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The World Below: A Novel
 
 
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The World Below: A Novel [Mass Market Paperback]

Sue Miller (Author)
3.6 out of 5 stars  See all reviews (50 customer reviews)

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More from Sue Miller
Sue Miller gracefully addresses her perennial theme--our intimate betrayals--in her subtle and satisfying novels. Visit Amazon's Sue Miller Page.

Book Description

April 26, 2005
From the author of While I Was Gone, a stunning new novel that showcases Sue Miller's singular gift for exposing the nerves that lie hidden in marriages and families, and the hopes and regrets that lie buried in the hearts of women.

Maine, 1919. Georgia Rice, who has cared for her father and two siblings since her mother's death, is diagnosed, at nineteen, with tuberculosis and sent away to a sanitarium. Freed from the burdens of caretaking, she discovers a nearly lost world of youth and possibility, and meets the doomed young man who will become her lover.

Vermont, the present. On the heels of a divorce, Catherine Hubbard, Georgia's granddaughter, takes up residence in Georgia's old house. Sorting through her own affairs, Cath stumbles upon the true story of Georgia's life and marriage, and of the misunderstanding upon which she built a lasting love.

With the tales of these two women--one a country doctor's wife with a haunting past, the other a twice-divorced San Francisco schoolteacher casting about at midlife for answers to her future--Miller offers us a novel of astonishing richness and emotional depth. Linked by bitter disappointments, compromise, and powerful grace, the lives of Georgia and Cath begin to seem remarkably similar, despite their distinctly different times: two young girls, generations apart, motherless at nearly the same age, thrust into early adulthood, struggling with confusing bonds of attachment and guilt; both of them in marriages that are not what they seem, forced to make choices that call into question the very nature of intimacy, faithfulness, betrayal, and love. Marvelously written, expertly told, The World Below captures the shadowy half-truths of the visible world, and the beauty and sorrow submerged beneath the surfaces of our lives--the lost world of the past, our lost hopes for the future. A tour de force from one of our most beloved storytellers.


From the Hardcover edition.

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Editorial Reviews

Amazon.com Review

There is nothing remarkable about the plot of Sue Miller's graceful novel, The World Below. Cath Hubbard, a San Francisco woman in her 50s, returns to her grandmother's small Vermont house after the death of an aunt who left the property to Cath and her brother Lawrence. Cath had lived with her grandparents for a few years in her teens, after her mother's suicide, and now makes her wounded way back, in the wake of a divorce, to sort through her memories of her beloved grandmother, Georgia. This is the standard fare of American literary fiction: a life change prompting a search into the past. What is far less ordinary is Miller's placid, nuanced depiction of her protagonist's emotional journey. None of Cath's feelings can be easily predicted by the reader, but all of them ring true. She finds her grandmother's diary and begins to fill in the stories that Georgia had hinted at over the years. What Cath discovers in her grandmother's journal is a secret that has lost its power to shock; and that very wearing away of taboo adds to the poignancy of Georgia's restricted life. Her story unfolds against a backdrop of Cath's more immediate griefs and concerns and begins to recede as Cath's San Francisco life returns to claim her. Miller's prose appears effortless, but is like the gestures of a magician that conceal how the trick is accomplished. The result is a sage, continually surprising novel about finding peace of mind in a combination of habit, love, and self-determination. --Regina Marler --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

While Miller's gorgeous new novel, her sixth, works graceful variations of her perennial theme - our intimate betrayals - it also explores new terrain for the author: just what we can know of the past and of its influence on us. At the heart of Miller's story are two women, 52-year-old Catherine Hubbard and Catherine's now-deceased grandmother, Georgia Rice Holbrooke. At first blush, Catherine and Georgia couldn't seem more different. Catherine is a twice-divorced San Francisco schoolteacher, while her grandmother was a faithful country doctor's wife. But as the novel progresses, parallels emerge - the early deaths of their mothers, for instance - and their lives come to seem more deeply entwined. As the novel opens, Catherine and her brother have just inherited Georgia's old house in Vermont, and it is up to Catherine to figure out what to do with it. Still shell-shocked from her second divorce, Catherine decides to give life in Vermont a try, and, once settled, she discovers diaries and account books her grandmother kept, books that allow Catherine to reconstruct her grandmother's life. What Catherine discovers is a world she never imagined beneath the placid surface of Georgia's life. While she knew that Georgia was sent to a sanatorium for tuberculosis, she did not know the "san" changed Georgia's life. As Catherine sorts through her grandmother's life, she also sorts through her own: her mother's death, her two marriages, her boyfriends and her children. As readers have come to expect, Miller limns contemporary life in deft, sure strokes, with an unerring ear for the way parents and children talk; no one can parse a modern marriage as well as she can. But in this novel Miller's special gift to readers is her rendering of Georgia's life, particularly the two love stories that mark it. Miller portrays the feverish period in the san - the intrigues, the romances, the very romance of taking a cure - vividly and sensuously. (Surely her research was rigorous.) Likewise, Miller captures the early, fragile years of Georgia's marriage with great poignancy, ever dividing our sympathies between Georgia and her husband. In the Holbrookes, Miller has created a marriage that survives despite its fault lines, a marriage that seems both modern and old-fashioned: recognizably fraught, yet enduring, the sort of marriage readers hunger to read about. Perhaps that's why this novel is so satisfying. Random House audio (ISBN 0-375-41993-4). (Oct.) Forecast: Miller's many, many (mostly female) fans will relish this dip into the past, released in a 200,000-copy first printing. A 20-city author tour, advertising on Oprah and word-of-mouth should attract plenty of new readers, too.
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Mass Market Paperback: 336 pages
  • Publisher: Ballantine Books (April 26, 2005)
  • Language: English
  • ISBN-10: 0345481062
  • ISBN-13: 978-0345481061
  • Product Dimensions: 4.2 x 0.9 x 6.8 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (50 customer reviews)
  • Amazon Best Sellers Rank: #399,476 in Books (See Top 100 in Books)

