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208 of 219 people found the following review helpful:
5.0 out of 5 stars
Slipping through our fingers, February 20, 2008
It's really good. Surprisingly so, given that most attempts at novelisation by people who are basically pundits on an educational/propaganda mission to save the world are dismal artistic failures. But this novel is good, the guy can actually write.
It's a realistic depiction of the post-collapse USA. What collapse, you ask? Not exactly specifically told, but somehow related to Peak Oil, financial ruination, that kind of stuff. He depicts the after-shocks on the ground, rubber-meets-pavement (or I should say, hooves-meet-pavement, I guess).
The world has shrunk into an uneasy Darwinian jostling, local warlordism and gangsterish Machiavellian counterpunching among various ugly power cells, with a bunch of religion leavening the stink, er ... the stew. One civil gentleman tries to hold onto some kind of rational center.
Here's a powerful message from this book (so don't say nobody clued you in time) - Learn a practical trade, something useful, essential to daily life, that requires neither electric power nor high-tech tools or materials. Butcher, baker, candle-stick maker.
Few Interesting Points:
1. Speech style: Everybody's speech pattern has reverted to an oddly folksy kind of 19th century, Mark-Twain-ish patois.
2. Ism's: Not the slightest hint of feminism has survived The Fall. Women are pretty much seen but not heard. And homosexuality seems to perhaps have been swept away by the dreaded plague of "Mexican Flu" maybe? African-American's don't exist in upstate New York, but racial trouble festers elsewhere across the country.
3. Infrastructure: Town in upstate New York benefits very heavily from left-over 19th century infrastructure, most very especially the robustly designed and constructed gravity-fed water ducts. Rest of the country will not have this legacy! *bite nails*
4. Give thanks for (current) hot showers, razors, modern dentistry. No mention is made of the deodorant situation.
Although presented as a disaster scenario, I feel the author secretly has quite a hard-on for the mid 19th century.
Kunstler's depiction of collapsed upper NY state reminds me more than anything of Ishikawa Eisuke's great (Japanese language) novel '2050 Nen ha: Edo Jidai' (Year 2050: Return to the Edo Period), which also gives a local-eye view of a post-collapse, formerly high-tech society. These two novels are very similar, but Kunstler probably didn't model on Ishikawa's earlier work as that is not available in English.
I've read hundreds of apocalypse / post-collapse books, 'The Postman' type of stuff. Some of them, such as Luke Rhinehart's 'Long Voyage Back' or Jean Hegland's 'Into the Forest', are better written, real literature. And some have wilder gripping action, obviously 'Lucifer's Hammer' comes to mind for that. But for poignant realism, to a reader living exactly where and how we are right now, 'World Made By Hand' strikes closest to the heart.
More than anything, this book is sad. It will make you sad. It's a cliche to say that we take everything for granted. We do, but you need that truth rubbed in your face sometimes to revitalize it. This book really does that.
But if you really want to put yourself through an emotional coffee-grinder in the opposite direction, stomp yourself in the gut by reading "The Road" (Cormac McCarthy) immediately prior to "World by Hand". Then you'll feel that Kuntstler's "World", where at least the grass still grows and the rivers still flow, is for all its horrors, a beautiful Elysian Field, direct from the hand of whatever Lord you care to name.
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75 of 80 people found the following review helpful:
3.0 out of 5 stars
The apocalypse as bittersweet, April 7, 2008
There are significant flaws in Kunstler's World Made By Hand. That's the bad news. The good news, though, is that it's an incredibly seductive vision of the world after things have fallen apart. It takes an artist of great skill to make the apocalypse look attractive.
First, the bad news. Except for the protagonist Robert Earle and his buddy Loren Holder, none of the characters are really developed. This is especially true of poor Jane Ann, Loren's wife and Robert's mistress, and Britney, the young widow who eventually becomes Robert's live-in lover. But curiously, it's also true of Brother Jobe, the leader of the New Faith cult that comes into town. For that matter, the New Faithers as a whole are underdeveloped. Sometimes they seem ominous, sometimes innocent. What's the reader supposed to make of them?
