 for Small Orchestra
Suite No. 2 for Small Orchestra
Concerto in E flat for Chamber Orchestra, "Dumbarton Oaks"
Four Norwegian Moods for Orchestra
Circus Polka
Concerto in D for String Orchestra, "Basle Concerto"
Eight Instrumental Miniatures
Four Etudes for Orchestra
Columbia Symphony Orchestra
CBC Symphony Orchestra
(Recorded in 1962, 1963, 1964)

DISC 12

Chamber Music & Historical Recordings Vol. 1

Preludium for Jazz Ensemble
Concertino for 12 Instruments
Octet for Wind Instruments
Columbia Chamber Ensemble
Ragtime for 11 Instruments
Tango
Septet
Pastorale
Ebony Concerto for Clarinet solo and Big Band
Benny Goodman, Clarinet
Columbia Jazz Ensemble
Columbia Chamber Ensemble
(Recorded in 1961, 1962, 1965)
Symphonies of Wind Instruments
Symphonieorchester des Nordwestdeutschen
(Recorded in 1951, MONO)

DISC 13

Chamber Music & Historical Recordings Vol. 2

Duo Concertant for Violin and Piano
Joseph Szigeti, Violin
Igor Stravinsky, Piano
(Recorded in 1945, MONO)
Serenade in A
Igor Stravinsky, Piano
(Recorded in 1934, MONO)
Concerto for 2 Solo Pianos
Igor Stravinsky, Piano
Soulima Stravinsky, Piano
(Recorded in 1938, MONO)
Piano-Rag Music
Igor Stravinsky, Piano
(Recorded in 1938, MONO)
Sonata for 2 Pianos
Arthur Gold, Piano
Robert Fizdale, Piano
Sonata for Piano
Charles Rosen, Piano
(Recorded in 1960, 1961)

DISC 14

Operas

The Nightingale (Opera)
Chorus and Orchestra of the Opera Society of Washington D. C.
Mavra (Opera)
CBC Symphony Orchestra
(Recorded in 1960, 1964)

DISC 15

35 Songs

Faun and Shepherdess
Two Poems of Paul Verlaine
Two Poems of Konstantin Bal'mont
Three Japanese Lyrics
Three Little Songs
Pleasant Songs
Cat's Cradle Songs
Four Russian Pleasant Songs
Four Songs
Three Songs of William Shakespeare
In Memorium Dylan Thomas.
Elegy for J. F. K.
The Owl and The Pussy-cat
Tilim - Bom / Klabum - klabam
CBC Symphony Orchestra
Columbia Symphony Orchestra
Columbia Chamber Ensemble
(Recorded in 1964, 1965, 1967, 1966, 1968)

DISC 16, 17

The Rake's Progress (Opera in Three Acts)
Royal Philharmonic Orchestra
(Recorded in 1964)

DISC 18

Oratorio - Melodrama Vol. 1

Oedipus Rex (Opera - Oratorio in two acts after Sophocles)
Chorus and Orchestra of the Opera Society of Washington D. C.
The Flood (A Musical Play)
Columbia Symphony Orchestra
(Recorded in 1961, 1962)

DISC 19

Oratorio - Melodrama Vol. 2

Persèphone (Melodrama in three parts)
Columbia Symphony Orchestra
Ode (Elegiacal chant in three parts)
Cleveland Orchestra
Monumentum Pro Gesualdo di Venosa ad DISC Annum
Columbia Symphony Orchestra
(Recorded in 1960, 1964, 1966)

DISC 20

Sacred Works Vol. 1

Chorale Variations
on the German Christmas Carol
"Vom Himmel hoch da komm' ich her"
Johann Sebatian Bach
(Arrangement Igor Stravinsky)
Zvezdoliki
Ave Maria
Credo
Pater Noster
Cantata (Anonym 15th/16th Century lyrics)
Mass
Babel
CBC Symphony Orchestra
(Recorded in 1960, 1962, 1963, 1964, 1965, 1966)

DISC 21

Sacred Works Vol. 2

Canticum Sacrum ad Honorem Sancti Marci Nominis
Los Angels Festival Symphony Orchestra and Chorus
Introitus
Columbia Chamber Ensemble
A Sermon, A Narrative and A Prayer
CBC Symphony Orchestra
Anthem
Festival Singers of Toronto
Threni (id est lamentationes Jeremiae Prophetae)
Columbia Symphony Orchestra
(Recorded in 1957, 1959, 1962, 1966)

DISC 22

Robert Craft conducts under the supervision of Igor Stravinsky

Song of the Nightingale
Dances Concertantes
Epitaphum
Double Canon
Abraham and Isaac
Variations
Requiem Canticles
Columbia Symphony Orchestra
Columbia Chamber Ensemble
(Recorded in 1961, 1964, 1966, 1967, 1969)