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World Within World: The Autobiography of Stephen Spender (Modern Library) [Hardcover]

Stephen Spender (Author), John Bayley (Introduction)
4.8 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

Modern Library January 2, 2001
"In this book I am mainly concerned with a few themes: love; poetry; politics; the life of literature....I believe obstinately that, if I am able to write with truth about what has happened to me, this can help others....In this belief I have risked being indiscreet, and I have written occasionally of experiences which seem strange to me myself, and which I have not seen discussed else-where." So begins Stephen Spender's autobiography, widely acclaimed as the twentieth century's greatest memoir.

Spender was one of his generation's most celebrated poets, a writer living at the intersection of literature and politics in Europe between the two world wars. His portraits of his friends—Virginia Woolf, T. S. Eliot, W. H. Auden,
W. B. Yeats, and Christopher Isherwood—render a romantic world of literary genius. Spender uses a poet's language to create an honest and tender exploration of amity and the many possibilities of love. First published in 1951, World Within World simultaneously shocked and bedazzled the literary establishment for its frank discussion of Eros in the modern world.

Out of print for several years, this Modern Library edition includes a new Introduction by the critic John Bayley and an Afterword Spender wrote in 1994 describing his reaction to the charges that David Leavitt plagiarized this autobiography in a novel.

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Editorial Reviews

From Publishers Weekly

After being out of print for 12 years, Spender's classic autobiography appears in the wake of the author's plagiarism lawsuit against novelist David Leavitt.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

"This is a notable work on the meaning of a man's life and the varied aspects of the world in which he lives," said LJ's reviewer of Spender's autobiography (LJ 4/15/51) in which he serves up not only his own life in the arts but also offers portraits of Yeats, T.S. Eliot, Woolf, and other literary luminaries. The book was also the center of controversy when Spender's homosexual affair was fictionalized in a pornographic novel. Spender sued, and the novel was pulled. This edition contains a new introduction by the author.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Hardcover: 432 pages
  • Publisher: Modern Library (January 2, 2001)
  • Language: English
  • ISBN-10: 0679640452
  • ISBN-13: 978-0679640455
  • Product Dimensions: 7.7 x 5.3 x 1.3 inches
  • Shipping Weight: 12.8 ounces
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,067,007 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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Average Customer Review
4.8 out of 5 stars (4 customer reviews)
 
 
 
 
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15 of 16 people found the following review helpful:
4.0 out of 5 stars A poignant memoir, although ultimately sad., March 17, 2001
By 
Daniel Myers (Greenville, SC USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: World Within World: The Autobiography of Stephen Spender (Modern Library) (Hardcover)
I like Stephen Spender. That is, of course, I like his poetry that I've read as well as his introduction to my favorite novel:Malcolm Lowry's Under The Volcano. I like this book too. But, first of all, there's altogether too much name-dropping, which becomes rather tedious at times. Some of the anecdotes are quite rum, like the ones involving Lady Ottoline Morrel. But all this Bloomsbury-Virginia Woolf business gets on one's nerves (well, mine anyway) after a while. I don't think Spender's homosexual relationship is the most important thing in the book; though it was doubtless courageous of Spender to include it as well as indispensable to getting this book back in print! The most important thing in the book is the difference in the pre- versus post- Spanish Civil War mindset among sensitive, well-bred intelllectuals among whom Spender was a figure. Before the war, Spender says, it seemed that individuals (particularly idealists) could make a difference. After the war, all that had not been killed fighting Franco (and there were many) were disillusioned and glum, especially Spender. Finally, this book has a sad tone that runs from Spender's school days to his middle age. He was a cultured, gifted writer who had not, by his middle ages, produced a "great work." And, despite the Queen's Gold Medal and Knighthood in later years, his melancholy grew worse. He speaks of himself at the end of the book as "rotted by a modicum of success" and admits that "My mistake was to think that my own nature would make everything easy."-The strange thing is that he didn't shake this attitude off. He was only halfway through his life. I was going to make put forth some hypotheses as to why, but, really, it's anybody's guess. Isn't it?
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13 of 14 people found the following review helpful:
5.0 out of 5 stars Excellent Memoir, February 13, 2001
By 
Polonius (Flushing, NY United States) - See all my reviews
This review is from: World Within World: The Autobiography of Stephen Spender (Modern Library) (Hardcover)
Memoirs have become ubiquitous recently, a favored literary form. World Within World is one of the best. Stephen Spender, one of England's leading twentieth century poets and literary figures wrote this book less than half way into his long life, covering his youth and early middle age through World War Two. While this book became notorious a few years back as the source of a lawsuit for plagiarism brought by Spender against David Leavitt over his book While England Sleeps, the book has merit far beyond the controversy. The incident which forms the basis of the dispute, Spender's rescue efforts on behalf of a former lover during the Spanish Civil War, is merely one of the interesting and illuminating episodes and set pieces of this book. Spender, growing up in the wake of World War One, in a well-connected family, encountered some of the leading literary figures of the Twentieth Century. He was a contemporary and friend of W. H. Auden, Christopher Isherwood and Cyril Connolly, whom he incisively sketches and analyzes, both in terms of personality and work. He was taken under the wings of such giants as Virginia Woolf and T.S. Eliot, who form the basis of two fascinating portraits. Most memorable perhaps is his description of a meeting with William Butler Yeats at Lady Ottoline Morrill's salon that started out quite disastrously but was rescued by Lady Ottoline's desperate telephone call to Woolf. Not only does he describe the literary scene in England, but also the atmosphere of Weimar Germany, Civil War Republican Spain and World War Two England. Indeed we get a glimpse of the Berlin boarding house immortalized by Isherwood and later in Cabaret. As memorable as he is in describing others, Spender is balanced, acute and unsparing in his self-analysis. Aware of the characteristics of his work that distinguishes it from that of others, he gives insight into his creative methods and process, rescuing poetry from misty philosophizing and dogmatic pronouncements. There is little self-aggrandizement or puffery and very little malice if any in this book. Its style is clear and its content admirable. It is well worth reading.
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5.0 out of 5 stars Phenomenal Little Memoir, July 24, 2011
This review is from: World Within World: The Autobiography of Stephen Spender (Modern Library) (Hardcover)
It is interesting that one can order this book through resellers but not through Amazon.com itself, if I understand the product page. Maybe I have misread the page.

Regardless, this is an excellent little memoir. I love it. I love the name-dropping and then the vignettes that follow. Importantly, he spends several pages on three incredibly important 20th century writers/poets: W. H. Auden (poet), Christopher Isherwood (writer/novelist), and Virginia Woolf (a poet who wrote only prose).

One can tell that a poet wrote the memoir, it is simply a joy to read, regardless of the content.

I have a longer discussion of the book at my blog for those interested.

The book is geared for "advanced" literature students, say graduate students in English literature.

I'm particularly happy that it was published by Modern Library: a very aesthetic book to hold and to read.
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