Customer Reviews

The World on Sunday : Graphic Art in Joseph Pulitzer's Newspaper (1898 - 1911)

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An amazing peek into the vivid (and not infrequently lurid) images and text purveyed by Pulitzer's Sunday World newspaper at the turn of the 20th century. Paging through this volume shows the ambitiously crafty ends toward which the paper used their 4-color miracle machine. Of course there are photographs and line drawings, crazy cartoons and ads; but there's also waterpaint-boxes (enabling readers to wet the page and paint for a contest), easter egg patterns that transfer from the vinegared newsprint page, cut out dolls, boxing puppets whose clobbering fists deploy the fingers of the hand that holds them, and even a tachistoscopic thread that encouraged readers to cut out the image on a tape and make a movie at home. Brentano and Baker deserve the applause of all future generations; this book demonstrates a slice of the feast they saved from the chop shops. These rainbow images contrast starkly with the wallpaper at Subway sandwich shops, which use the bleary black and white microfiche reproductions of the same newsprint. The authors raised $150K to buy the British Library's last extant volumes archiving the golden age of America's yellow journalism, and they eventually found a hospitable archive at Duke. Nicholson Baker has written a book that describes their fight to save this trove. If you are a fan of his noodling, endlessly discursive writing, that's the one item that's not included here: the captions for each page are written by his wife and partner, Margaret Brentano, in clear descriptive terms that let the astounding pages do all the dazzling.

This book celebrates one of the high points in American popular culture. In the late 1800's, Joseph Pulitzer, publisher of the New York World, purchased the first great high quality color printer for newspapers. He then used it to publish beautiful color graphics every Sunday. This is both great art and great entertainment. But the story of how the author Nicholson Baker and his wife, Margaret Brentano, tracked down the last surviving complete collection of this work just before it was to be lost forever is just as thrilling. This is an exquisite book that is the product of great work by great people. Get ready to enjoy a true treasure.

Amazingly, there almost no collections of Pulitzer's ground-breaking newspaper in existence. At considerable personal expense, authors Baker and Brentano rescued a trove of New York World papers from a library in Britain. Here they reproduce a selection of the Sunday pages, mostly covers. Included are covers by comic artists like Outcault, Herriman, and McManus, but also by "fine" artists like George Luks -- and a fabulous graphic artist named Biedermann, among many others.

Words just cannot do justice to this wonderful volume. The use of color separation here is just incredible, and is something that anyone who loves printmaking or beautiful graphics will treasure. Comics afficianados who love Winsor McCay and Lionel Fenninger will find much to appreciate here, as will those who love Chris Ware. But it is also a great coffee table book with historical interest that everyone will love. Just great.

As a librarian, I am horrified, but unfortunately not too surprised to learn that few libraries have kept back issues of the newspaper put out by one of the great figures in USA publishing. And that's before I saw how beautiful it is! The idea that not only all this information but all this art was nearly lost is appalling. (I'm glad Duke University took it, but I hope the gift requires them to return it if they decide to throw it out.) I've been on the losing end of these fights, and no, one can't always assume that someone else kept the material.

Meanwhile, enjoy a glorious and gorgeous piece of historic publishing. I had no idea that color printing was so widely used ad so good at such an early time. The pictures often show great artistic skill and witty humor. There are also some fascinating bits of newpaper history.

A fantastic gift to the nation and the world. I can only show my appreciation by buying my own copy.

A treasure of a lost time and a lost art. Aside from the short-life expectancy and lack of modern conveniences like, uh, cars, ATMs, antibiotics, radio, microwave ovens, television, computers, etc., this book makes you wish you lived back then- when science, technology, and journalism were in their infancy and every day held some new, authentic wonder- not just a smaller cell phone. It's also quite amazing to see how advertisements, typefaces, layouts, and prose have radically changed in a century, and not necessarily for the better- unless you're one of those "Form Follows Function" kooks. A must for all you Luddites out there.

I am a fan of the "Golden Age" of American Comics which ran from the late 1930's through the 1940's. "The World on Sunday" is a compilation of some of the best graphic art that appeared in Joseph Pulitzer's "The World" from 1898 to 1911. Most fans of American comic book history know about the history of the early American comic strips of this period. The creators of the Golden Age undoubtedly were influenced by these early comic strips. However, they always were profoundly influed by the rich visual art work that came out in the newspapers of the era. "The World on Sunday" is beautifully produced and is a must purchase for all those interested in American popular culture. Finally, I would also recommend Cordula Lebeck's "Kiosk". In this volume, Lebeck follows the development of popular journalism into the age of photography in the 1930's.

Joseph Pulitzer's New York WORLD flourished at the turn of the 20th century and grew from a modern daily paper to a sensationalist publication packed with striking colorful art, from photos to cartoons and drawings. THE WORLD ON SUNDAY gathers over a hundred of the best from WORLD and places them in an oversized presentation to display their color on single and double-page spreads. A chronological arrangement lends to a fine sequence of reproductions tracing editorial and news highlights of the times, while colorful commentary accompanies the pieces and provides the necessary background for appreciation by all audiences. THE WORLD ON SUNDAY: GRAPHIC ART IN JOSEPH PULITZER'S NEWSPAPER (1898-1911) is a top pick not just for art or newspaper library holdings, but for general-interest collections as well: it captures the art, craft and style of a bygone era and is a lush example of newspaper history at its finest.

Diane C. Donovan
California Bookwatch