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The World of Swing: An Oral History of Big Band Jazz
 
 
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The World of Swing: An Oral History of Big Band Jazz [Paperback]

Stanley Dance (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

March 6, 2001
Now available for a new generation of swing enthusiasts, reissued to coincide with the release of "The World of Swing" CD from Columbia/Legacy, this monumental history of big band jazz, documented through interviews with forty leading musicians, has been updated with a new introduction and discography by Dan Morgenstern.

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The World of Swing: An Oral History of Big Band Jazz + Swing : Third Ear - The Essential Listening Companion
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Editorial Reviews

Review

"Were it not for Stanley Dance, our knowledge of jazz history would be considerably thinner." -- Nat Hentoff

About the Author

Stanley Dance (1910–1999) was the author of The World of Duke Ellington, The World of Earl Hines, The World of Swing and editor of Jazz Era: The Forties, all published by Da Capo Press. He was a regular contributor to Jazz Times and other publications.

Product Details

  • Paperback: 304 pages
  • Publisher: Da Capo Press (March 6, 2001)
  • Language: English
  • ISBN-10: 0306810166
  • ISBN-13: 978-0306810169
  • Product Dimensions: 9.3 x 5.7 x 1.1 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #271,727 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
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Most Helpful Customer Reviews

3 of 4 people found the following review helpful:
5.0 out of 5 stars An essential work --"I would rather be dead" than not swing!, April 18, 2005
By 
Tony Thomas (SUNNY ISLES BEACH, FL USA) - See all my reviews
This review is from: The World of Swing: An Oral History of Big Band Jazz (Paperback)
The people interviewed in this book are leading Swing musicans. They may not be well-known to the neo-swingsters, or those whose idea of swing is big band white swing groups that were essentially pop oriented parasites on Black music, nor are post swing proto rock and rollers misidentified with Swing like Louis Jordan or Louis Prima featured.

However, if you interested in serious swing musicians who were at the center of the jazz swing music, African American pioneers, and jazz oriented white musicians this is your book.

Dance is a great interviewer here and in his other world of books. He gets behind the common places to points that MUSICIANS really want to know about the player's experience.

An example is the interview he did with Elmer Snowden in which a dying Snowden allows him to use his secret that he used guitar strings on his banjo is precisely for those of us who recognize Snowden as a major Jazz banjoist, a major band leader, a senior stateman of Jazz, even though he may remain unknown among white yuppie swing wannabes (or has another fad captivated these know-nothings?).

Dance also interviews enough of the great arrangers--a group neglected by everyone except musicians and serious swing fans--that we get a pictures of their contributions.

This book is not narrow. There are lots of connections from the Swing world of the 30s and 40s back to earlier forms of Jazz and forward to bop, R & B, and even rock and roll here.

My favorite part of the book is where he takes a poll of all his interviewees. My favorite part is where the musicians are asked what they would do if they were not musician. We see a bunch of interesting alternatives that help you gauge the personality and background with their alternatives. My favorite is the player--I will let you discover who he is--who says "I would rather be dead" than not play music! I've used that as a watchword not only for music but for the better things in life morally, artistically, and every other way.
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5 of 7 people found the following review helpful:
3.0 out of 5 stars Some pretty obscure folks???, May 30, 2001
This review is from: The World of Swing: An Oral History of Big Band Jazz (Paperback)
Now when I ordered this book I was under the assumption it would be about Big Bands and Swing (isn't that pretty much the title?).Now when most people think of Big Bands they think of Miller, Dorsey, Shaw, Herman, Thornhill, or even famous sidemen from these bands such as Conrad Gozzo for example. But this book is filled with some pretty obscure folks, ie: Lawrence Lucie,Billy Mackel,Eddie Locke and of course famous ones that you'll recognize such as Erskine Hawkins, Cozy Cole, Chick Webb etc..but for those fans thinking it will be about possibly there favorite band leader or about the music that was played or by who they will be sadly mistaken. Not that the book is un -interesting, it's just not what I was expecting when I ordered it. So buyer beware .....
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Inside This Book (learn more)
First Sentence:
Histories of the Swing Era have usually been concerned with successful bandleaders and a few outstanding innovators. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
second trumpet solo, first trumpet player, very good band, great trumpet player, tenor player, reed section, trombone player, saxophone section, trumpet section, tenor saxophone, stock arrangements
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Louis Armstrong, Chick Webb, Duke Ellington, Benny Carter, Earl Hines, Coleman Hawkins, Claude Hopkins, Roy Eldridge, Cab Calloway, Erskine Hawkins, Count Basie, Don Redman, Fats Waller, Benny Goodman, Johnny Hodges, Cotton Club, Teddy Hill, Willie Bryant, Luis Russell, Lucky Millinder, Stuff Smith, Billie Holiday, Cozy Cole, Teddy Wilson
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