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Worship across the Racial Divide: Religious Music and the Multiracial Congregation [Hardcover]

Gerardo Marti
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

January 23, 2012
Many scholars and church leaders believe that music and worship style are essential in stimulating diversity in congregations. Gerardo Marti draws on interviews with more than 170 congregational leaders and parishioners, as well as his experiences participating in worship services in a wide variety of Protestant, multiracial Southern Californian churches, to present this insightful study of the role of music in creating congregational diversity.

Worship across the Racial Divide offers a surprising conclusion: that there is no single style of worship or music that determines the likelihood of achieving a multiracial church. Far more important are the complex of practices of the worshipping community in the production and absorption of music. Multiracial churches successfully diversify by stimulating unobtrusive means of interracial and interethnic relations; in fact, preparation for music apart from worship gatherings proves to be just as important as its performance during services. Marti shows that aside from and even in spite of the varying beliefs of attendees and church leaders, diversity happens because music and worship create practical spaces where cross-racial bonds are formed.

This groundbreaking book sheds light on how race affects worship in multiracial churches. It will allow a new understanding of the dynamics of such churches, and provide crucial aid to church leaders for avoiding the pitfalls that inadvertently widen the racial divide.

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Editorial Reviews

Review


"Marti's attention to music is timely, important, and eminently sociological." --American Journal of Sociology


"A fascinating sub-theme in Marti¹s analysis is the role of African American religious experience. He found a universal romanticizing of Black worship experience as being of a superior spiritual quality, one uniquely soulful. Certainly, Marti's work raises questions that should stimulate other research." -- Review of Religious Research


"Marti provides an ethnographically rich study that is quite timely, especially given that race and reconciliation are such vital topics in today¹s academic theology and popular church writing." --Theology


"This is a brave book that dares to challenge conventional wisdom regarding the intersections of race, worship and music. It is a model of engaged scholarship and will be essential reading for pastors, worship leaders, and students of congregations. Gerardo Marti is emerging as one of the leading sociologists of religion in the United States with a distinctive methodological approach in the field of Congregational Studies."
---William McKinney, President Emeritus, Pacific School of Religion


"Dr. Marti makes a unique and important contribution to our understanding of multi-racial churches as worshiping communities. His central focus on the worship ritual helps us to understand the meaning and lived experience of multiculturalism for participants. For social scientists and other scholars, he helps us to understand the social processes which forge commitment and identification across the most divisive of social barriers. A smart, interesting, and humane book."
---Penny Edgell, author of Congregations in Conflict: Cultural Models of Local Religious Life


"Marti is a master at unpacking the culture of a congregation. Music, he shows us, is never just about sound. It's about who and how, feelings and bodies and ethnic identities. What he tells us about how music works is far more interesting and complicated than the how-to books would have us think."
---Nancy Ammerman, author of Pillars of Faith: American Congregations and Their Partners


"Gerardo Marti adds another valuable volume to his works as an accomplished researcher and sociologist about multiethnic churches in America. What is most valuable about the book is the large collection of quotes sprinkled throughout from a plurality of voices that illustrates the diversity, complexity, and richness of worship in multiracial congregations."--DJ Chuang, Worship Leader Magazine


"A thoughtful and provocative read...Gerardo Marti has produced an interesting book focused on music as a key variable in the life of multiracial churches, and how music may help promote particular religious and social outcomes. For this, he is to be commended, and I believe others should follow his example and pay more serious attention to the role of music in the life of multiethnic, or other, religious congregations."--Journal for the Scientific Study of Religion


"This book is a paradigm shifter. To me, it represents an advance to the next stage of multiracial/ethnic/cultural ministry. Focus on people as people, bonding them together, helping to create the unity Christ prayed we'd have. Go ahead and seek musical forms that speak to many people simultaneously, and feel free to play different types of music. But you need not be in bondage to either. And the truth shall set you free."--Michael O. Emerson, Christianity Today


"What actually brings diversity is what Marti calls "racialized ritual inclusion," a strategy with problematic moral implications...Marti shows that these are fluid cultural constructs that "racialize" differences."--Church Times


"One cannot underestimate the importance of this topic and Marti's study...this is a watershed work that should be read by anyone interested in works about race, identity, and music."--Religion


"This book is more scientifically grounded in research and study than the title suggests...A scholarly, thought-provoking examination of this topic. Highly recommended."--CHOICE


"A valuable contribution to the literature...I find Gerardo Marti's sociological analysis to be most helpful and complementary to the theological and liturgical analysis explored by others."--Worship


