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World's Fairs and the End of Progress: An Insider's View [Illustrated] [Paperback]

Alfred Heller (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

April 1, 1999
World's fairs were created to show off the wonders of the industrial revolution. Great engines, presses, steel cannons, the typewriter, television, the elevator, even the Statue of Liberty first appeared at expos. But industrial progress has led to a polluted planet, and the very idea of progress needs to discover new direction. Can our society now find paths to sustainable development? World's fairs are flourishing, says the author. They are in a position once again to define an era. And it's actually happening.

This book provides an overview of world's fairs at the turn of the millennium. It describes the nature of fairs, shows how they have evolved, and considers where our fairs may be headed. The author demonstrates how in varying degrees fairs have tried to cope with the progress/environment issue, and suggests how they (and by implication the society as a whole) can do a better job of it in the future.

Because he has attended fifteen world's fairs, beginning with the Golden Gate International Exposition of 1939, and has written extensively about recent ones, Alfred Heller brings new perspectives to the subject. For example, he has been in a position to observe the evolving connection between expos and the themed entertainment industry, including world's fair shows that use film-based, multimedia techniques. For better or for worse, these have given world's fairs a new lease on life. In his book, he probes this development, not least in a chapter that compares Walt Disney's Epcot to a world's fair.

Other highlights: a chapter entitled "World's Fairs in a Nutshell," in which the author distills almost sixty years of fairgoing experience into a few essentials for understanding the medium; a chapter on his fascination with "reconstructing" fairs at the sites where they took place, with the aid of materials from his collection; and chapters on fairs of the Twentieth Century, entitled "Futurama and Future" and "Turn of the Millennium." The final chapter imagines a world's fair of the future, Expo 2015 in San Francisco.


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Editorial Reviews

Review

"A beautifully written book, insightful with respect to the trends in popular culture that fairs express, and well illustrated. I recommend it highly." -- John Findling, Professor of History, Indiana University Southeast; Editor, Historical Dictionary of World's Fairs and Expositions

"An invaluable account of humanity's most important festivals, set amid the powerful political, social and environmental currents of our time. Alfred Heller has an insider's knowledge of what makes world's fairs tick." -- Ted Allan, UK, Honorary President, Bureau of International Expositions

"Brilliant! Alfred Heller has produced the most fascinating and important book on world's fairs in more than a decade." -- Bob Rogers, President, BRC Imagination Arts, Burbank

"This is a must read book." -- Fair News

"Thought-provoking... filled with wry tales about the half-hearted moves expos have made away from the progress-at-any-price attitudes of the past. In a way, it's the story of our time. Huzzah for the ecology-minded proposal for Expo 2015 in San Francisco!" -- Huey Johnson, President, Resource Renewal Institute, San Francisco

From the Author

On a brilliant, blustery March day in 1939 I first passed between the Elephant Towers of the Portals of The Pacific, at the Golden Gate International Exposition. That was the beginning of a headlong, lifelong involvement with world's fairs. All told, I have experienced fifteen of these global celebrations of art, science and industry. In addition, I have visited the sites and the remains of many fairs that I missed or that occurred before my time, and tried to bring them to life in my mind's eye, with the aid of books, drawings, photos, films, artifacts and talks with aging survivors.

This book recounts my adventures with the fairs I have seen and with fairs I have reconstructed in my imagination. It attempts to convey the inspiration, the frustrations, the laughs and the important lessons fairs can provide for the larger society; how they have changed; how they must change; and the tales they tell or conceal about the human condition. The book concludes with a prospectus for Expo 2015 in San Francisco, dedicated to restoring earth's life support systems.

I have been a captive of world's fairs since 1915, which may seem odd because I wasn't born until 1929. But my mother was ten years old at the time of the Panama-Pacific International Exposition, my father fifteen. They both lived above the fair in San Francisco's Pacific Heights. My mother went down almost every day after school with her mother or her aunt, clutching her season ticket book. My father would hang out on the Zone with his pals. My great-grandfather was a member of the founding committee. My great-uncle was vice-president of the PPIE. Through their civic organizations and clubs, both my grandmothers were busy with the fair. And, believe me, as a small child I was fed the lore of 1915 along with my oatmeal. In a sense, the Panama-Pacific was my first world's fair. At the age of ten, though, I couldn't imagine anything finer than the 1939 fair in San Francisco Bay, on a slab of dirt called Treasure Island.

World's fairs are obsolete, I am frequently told. The modern forms of communication and entertainment, widely available, make them unnecessary. True, true, but the fairs keep tumbling through our lives, enriching them immeasurably and influencing public attitudes. Expo 2000 in Hanover is upon us. The Bureau of International Expositions has awarded Expo 2005 to Seto, Japan. On several continents, events in the world's-fair family are on the drawing boards. I'm glad. Let people gather together yet another time in the cause of peace.

I have a personal reason for wanting the parade to continue. Allowing that my first world's fair was the Panama-Pacific, then Expo 2015 in San Francisco as envisioned in Chapter Eight of my book would mark for me a century of world's fairs!


Product Details

  • Paperback: 264 pages
  • Publisher: World's Fair Inc; illustrated edition edition (April 1, 1999)
  • Language: English
  • ISBN-10: 0966562003
  • ISBN-13: 978-0966562002
  • Product Dimensions: 8.4 x 6.4 x 0.4 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,467,776 in Books (See Top 100 in Books)

 

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8 of 9 people found the following review helpful:
4.0 out of 5 stars A good read but not very comprehensive, October 30, 2002
By 
Dan Trachtman (Rockville, MD USA) - See all my reviews
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This review is from: World's Fairs and the End of Progress: An Insider's View (Paperback)
The author is definately very qualified to write this book. He generally keeps the reader engrossed as he creates the backdrop and context for each of the fairs. Unfortunately, he doesnt go very in depth into any particular fair, and the reader is left craving more photos. The author frequently boasts about his extensive collection of memorabilia, but too little is shown. Its enjoyable for a quick read, but if you are interested in more in depth knowledge and imagery, you should investigate one of the more comprehensive books.
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7 of 8 people found the following review helpful:
4.0 out of 5 stars A good book., June 22, 2004
This review is from: World's Fairs and the End of Progress: An Insider's View (Paperback)
Since I am a World's Fair "fanatic" I have read almost everything that I can on the subject. In general, this is an interesting and well researched book. The author has apparently attended most of the expositions that he writes about. However, I must point up three rather glaring errors in the book. In describing the Louisiana World Expo of 1984 he states that the unbuilt symbol tower was supposed to be "80 feet tall,just 150 feet shorter than the Eiffel Tower." Since the Eiffel Tower is actually over 900 feet tall,the New Orleans fair tower would have had to have been at least 800 feet tall.This may have been a typo which the author did not catch in time.The other error states that the US Pavilion at the Brussels World's Fair of 1958 was a "large,squat,round concrete block structure." It was indeed large and round, but not squat and not made of concrete blocks.According to the excellent book about Edward Durrell Stone, the architect of the pavilion,the outer walls consisted of large aluminum panels which were latticed in intricate designs so that the interior would be flooded with natural light. I have seen photos of the US Pavilion, and it seems a beautiful and airy structure to me. (In comparison to the Soviet Pavilion, which resembled a large refrigerator!) Thirdly, the Spokane Expo of 1974 was not the first time that the U.S.S.R. exhibited at a U.S. expo. They had a large pavilion at the New York World's Fair of 1939. All in all, however, I would recommend this book to anyone who is interested in the history of World's Fairs.
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