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The World of Rozome: Wax-Resist Textiles of Japan
 
 
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The World of Rozome: Wax-Resist Textiles of Japan [Paperback]

Betsy Sterling Benjamin (Author), Betsey Sterling Benjamin (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

April 2002
This is a comprehensive and fully illustrated guide to a 1000-year-old textile tradition and its modern interpreters. In-depth interviews with leading Japanese textiles artists demonstrate the wide variety and colour of this unique art form, while the colour photographs provide a vivid insight into the working arrangements and techniques of the many artists and craftsmen working today.


Editorial Reviews

Review

"... an admirable book, combining the scholarly with the artistic with great success...." -- Textile Fibre Forum

"... an invaluable account of the artists and their creations." -- Kyoto Journal

"Benjamin's love of research -- and rozome itself -- shines forth from every page." -- Leesa Hubbell, The Japan Times

"Brimming with meticulous, well-annotated detail." -- Daruma: Japanese Art & Antiques Magazine

From the Publisher

[An online interview with the author]

*Could you tell us a little about your background?
"I have worked with the wax resist process in Europe, Asia and the USA for close to 30 years now. While living in Kyoto between 1981 and 2000, I taught, did textile research, studio work that resulted in 9 solo exhibitions and traveled in Asia, Europe, Oceania and the USA for lectures and workshops. I have recently returned to the USA and live in New England where I continue my studio work, writing and teaching."

*What motivated you to write this book? / What got you started?
"The World of Rozome was created to share the remarkable work of the rozome artists I discovered working unacknowledged in Japan. The members of both my lectures abroad and my workshops repeatedly asked for something in English on the beautiful Japanese rozome work that they had rarely seen in the West. The book got its start with the visit of a Kodansha Senior Editor to my solo show in Tokyo when I was asked to consider writing about what I loved."

*Could you tell us a little about the contents of the book?
"The World of Rozome: Wax-resist Textiles of Japan is divided into three parts that cover the historical tradition of wax-resist on fabric that pre-dates its introduction into Japan in the eighth century up to the present day, interviews with 17 producing artists with diverse styles, and a detailed technique and material section showing how rozome is presently done."

*What do you see as the centerpiece of the book? / Why is the book important?
"The World of Rozome is not only the sole book in English on this subject but also one of the few books that documents the earliest (pre-8C) wax resist in Asian/European cultures. At the heart of the book however, is the series of interviews with contemporary artists that share a glimpse of artistic life in Japan, and their love of the process and its glowing results."

*What did you learn from writing the book?
"As an artist myself who has worked with this process for more than 25 years, the opportunity to sit with the Japanese masters as they demonstrated a difficult technique and spoke of their personal motivations for continuing their work, was of immeasurable value."

*What would you like readers to take away with them after reading this book?
"I feel that the book shows the beauty and diversity of a little-known Japanese art and the skill of multiple artists who have chosen rozome as a method to express their artistic vision. Conversely, I hope that the audience will find an understanding of the historical background of this ancient process in Japan and the new contemporary techniques now used to produce this modern art."

*What are your plans for the future, in terms of new books or other projects?
"I have continued with my research into Japanese textile traditions looking at kesa or Buddhist monastic robes and, recently, mandalas. Both of these areas of research have lead to art work on these themes. An exhibition, "Kesa for the Millennium," was held at Honen-in Temple in Kyoto, Harvard School of Design, the College of St. Benedict (MN), and the Seniwati Gallery in Ubud, Bali, and is next to be held at Sumei Hall in Pasedena, CA. A new series looks at Buddhist scrolls and the mandala. I have also continued to research world batik, the use of wax-resist in global cultures, with the possibility of a future book on this topic." --This text refers to an out of print or unavailable edition of this title.


Product Details

  • Paperback: 224 pages
  • Publisher: Kodansha International (JPN) (April 2002)
  • Language: English
  • ISBN-10: 4770028571
  • ISBN-13: 978-4770028570
  • Product Dimensions: 11.7 x 9.1 x 1 inches
  • Shipping Weight: 2.9 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,706,747 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

24 of 24 people found the following review helpful:
5.0 out of 5 stars Everything on the subject!, October 27, 1998
If you want to know anything or everything about Japanese textile dyeing techniques, this is the sourcebook. It is expensive, but well worth the price. This is not your usual coffee table book. Sure, it shows pictures of the textiles themselves. But it also discusses the dyeing techniques in great detail. It even gives the reader step by step instructions, with pictures, of how to make and apply to various resists. It even gives recipies for resists! It is an invaluable reference for the textile artist and clothing historian. I have never before seen a book so useful and so informative. It gets the Reconstructing History thumbs up!
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Excellent, October 22, 2008
This review is from: The World of Rozome: Wax-Resist Textiles of Japan (Paperback)
This book is considered the seminal text in English on this ancient artform, which is similar to batik in that it utilizes melted wax as a resist, but uses completely different techniques and completely different tools. The resulting artwork had a unique look, more like a painting. Filled with photos and detailed text, it is a comprehensive book, detailing the styles of several living rozome masters in Japan, as well as providing instructions for how to begin to do this work, and what supplies are needed. I learned about this book during travel. It is out of print and hard to get. My companion told me I'd never find one for sale. I was delighted to get this used copy in excellent condition, received just 3 days from when I placed my order. The author is a fine artist in her own right, going beyond the techniques described in the book to create timely, exquisite and visionary artwork.
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Inside This Book (learn more)
First Sentence:
Humans have spun fiber and woven cloth since the seventh millennium B.C. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
imported sarasa, city art college, kimono company, kimono production, meibutsu gire, wax dyeing, squeeze cone, stearin wax, resist textiles, kimono business, wax resist, stencil dyeing, cold resist, wax formulas, textile scholars, resist medium, wax pot, resist dyeing, wax temperature, paste resist, wax application, ancient textiles, dyed textiles, dye application, dye penetration
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Kageo Miura, Yusuke Tange, Central Asia, Kohrow Kawata, Kyoto City University of Arts, Shigeki Fukumoto, Silk Road, Takeo Sano, Gekka Minakawa, Hermits Riding Cranes, Mitsuo Takaya, Tadayoshi Yamamoto, Tang China, Tokyo National Museum, Tsuruichi Tsurumaki, Yoshito Tanino, Chie Otani, Katsuji Yamade, Keijin Ihaya, Kyoto City Art College, Modern Art Association, Yukiko Komori, Advanced Wax-Resist Techniques, Louvre Museum, Seven Brothers Kurgans
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