"I have been teaching the foundational course in Christian worship at my school, North Park Theological Seminary, for the last two years. Since this is a new course for me I have been doing a good deal of reading, observing and reflecting on this most important aspect of Christian faith. By far the most provocative book I have read is Gerardo Marti's Worship Across the Racial Divide."--John E. Phelan, Jr., Senior Professor of Theological Studies and former President of North Park Theological Seminary


"Worship across the Racial Divide is necessary reading for anyone interested in the study of race, religion, and worship music."--Sociology of Religion


"Marti's analysis has provided an insightful and important Durkheimean description of the sociological shell of worship in multiracial congregations." --Contemporary Sociology


About the Author


Gerardo Marti is L. Richardson King Associate Professor of Sociology at Davidson College. He is author of A Mosaic of Believers: Diversity and Innovation in a Multiethnic Church (2005) and Hollywood Faith: Holiness, Prosperity, and Ambition in a Los Angeles Church (2008).

Product Details

  • Hardcover: 280 pages
  • Publisher: Oxford University Press, USA (January 23, 2012)
  • Language: English
  • ISBN-10: 0195392973
  • ISBN-13: 978-0195392975
  • Product Dimensions: 6.3 x 0.9 x 9.3 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #815,723 in Books (See Top 100 in Books)

More About the Author

Sociologist and author Gerardo Marti received his Ph.D. at the University of Southern California and currently holds the L. Richardson King Professorship at Davidson College. Follow his thinking and work on twitter - http://twitter.com/praxishabitus

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0 of 1 people found the following review helpful
3.0 out of 5 stars summary of a thesis March 14, 2013
Format:Kindle Edition|Amazon Verified Purchase
repetitive with too many interview summaries for filling. But the conclusion seems valid. Good book for those interested in church music
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0 of 2 people found the following review helpful
Format:Kindle Edition
When Martin Luther King, Jr., took his first pastorate at Dexter Avenue Baptist Church in 1954, one of his first priorities was to diversify the congregation. "I was convinced that worship at its best is a social experience with people of all levels of life coming together to realize their oneness and unity under God," he wrote in Stride Toward Freedom. King believed the mission of the church was to actualize the universality of God's kingdom on earth. And that means churches would also become integrated. "The church must remove the yoke of segregation from its own body," he wrote, as an expression of the unified "colony of heaven" who owe their "ultimate allegiance to God." Although King in his day remarked, "here and there churches are courageously making attacks on segregation, and actually integrating their congregations," church leaders today are tired of bearing the embarrassment of having mono-racial fellowships in an increasingly multiracial world.

The demand for music that appeals across racial and ethnic cultures has prompted great speculation, producing fights amid values, assumptions, theological convictions, and cherished practices. A book focusing explicitly on worship in multiracial churches--churches that successfully integrate two or more racial-ethnic groups in the same worship service--is critical. Several "advice books" try to fill the gap by depending on anecdotal evidence (what happened to me) or exegetical Bible study (what the Bible tells us to do). Church leaders assume worship is key to bringing racial and ethnic groups together yet have varying opinions on how worship can and should be conducted to accomplish diversity--regardless of their own experiences of success, and indeed, even in spite of continual failure. Even more--misguided worship practices based on faulty racial assumptions are dangerous in that they can accentuate rather than relieve the pervasive racial tensions in American Christianity.

Marti's book challenges many common sense assumptions about music, worship, and racial dynamics. Readers should be patient in working through the arguments throughout this book. Some might be put off by a "scholarly" reporting of research. Especially among Christian believers and those who make the study of worship their life work, social scientists and students of Christian liturgy have an uneasy relationship. There is a profound difference between a study that attempts to understand the nature of worship in a congregation and the idealized models based on a particular paradigm or preferred pattern of Christian worship. More than any other book available, every chapter represents an expanding portrait of the dynamics of worship and music within successfully diverse congregations.

The voices of pastors, worship leaders, choir members, and attenders come through strongly. Lots of stories and quotes are here. Through interviews and observations in successfully diverse churches, this book describes the persistent dynamics of worship found among diverse churches. In the process, the study provides in-depth answers to questions most commonly asked by those interested in racial diversification and the potential for achieving it through music.

Finally, this book draws on insights from musicologists and sociologists of music to provide a sophisticated perspective on the social practice of music.

Like Marti's other books A Mosaic of Believers: Diversity and Innovation in a Multiethnic Church and Hollywood Faith: Holiness, Prosperity, and Ambition in a Los Angeles Church, this newest study reveals yet more of how churches continue to innovate and change with culture.
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