Moreover, the novel begins to unravel toward the end, as if Kunstler had planned a book twice its size but halfway through ran out of steam and abruptly pulled the plug. The Queen Bee and identical deaths chapters are bizarrely out of place, without absolutely no textual anticipation or follow-up. (Likewise with the curiously irrelevant--yet its portency is clearly suggested--revelation that Robert is actually a Jew who has changed his name: what's that all about!?) An earlier reviewer insightfully remarked that the book's chapters could almost be read as individual vignettes.
So why read the book? Ah, that's where the good news comes in. Kunstler's world made by hand is one that is emerging after the world we now dwell in has collapsed. Terrorist attacks on both coasts, the end of fossil fuels and the lifestyle that went with them, devastating diseases spread in part by the warming of the planet, and a total breakdown of centralized government and communications, have all contributed to a new way of life that returns survivors to an earlier way of life. Communities are relatively self-supporting, isolated, and mechanical (made by hand). Folks learn genuine skills--carpentry, bee-keeping, sewing, music-making--instead of the bizarrely artificial ones we now think are indispensible--banking, accounting, travel agenting, real estating. Since there's no fuel, people walk or ride horses. Their slower pace of life reawakens them to the beauty of nature, the solace of silence, the rejuvenating effects of simplicity. Life in Kunstler's new world isn't easy, and the crash that took everything down was obviously pretty bad. But in the midst of the ruins, something important is being rediscovered.
How ironic, that the collapse of a society that wantonly glutted itself on nonrenewable resources might reveal a perennially renewable resource: human spirit, cooperation, compassion, and hope. But the bittersweetness of this realization is permanent, because the renewability of humanity, at least in Kunstler's novel, carries an enormous pricetag.
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53 of 56 people found the following review helpful:
5.0 out of 5 stars
well-done apocalyptic contrast to mccarthy's road, February 25, 2008
This is a finely-written view of a post-collapse America. Cormac Mccarthy's novel Road was an altogether darker vision: Kunstler's book is neither as dark or foreboding. Society functions, but only locally--there are no national or even regional governments, as far as is known. We've gone from Friedman's The World is Flat to a world where communication and trade resembles that of, say, 800AD. "Here be Dragons" might as well appear on maps. The number of people in Union Grove in upstate New York who have travelled more than 50 miles from home is small, at least until a flock of The New Faith arrive from Virginia.
The amenities are gone: no gasoline, no bicycles (for want of rubber tires), no antibiotics, no anaesthesia, roads and bridges crumbling into complete disrepair. Yet life goes on, as America in 1700 got by without bicycles and antibiotics. Robert Earle, the central fugure in the novel, works as a carpenter--his former life in computing is gone forever. Lack of oil, nuclear explosions, and the Mexican Flu all contributed to the collapse. The Flu took most of Earle's family except for his son, who left on his own many years before and never heard from again. Earle takes things philosophically and with grace, and is more at ease with his world than most of us could be. In Earle, Kunstler has provided a rock about which life swirls: he provides a foundation of normality, insofar as normality can exist, and his character prevents a doom-and-gloom view type book from prevailing.
Kunstler presents a well-drawn picture of a world where there are no chain saws and power tools, no refrigeration, very little electric power anywhere. Paper money is disappearing, bartering is returning, work is done by hand. Horses are great assets. You will probably find yourself asking some questions: some of these are answered, some are not. After 20 or 30 years of life in places such as Union Grove, where are the clothes coming from? How many people could weave a shirt? There do not seem to be many sheep around for wool, and you get the impression from the book that everything isn't animal skins. What about glassmaking for storage jars and windows? There should perhaps be a cottage industry for saltpeter to make gunpowder. But these are relatively minor. The primary thing is the wonderfully detailed, finely crafted view of a world where people have had to return to the amenities of colonial times, or even long before that. This is a novel that's creative and well thought out: very worth reading.
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