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Most Helpful Customer Reviews
26 of 27 people found the following review helpful:
3.0 out of 5 stars
Rhetorical Questions,
This review is from: The World's Wife (Hardcover)
As volumes of poetry go, The World's Wife is very tightly-themed: each poem is a monologue in the persona of a woman married (or otherwise attached) to a more famous man. The men are more usually from myth or fairy tale (Mrs Sisyphus, Mrs Beast) than from history, although five are biblical and one or two are from history as recent as the 1960s (I think The Devil's Wife may be a portrait of Myra Hindley). Duffy's approach to these monologues is almost absolutely consistent: the women express contempt, irritation, resentment and sorrow for the foolishness and egotism of their partners. Mrs Quasimodo desecrates her husband's beloved bells by fouling them with her own urine; both Penelope and Mrs Lazarus are discomfited by their husbands' return; Mrs Tiresias seeks solace in lesbianism. Only occasionally (as with Anne Hathaway) does the wife feel real love for her husband. The subject-matter, thus paraphrased, looks gloomy and bitter, but in fact these poems are entertaining and very likeable. It is quite important to these pieces that they are funny - and we do laugh because of the constantly-perceived clash between lofty, remote, sacred men and contemporary-sounding, slangy, immediate women. Duffy's language is exactly right for her project. Rhythmically it is strongly pulsing; even more important is the function of rhyme and half-rhyme (the latter perhaps this poet's single-most impressive talent). Reinforcing the wilful, aggressive quality of the rhetoric is Duffy's aptitude for witty puns involving cliches and hackneyed figures of speech (Eurydice is 'out of this world'). At the same time, however, the language is kept aerated and three-dimensional by beautiful off-the-cuff metaphors ('a snapdragon gargling a bee'). I think all this is extremely well-judged poetry; it is rich and confident and if it lacks subtlety, irony or mysteriousness, that is in the nature of its unusually rhetorical mission.
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Deep and original!,
By
This review is from: The World's Wife: Poems (Paperback)
In "The World's Wife," Duffy takes up her themes from myths, fables, the bible, popular culture, literature and history. I find it very original that Duffy gives a voice to unheard women such as "Pilate's Wife," "Mrs. Darwin, " "Mrs. Sisyphus" and "Anne Hathaway." The more modern ones are "Mrs. Faust" and "Queen Kong".
These women's voices reveal their personal struggles which are sometimes universal ones. Joyce Akesson, author of Love's Thrilling Dimensions
3 of 3 people found the following review helpful:
5.0 out of 5 stars
New voices,
By
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This review is from: The World's Wife: Poems (Paperback)
In "The World's Wife," Duffy deftly reworks tales from myths, fables, the bible, popular culture, literature and history. Some popular stories are reexamined through the eyes of a female witness, as with "Pilate's Wife," "Mrs. Darwin, " "Mrs. Sisyphus" and "Anne Hathaway." Others are modernized; In "Mrs. Faust," Faust and his wife are a pair of yuppies collecting degrees, computers and cell phones. A few stories, like "Queen Kong", are reimagined with a female protagonist replacing the male. The poetry is as diverse as the personae, with voices ranging from lingering, dreamy and dramatic to hard, clipped and succinct.
The World's Wife lets previously unheard women speak. Their voices are not always what readers expect from a lyric speaker, for how often is deep emotion examined through rhyming slang for tits, or the nicknames for a penis? Yet when Duffy calls a modern wife frustrated by her husband's discovery of Viagra "Mrs. Rip Van Winkle," or a contemporary-voiced woman whose husband works mindlessly and ceaselessly "Mrs. Sisyphus," Duffy reveals that their personal struggles are not theirs alone. Their troubles have resonance, and echo through history, literature and myth---even though in the past it may have been left unspoken.
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