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Customer Reviews

50 Reviews
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Average Customer Review
3.6 out of 5 stars (50 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

21 of 21 people found the following review helpful:
4.0 out of 5 stars Sue Miller's World, October 17, 2001
This review is from: The World Below (Hardcover)
I was lucky enough to get this book at the library before it hits the bestseller lists. I predict it will. I can also see it as a movie. Sue Miller explores the past and present, drawing parallels with the modern day Cath and her grandmother, Georgia. When Cath discovers her grandmother's diary, she is compelled to read it and fill in the blanks of her life. Learning from Georgia's past mistakes and also seeing how much alike their lives were, Cath comes to a deeper understanding of her own life. The allegorical submerged town under the lake illustrates poignantly the themes of the story. This well researched tale explores a part of history little known till now-the TB epidemic and life in the "sans". A compelling story, with many layers.
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15 of 15 people found the following review helpful:
4.0 out of 5 stars A dazzling story, March 4, 2002
This review is from: The World Below (Hardcover)
This is a wonderful story between two women at different periods in time. The first one, Georgia was sent to a sanatorium for her TB and found love there. The second one, Kathy, her granddaughter, comes to find peace within her own life as she learns more about her grandmother's life. Kathy, the daughter of a woman who has committed suicide when Kathy was only 15, have searched for acceptance and love ever since. Her grandmother was the only one who could provide it. And Georgia full of secrets herself tried to pass on wisdom to her granddaughter.

It is a wonderfully written story ~~ one that is slow to move in the beginning but once you get immersed into the story, it does pick up. Georgia is an interesting woman taken away from the security of her home where she has been taking care of her sister, brother and father after her mother's death ~~ and began a long process to adulthood. She finds love twice and learned much from it. Kathy's story parallels her grandmother. She too lost her mother at about the same age Georgia did. And she has loved twice ~~ only to lose them through divorce. And she finds redemption in being a grandmother to a premature baby, Jessie, who fought for her life for months. In that fight, Kathy comes to realize that life is indeed a gift, no matter how bad the blows were dealt.

It is an interesting book ~~ one that I am glad to have won in a contest. It is not my favorite book of the year, but it is a really good read.

3/4/02

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19 of 20 people found the following review helpful:
3.0 out of 5 stars Ya Gotta have a Point of View!, November 19, 2001
By 
MICHAEL ACUNA (Southern California United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: The World Below (Hardcover)
I suppose that many will take Sue Miller's "The World Below" as a quiet, subdued examination of the lives of two women: Georgia and her grand daughter, Catherine....and leave it at that. And unfortunately, except for some well written passages it is...just that. But having just read Leif Enger's "Peace like a River" and Joyce Carol Oates'"Middle Age," I can't let Miller off the hook so easily. What these two novels have that Miller's work doesn't is a point of view, a substantial world view that would give "The World Below" some pizazz, some oomph...something to take you beyond the bare bones of the storyline.
The basic story of "The World Below" is somewhat interesting: a woman, Catherine Hubbard, is willed her grandmother's house and she, needing a change of venue after two failed relationships , decides to visit this home in Vermont. While there, Catherine discovers a cache of her grandmother's journals. The novel then becomes the story of these two women and the narrative moves back and forth between these two lives. And this is a good thing because the "Georgia" portions of this novel are the most interesting and provocative as they relate Georgia's stay in a TB sanitarium and her subsequent marriage to her much older doctor and the problems inherent therein.
Miller can write beautifully when so inclined: "The thick flakes coming out of the dark at the windshield, the steady shuddering slap of the wipers, the vehicles looming ahead of me on the road--all this was hypnotic...the flakes landed silently on the car and melted with the engine's heat..light that fell into the yard and made the steadily falling snow seem thicker and heavier than it was."
In "The World Below," Miller spends her time and efforts on the exposition of this story...propelling the novel forward. But where's the attutude? Where's the interpretation of these words to make it all more substantial and therefore more personal, interesting and multi-layered?
In the past, Miller has proven to have the skills to make her words sing not only in our heads but in our hearts and souls. Unfortunately, "The World Below" is not an example of this.
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Sue Miller, San Francisco, Miss Wallace, West Barstow, Main Street, New York, Bill March, Seward Wallace, Miss Duffy, Second World War, Ethan Frome, South America, Seward Seward, Miss Shepard, New England
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