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World of Perception
 
 

World of Perception [Kindle Edition]

Maurice Merleau-Ponty
4.7 out of 5 stars  See all reviews (3 customer reviews)

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Editorial Reviews

Review

‘In just over a hundred pages, this elegant volume present the reader with the text of seven talks...In addition, the lectures are preceded by an informative Foreword by Stéphanie Ménasé and by an excellent as well as accessible Introduction by Prof. Thomas Baldwin.’ Mentalhelp.net

Product Description

"Painting does not imitate the world, but is a world of its own."

In 1948, Maurice Merleau-Ponty wrote and delivered on French radio a series of seven lectures on the theme of perception. Translated here into English for the first time, they offer a lucid and concise insight into one of the great philosophical minds of the twentieth-century.

The lectures explore themes central not only to Merleau-Ponty's philosophy but to phenomenology as a whole. He begins by rejecting the idea - inherited from Descartes and influential within science - that perception is unreliable, prone to distort the world around us. Merleau-Ponty instead argues that perception is inseparable from our senses and it is how we make sense of the world.

Merleau-Ponty explores this guiding theme through a brilliant series of reflections on science, space, our relationships with others, animal life and art. Throughout, he argues that perception is never something learned and then applied to the world. As creatures with embodied minds, he reminds us that we are born perceiving and share with other animals and infants a state of constant, raw, unpredictable contact with the world. He provides vivid examples with the help of Kafka, animal behavior and above all modern art, particularly the work of Cezanne.

A thought-provoking and crystalline exploration of consciousness and the senses, The World of Perception is essential reading for anyone interested in the work of Merleau-Ponty, twentieth-century philosophy and art.


Product Details

  • Format: Kindle Edition
  • File Size: 200 KB
  • Print Length: 136 pages
  • Page Numbers Source ISBN: 041531271X
  • Simultaneous Device Usage: Up to 4 simultaneous devices, per publisher limits
  • Publisher: Taylor & Francis (March 16, 2007)
  • Sold by: Amazon Digital Services
  • Language: English
  • ASIN: B000OI15ZW
  • Text-to-Speech: Enabled
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #214,528 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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68 of 71 people found the following review helpful:
5.0 out of 5 stars Finally, an effective way to introduce Merleau-Ponty, January 28, 2005
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As a scholar whose intellectual life has been continually guided and inspired by the work of Merleau-Ponty for three and a half decades, I am overjoyed by the translation and publication of these seven radio lectures given by Merleau-Ponty in France in 1948. For the serious scholar, these are beautifully written and elegant statements about the heart of Merleau-Ponty's project to shift the ground of philosophy and phenomenology by diving into the depth of the perceptual world and turning to art as a touchstone for a reawakened perceptual experience. However, for the beginning philosophy student, they are wonderfully clear, engaging, and immediately comprehensible. For many of us, it has been frustrating that for the introductory student, much of Merleau-Ponty's oeuvre is intimidating or calls for a greater investment of concentration than many students are willing to make. This book is the perfect solution: it is brief, clear, and inviting. The perfect introduction... I can't recommend it highly enough! ... A sheer delight, as well as subtle, nuanced and evocative!
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Merleau-Ponty made plain, June 28, 2011
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Theory can be difficult to understand and apply. This book gives the author's philosophy clarity without compromising his theoretical application. Glad I've added this book to my collection. An added positive: it's easy reading!
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0 of 1 people found the following review helpful:
4.0 out of 5 stars there is something about anger in this book, November 12, 2011
By 
Bruce P. Barten (Saint Paul, MN United States) - See all my reviews
(REAL NAME)   
Amazon Verified Purchase(What's this?)
Letting the person escape.

The World of Perception (1948, 2002, 2004) by Maurice Merleau-Ponty has an introduction by Thomas Baldwin which mentions "important matters that escape science" (p. 14) and the idea of freedom that we only imagine:

. . . we can neither escape personal responsibility
by imagining that our dependence upon others
determines how we are to act,
nor escape this dependence upon others
by imagining that our freedom enables us
to shape our future inalienably. (pp. 23-24).

the significance of everything
we try to do is dependent upon
the meaning others give to it. (p. 24).

the poet has to rely on the fact
that the reader brings certain
expectations and understandings
to their reading of the poem (p. 26).

there is no escape from the
requirement to justify our actions,
but, equally, no escape from the fact
that as we locate our justifications
in a space of reasons whose dimensions
are set by others, we have to accept
that they are bound to be found wanting
in some ways. (p. 27).

We glimpse an enigmatic world when we allow entertainment values to provide the frame of reference of society as in these radio talks by Maurice Merleau-Ponty:

In fact, this world is not just open
to other human beings but also to
animals, children, primitive peoples
and madmen who dwell in it after
their own fashion. (p.54).

The standards of institutions which can fire people for not being needed at the moment, or for failing to adopt a new priority which has been selected in order to surround those with power and wipe out everything that they stand for, grants greater meaning to "these extreme or aberrant forms of life and consciousness." (p. 54). Having discovered the techniques for bombing people back into the stone age, the extremes of financial manipulation have also created a world reserve currency which can leave the entire world destitute by shutting off the electricity. We assume that civilization formerly belonged in an intellectual context:

For classical thinkers,
this is a question of divine law:
for they either see human reason
as a reflection of the creator's
reason, or, even if they have entirely
turned their back on theology,
they are not alone in continuing
to assume that there is an underlying
harmony between human reason and the
essence of things. (pp. 55-56).

And if, for one moment, I step out
of my own viewpoint as an external
observer of this anger and try to
remember what it is like for me
when I am angry, I am forced to
admit that it is no different. (p. 63).

The location of my anger,
however, is in the space
we both share (p. 64).

For anxiety is vigilance,
it is the will to judge,
to know what one is doing
and what there is on offer. (p. 67).

Cinema has yet to provide us
with many films that are
works of art from start to finish:
its infatuation with stars,
the sensationalism of the zoom,
the twists and turns of plot
and the intrusion of pretty pictures
and witty dialogue, are all tempting
pitfalls for films which chase success
and, in so doing, eschew properly cinematic
means of expression. (p. 73).
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 (What's this?)
&quote;
Here, for the first time, we come across the idea that rather than a mind and a body, man is a mind with a body, a being who can only get to the truth of things because its body is, as it were, embedded in those things. &quote;
Highlighted by 15 Kindle users
&quote;
But this is not how the world appears when we encounter it in perception. When our gaze travels over what lies before us, at every moment we are forced to adopt a certain point of view and these successive snapshots of any given area of the landscape cannot be superimposed one upon the other. &quote;
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&quote;
His main claim is, then, that our embodiment brings to our perceptual experience an a priori structure whereby it presents itself to us in consciousness as experience of a world of things in space and time whose nature is independent of us. &quote;
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